The New Nietzsche

The fifteen essays, written by such eminent scholars as Derrida, Heidegger, Deleuze, Klossowski, and Blanchot, focus on the Nietzschean concepts of the Will to Power, the Overman, and the Eternal Return, discuss Nietzsche's style, and deal with the religious implications of his ideas. Taken together they provide an indispensable foil to the interpretations available in most current American writing.

In this long-awaited volume, David B. Allison argues for a 'generous' approach to Nietzsche's writings, and then provides comprehensive analyses of Nietzsche's The Birth of Tragedy, The Gay Science, On the Genealogy of Morals, and Thus Spoke Zarathustra. Unique among other books on Nietzsche, Allison's text includes individual chapters devoted to Nietzsche's principal works. Historically-oriented and continentally-informed, Allison's readings draw on French and German thinkers, such as Heidegger, Battaille, Derrida, Birault, and Deleuze, while the author explicitly resists the use of jargon that frequently characterizes those approaches. Reading the New Nietzsche is an outstanding resource for those reading Nietzsche for the first time as well as for those who wish to know him better.

Presents important accounts of Nietzsche's philosophy. The author shows how Nietzsche began a new way of thinking which breaks with the dialectic as a method and escapes the confines of philosophy itself.

"Around 1900, a small group of influential patrons, critics, writers, and artists turned Weimar, the capital of the small Duchy of Sachsen-Weimar-Eisenach in present-day Germany, into a utopian centre of modern art and thought. Artists like Max Klinger, Edvard Munch, and Ludwig von Hofmann, and writers like André Gide, Hugo von Hofmannsthal, and Rainer Maria Rilke sought to create a 'New Weimar and position Friedrich Nietzsche at its head as the radical prophet of modernity. Nietzsche's profound thinking, expressive language, and poignant aphoristic style made him the ideal philosopher of modernism. It is only as an aesthetic phenomenon that existence and the world are eternally justified. With philosophical maxims, such as this from The Birth of Tragedy, Nietzsche became an extraordinary influence on artists and critics in their search for a 'new art,' a 'new man,' and, ultimately, a 'new society.' In 1902, two years after the philosopher's death, Max Klinger was commissioned to carve his portrait for the Villa Silberblick in Weimar, where the cult of Nietzsche was organized. Starting from a heavily reworked death mask, he executed the famous marble herm that still today adorns the reception room of the Nietzsche Archive. Only three monumental bronze versions were cast, one of which is now in the collection of the National Gallery of Canada. With this sculpture in focus, accompanied by a series of paintings, drawings, plaster casts, and small bronzes, 'Radical Modernism' will show how Klinger and his patrons invented the 'official' Nietzsche, transforming a highly expressionist portrait into an idealized classical cult image."--publisher.

"A biography of the philosopher Friedrich Nietzsche"--

The Nazis' use and misuse of Nietzsche is well known. In this pioneering book, Bernice Glatzer Rosenthal excavates the trail of long-obscured Nietzschean ideas that took root in late Imperial Russia, intertwining with other elements in the culture to become a vital ingredient of Bolshevism and Stalinism.

Nietzsche's New Seas makes available for the first time in English a representative sample of the best recent Nietzsche scholarship from Germany, France, and the United States. Michael Allen Gillespie and Tracy B. Strong have brought together scholars from a variety of disciplines—philosophy, history, literary criticism, and musicology—and from schools of thought that differ both methodologically and ideologically. The contributors—Karsten Harries, Robert Pippin, Eugen Fink, Hans-Georg Gadamer, Kurt Paul Janz, Sarah Kofman, Jean-Michel Rey, and the editors themselves—take a new approach to Nietzsche, one that begins with the claim that his enigmatic utterances can best be understood by examining the style or structure of his thought.

In this long awaited volume, David B. Allison argues for a generous approach to Nietzsche`s writings and provides comprehensive analyses of Nietzsche`s The Birth of Tragedy, The Gay Science, Thus Spoke Zarathustra, and On the Genealogy of Morals. Unique among other books on Nietzsche, Allison`s text includes individual chapters devoted to Nietzsche`s principal works. Historically oriented and continentally informed, Allison`s readings draw on French and German thinkers such as Heidegger, Bataille, Derrida, Birault, and Deleuze, while explicitly resisting the use of jargon that frequently characterizes those approaches. Reading the New Nietzsche is an outstanding resource for those reading Nietzsche for the first time as well as for those who wish to know him better. Contents Preface, Introduction, 1. The birth of tragedy, 2. The gay science, 3. Thus spoke zarathustra, 4. On the genealogy of morals, Notes, index.