The New Enemy The Old Enemy

Stay safe. Stay at home. This is what the whole world has been told during the greater part of this year, 2020. Lockdown is a term that even both my grandsons of pre-school going age understand. This isolation from the outside world is for our own good, we have been told. And this is probably true. So many millions have been infected by this novel coronavirus, COVID-19. At the time of writing there was more than 35 million infections worldwide1 and more than a million had already succumbed to this deadly enemy of the human race. The disease has not only been a threat to the health of the global population, but has also left, in its path of destruction, crippled economies and, consequently, has added millions to the already high number of unemployed people in the world. In my previous work entitled, The Church, The City & The Virus2, I have contended that probably not all countries have always responded to this pandemic in a manner that had the best interests of most of its citizens at heart. In my humble opinion, this is especially true in the case of our own country, South Africa. It appears now, with hindsight, that from the get-go, political opportunists set themselves up to benefit from the plight and suffering of the people of this nation. Heartless and corrupt, politically connected individuals have enriched themselves, their friends and their families at the expense of the poor and the destitute. The extent of the corruption has not only reached to the high heavens, but has also angered a nation already suffering the worst nightmare imaginable. There are so many sayings and clichés that one can think of that ring chillingly true during these dark days and crazy times. As others have said so many times before, power corrupts, and absolute power corrupts absolutely. Evil triumphs when good people do nothing. Those who are silent when they ought to have spoken and were able to, are taken to agree. In South Africa, now, in this author’s view, there remains a confusing silence from very influential and very powerful people whose voices many South Africans have expected to hear. I am not referring to the voices of politicians from opposition parties - sometimes, during this pandemic, politicians opposed to the ruling party have probably made relevant and useful contributions - but one can never be sure whether it is really about the nation’s interest or their own narrow interests. Other good but faint voices have also been heard. There is an organisation named For South Africa or FORSA for short, who have submitted important input to the powers that be, and they should probably be appreciated for that. The South African Council of Churches (SACC) has provided some response as far as the recent wave of corruption is concerned, but the practical possibilities of executing their proposed programme of action has yet to be seen. Many business leaders have spoken - but again, one must hope that it is really about the greater good and in the interest of the vulnerable majority and not about narrow personal, business interest. Trade unions and certain state-salaried employee groups have also made their voices heard. Again, one cannot be sure whether it is out of concern for the nation’s interests or self-interest.

The ex-MI6 agent is on the run as he uncovers a deadly conspiracy reaching back to the days of Cold War espionage in this acclaimed thriller series. Former MI6 agent Paul Samson is shadowing a young woman around London for a private security company. Though the brilliant Zoe Freemantle is intriguing, the work is a bit dull—until Samson is almost killed by a thuggish assassin. When other people connected to Paul come under attack, including legendary spy Robert Harland and billionaire Denis Hisami, Paul escapes to Estonia to make sense of the mysterious threat. Paul knows there’s a target on his back. The only question is whose finger is on the trigger. Together with Denis’s wife Anastasia, Paul picks up the trail of a former Stasi agent whose network of assets go deep into the US and UK governments. Now, Paul and Anastasia must expose the spymaster before any more people are killed or agencies compromised. An astonishing and timely thriller examining the penetration of Russian assets into all levels of western life, The Old Enemy is a complex, breathtaking race against time from “one of our most accomplished thriller writers” (Financial Times).

The description for this book, The Old Enemy: Satan and the Combat Myth, will be forthcoming.

"Fans of Hillerman will love this unique and quirky detective duo." —Leslie Glass, bestselling author of Tracking Time A Howard Moon Deer Mystery In San Geronimo, New Mexico, a bizarre murder unearths the ancient secrets of the Anasazi. And rumors of evil flesh-eating spirits run rampant.... The murder of an esteemed archaeologist is fueling an already heated war between natives and the academics who excavate their land. And when the coroner confirms that the victim was cannibalized, the story takes a twisted turn.... Private eye Howard Moon Deer and ex-police chief Jack Wilder are on the case. The killing appears to be a modern mimicry of the Anasazi's rumored past—one the tribe thinks would be best left buried. But Howard and Jack must search for clues even if it means digging up sacred land. As they struggle to fight tribal politics, the killer strikes again. And now they must race to solve the crime before fear swallows the town whole.... "Westbrook...possesses a masterful sense of narration." —The Washington Post Book World "A racy and readable writer."—The New York Times Book Review

Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities. Editors: Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board: Arjun Appadurai, New York University, Claudia Benthien, Universität Hamburg, Elisabeth Bronfen, Universität Zürich, Bishnupriya Ghosh, University of California, Santa Barbara, Joyce Goggin, Universiteit van Amsterdam, Lawrence Grossberg, University of North Carolina at Chapel Hill, Andreas Huyssen, Columbia University, Ansgar Nünning, Universität Gießen, Naomi Segal, University of London, Birkbeck College, Márcio Seligmann-Silva, Universidade Estadual de Campinas, António Sousa Ribeiro, Universidade de Coimbra, Roberto Vecchi, Universita di Bologna, Samuel Weber, Northwestern University, Liliane Weissberg, University of Pennsylvania, Christoph Wulf, FU Berlin, Longxi Zhang, City University of Hong Kong

ITâe(tm)S A DEADLY GAME OF HIDE AND SEEK Liam Scott has joined Recce Platoon, and it looks like he will be heading for Somalia. His mission is to gather intelligence from behind enemy lines, carrying out top-secret surveillance and dead-letter drops. But heâe(tm)s new to the game and thereâe(tm)s a lot to learn. Soon Liam is monitoring a den of Al Shabaab militants and hunting a key terrorist target. Can Recce Platoon find their man and get out undiscovered? If the militants find them first, itâe(tm)s game over . . .

“In the world of black-op thrillers, Mitch Rapp continues to be among the best of the best” (Booklist, starred review), and he returns in the #1 New York Times bestselling series alone and targeted by a country that is supposed to be one of America’s closest allies. After 9/11, the United States made one of the most secretive and dangerous deals in its history—the evidence against the powerful Saudis who coordinated the attack would be buried and in return, King Faisal would promise to keep the oil flowing and deal with the conspirators in his midst. But when the king’s own nephew is discovered funding ISIS, the furious President gives Rapp his next mission: he must find out more about the high-level Saudis involved in the scheme and kill them. The catch? Rapp will get no support from the United States. Forced to make a decision that will change his life forever, Rapp quits the CIA and assembles a group of independent contractors to help him complete the mission. They’ve barely begun unraveling the connections between the Saudi government and ISIS when the brilliant new head of the intelligence directorate discovers their efforts. With Rapp getting too close, he threatens to go public with the details of the post-9/11 agreement between the two countries. Facing an international incident that could end his political career, the President orders America’s intelligence agencies to join the Saudis’ effort to hunt the former CIA man down. Rapp, supported only by a team of mercenaries with dubious allegiances, finds himself at the center of the most elaborate manhunt in history. With white-knuckled twists and turns leading to “an explosive climax” (Publishers Weekly), Enemy of the State is an unputdownable thrill ride that will keep you guessing until the final page.

"An unnamed American city feeling the effects of a war waged far away and suffering from bad weather is the backdrop for this startling work of fiction. The protagonists are aimless young men going from one blue collar job to the next, or in a few cases, aspiring to middle management. Their everyday struggles--with women, with the morning commute, with a series of cruel bosses--are somehow transformed into storytelling that is both universally resonant and wonderfully uncanny. That is the unsettling, funny, and ultimately heartfelt originality of Saïd Sayrafiezadeh's short fiction, to be at home in a world not quite our own but with many, many lessons to offer us"--