The New Yorker Book Of Political Cartoons

Presents 110 cartoons from "The New Yorker" that depict politics in America.

Cats again? You can never have too many . . . Drawn from the hundreds of cartoons published in The New Yorker in the seven years since The New Yorker Book of Cat Cartoons--as well as from fabulous older cats--this new collection is as hilarious and irresistible as the first. The cartoons provide a cat's-eye view of the world and the important things in life: food, sleep, love and affection, adventure, food, good friends and doggy enemies, back rubs, and food. We see the essence of the feline world captured with verve, humor, and warmth by classic New Yorker artists such as Ed Koren, George Booth, William Steig, Saul Steinberg, Lee Lorenz, Robert Mankoff, Mick Stevens, Danny Shanahan, and Bruce Eric Kaplan. Purrfectly divine!

Showcases the work of hundreds of artists who have contributed to the magazine throughout its eighty-year history, in a richly illustrated volume containing 2,500 black-and-white cartoons by Peter Arno, Charles Addams, Jack Ziegler, Roz Chast, and other notables, along with essays on the evolution of the magazine's humor and style, and a fully searchable DVD-ROM. Reprint. 40,000 first printing.

This monumental, two-volume, slip-cased collection includes nearly 10 decades worth of New Yorker cartoons selected and organized by subject with insightful commentary by Bob Mankoff and a foreword by David Remnick. The is the most ingenious collection of New Yorker cartoons published in book form, The New Yorker Encyclopedia of Cartoons is a prodigious, slip-cased, two-volume, 1,600-page A-to-Z curation of cartoons from the magazine from 1924 to the present. Mankoff -- for two decades the cartoon editor of the New Yorker -- organizes nearly 3,000 cartoons into more than 250 categories of recurring New Yorker themes and visual tropes, including cartoons on banana peels, meeting St. Peter, being stranded on a desert island, snowmen, lion tamers, Adam and Eve, the Grim Reaper, and dogs, of course. The result is hilarious and Mankoff's commentary throughout adds both depth and whimsy. The collection also includes a foreword by New Yorker editor David Remnick. This is stunning gift for the millions of New Yorker readersand anyone looking for some humor in the evolution of social commentary.

A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.

"One of the great political cartoonists of our time." —David Remnick A gorgeous, hilarious, and provocative compendium of the Pulitzer Prize-winning artist’s illustrations for The New Yorker, The New York Times, Vanity Fair, and more. Barry Blitt’s cartoons have been lampooning American politics and culture for decades. His iconic New Yorker covers are defining images for our times, earning him adoration from critics and fans and piles of hate mail from everyone else. This lavish full-color collection showcases more than a quarter century of Blitt’s work: his wry and provocative New Yorker covers, from the Obama fist bump heard round the world, to George W. Bush’s drowning cabinet, to the myriad (and counting) misadventures of Donald Trump; Blitt’s long-running collaboration with Frank Rich on The New York Times op-ed page; and his work for Vanity Fair, Time, Entertainment Weekly, and others. Blitt also shares his private sketchbooks, drafts, and uproarious rejected illustrations, offering readers an illuminating view into his creative process. Featuring the author's hand-scrawled annotations and self-deprecating witticisms, more than one hundred never-before-seen sketches and drafts, and essays from Blitt’s collaborators and peers, including Frank Rich, Françoise Mouly, and Steve Brodner, Blitt is a visual delight and a rollicking trip into the mind of an utterly original artist.

The riotous world of the classroom, captured by the cartoonists at The New Yorker The New Yorker Book of Teacher Cartoons, Second Edition is a hilarious compilation of cartoons that capture the joy, terror, excitement, anxiety, fun, and bedlam that teachers experience every day, as seen through the eyes of The New Yorker's best-loved cartoonists. A wonderful collection from some of the best and brightest artists in the world, The New Yorker Book of Teacher Cartoons takes a wry look into the classroom—at the students, at their devoted and demanding parents, and, especially, at the teachers in the thick of things. Includes more than 100 hilarious cartoons Updated edition reflects recent changes in the world of education Features an introduction by Lee Lorenz Compiled by Robert Mankoff, cartoon editor of The New Yorker and creator of more than eight hundred cartoons published in the magazine, The New Yorker Book of Teacher Cartoons is a perfect gift for teachers, and an encyclopedia of laughs for us all.

The "New Yorker" cartoon editor has collected dead-on portraits and eye-opening ruminations on all things bookish, courtesy of the magazine's renowned stable of cartoonists, from Charles Barsotti to Roz Chast, Ed Koren to Frank Modell, and Jack Ziegler to Victoria Roberts.