The New Nature Writing

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. In the last decade there has been a proliferation of landscape writing in Britain and Ireland, often referred to as 'The New Nature Writing'. Rooted in the work of an older generation of environment-focused authors and activists, this new form is both stylistically innovative and mindful of ecology and conservation practice. The New Nature Writing: Rethinking the Literature of Place connects these two generations to show that the contemporary energy around the cultures of landscape and place is the outcome of a long-standing relationship between environmentalism and the arts. Drawing on original interviews with authors, archival research, and scholarly work in the fields of literary geographies, ecocriticism and archipelagic criticism, the book covers the work of such writers as Robert Macfarlane, Richard Mabey, Tim Robinson and Alice Oswald. Examining the ways in which these authors have engaged with a wide range of different environments, from the edgelands to island spaces, Jos Smith reveals how they recreate a resourceful and dynamic sense of localism in rebellion against the homogenising growth of “clone town Britain.”

Originally published by the Sierra Club in 1995, this handbook covers genres, techniques, and publication issues for aspiring writers, scholars, and students who want to share their experiences in nature and the outdoors.

This first full-length study of modern British nature writing is timely and invaluable for literary scholarship in the environmental crisis.

Together, their work signals a new direction in the field and offers refreshingly original insights into a broad spectrum of texts.

In this comprehensive study of the genre, Don Scheese traces its evolution from the pastoralism evident in the natural history observations of Aristotle and the poetry of Virgil to current American writers. He documents the emergence of the modern form of nature writing as a reaction to industrialization. Scheese's personal observations of natural settings sharpen the reader's understanding of the dynamics between author and locale. His study is further informed by ample use of illustrations and close readings core writers such as Thoreau, John Muir, and Mary Austin showing how each writer's work exemplifies the pastoral tradition and celebrate a spirit of place in the United States.

Winner of the Alistair MacLeod Prize for Short Fiction • A Thomas Raddall Atlantic Fiction Award Finalist • A 2022 ReLit Award Finalist • A Siskiyou Prize Semi-Finalist • A Miramichi Reader Best Fiction Title of 2021 Oil-soaked and swamp-born, the bruised optimism of Huebert’s stories offer sincere appreciation of the beauty of our wilted, wheezing world. From refinery operators to long term care nurses, dishwashers to preppers to hockey enforcers, Chemical Valley’s compassionate and carefully wrought stories cultivate rich emotional worlds in and through the dankness of our bio-chemical animacy. Full-hearted, laced throughout with bruised optimism and sincere appreciation of the profound beauty of our wilted, wheezing world, Chemical Valley doesn’t shy away from urgent modern questions—the distribution of toxicity, environmental racism, the place of technoculture in this ecological spasm—but grounds these anxieties in the vivid and often humorous intricacies of its characters’ lives. Swamp-wrought and heartfelt, these stories run wild with vital energy, tilt and teeter into crazed and delirious loves.

Escape into the wild from the comfort of your own home this winter, with a dazzling lost classic of nature writing... Eepersip is a girl with the wild in her heart. She does not want to live locked up behind the walls of a house. So she runs away - first to the Meadow, then to the Sea, and finally to the Mountain. Her heartbroken parents follow their daughter, trying to bring her home safe, but Eepersip has other ideas... Republished by Penguin with a new introduction and hand-inked illustrations by beloved artist Jackie Morris, The House Without Windows is a timeless fable about wildness, freedom and the redemptive power of the natural world. 'I can safely promise joy to any reader of The House Without Windows. Perfection' Eleanor Farjeon, winner of the Carnegie Medal and The Hans Christian Andersen Award 'Gloriously illuminated by Jackie Morris's moving art, this is a work of strange power for our own bewildered times' Nick Drake 'A classic, as miraculous and awe-inspiring as the author' Xinran, author of The Good Women of China

Published in book form four times a year, Granta is respected around the world for its mix of outstanding new fiction, poetry, reportage, memoir, photography and art.