The Nightingale S Sonata

*Winner of the Sophie Brody Medal* A moving and uplifting history set to music that reveals the rich life of one of the first internationally renowned female violinists. Spanning generations, from the shores of the Black Sea to the glittering concert halls of New York, The Nightingale's Sonata is a richly woven tapestry centered around violin virtuoso Lea Luboshutz. Like many poor Jews, music offered an escape from the predjudices that dominated society in the last years of the Russian Empire. But Lea’s dramatic rise as an artist was further accentuated by her scandalous relationship with the revolutionary Onissim Goldovsky. As the world around them descends in to chaos, between revolution and war, we follow Lea and her family from Russia to Europe and eventually, America. We cross paths with Pablo Casals, Isadora Duncan, Emile Zola and even Leo Tolstoy. The little girl from Odessa will eventually end up as one of the founding faculty of the prestigious Curtis Institute of Music, but along the way she will lose her true love, her father, and watch a son die young. The Iron Curtain would rise, but through it all, she plays on. Woven throughout this luminous odyssey is the story is Cesar Franck’s “Sonata for Violin and Piano.” As Lea was one of the first-ever internationally recognized female violinists, it is fitting that this pioneer was one of the strongest advocates for this young boundary-pushing composer and his masterwork.

“An unforgettable story of music, loss and hope. Fans of High Fidelity, meet your next quirky love story.”—People NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE TIMES (UK) AND THE WASHINGTON POST It is 1988. On a dead-end street in a run-down suburb there is a music shop that stands small and brightly lit, jam-packed with records of every kind. Like a beacon, the shop attracts the lonely, the sleepless, and the adrift; Frank, the shop’s owner, has a way of connecting his customers with just the piece of music they need. Then, one day, into his shop comes a beautiful young woman, Ilse Brauchmann, who asks Frank to teach her about music. Terrified of real closeness, Frank feels compelled to turn and run, yet he is drawn to this strangely still, mysterious woman with eyes as black as vinyl. But Ilse is not what she seems, and Frank has old wounds that threaten to reopen, as well as a past it seems he will never leave behind. Can a man who is so in tune with other people’s needs be so incapable of connecting with the one person who might save him? The journey that these two quirky, wonderful characters make in order to overcome their emotional baggage speaks to the healing power of music—and love—in this poignant, ultimately joyful work of fiction. Praise for The Music Shop “Captures the sheer, transformative joy of romance.”—The Washington Post “Love, friendship, and especially the healing powers of music all rise together into a triumphant crescendo. . . . This lovely novel is as satisfying and enlightening as the music that suffuses its every page.”—The Boston Globe “Magnificent . . . If you love words, if you love music, if you love love, this [novel] will be without question one of the year’s best.”—BookPage (Top Pick in Fiction) “Joyce has a knack for quickly sketching characters in a way that makes them stick. [The Music Shop] will surprise you.”—Minneapolis Star Tribune “Rachel Joyce has established a reputation for novels that celebrate the dignity and courage of ordinary people and the resilience of the human spirit. . . . But what really elevates The Music Shop is Joyce’s detailed knowledge of—and passion for—music.”—The Guardian

Joseph and Harriet Blackstone emigrate from Norfolk to New Zealand in search of new beginnings and prosperity. But the harsh land near Christchurch threatens to destroy them almost before they begin. When Joseph finds gold in the creek he is seized by a rapturous obsession with the voluptuous riches awaiting him deep in the earth. Abandoning his farm and family, he sets off alone for the new gold-fields over the Southern Alps, a moral wilderness where many others, under the seductive dreams of 'the colour', are violently rushing to their destinies. By turns both moving and terrifying, The Colour is about a quest for the impossible, an attempt to mine the complexities of love and explore the sacrifices to be made in the pursuit of happiness.

A challenging exploration of mental illness and disability from Governor General’s Award winner Jacob Scheier. Is This Scary? digs deep into internal landscapes of suffering, including depression and anxiety, chronic physical ailment, and rare neurological malady. With its many eccentric songs and odes to medications and medical procedures, this book is full of both levity and unapologetic lament. Pushing back against societal stigma, Is This Scary? unflinchingly addresses experiences of psychiatric institutionalization and suicidality, without either romanticizing or pathologizing them. Scheier rejects much of the mainstream cultural views of mental illness, subverting the biochemical model by emphasizing the radical subjectivity of mental suffering. While the poems render the difficulty of communicating pain to others, they defiantly celebrate its expression and evocation through visceral lyricism. Scheier also challenges our culture’s desire to be inspired by stories of “triumphing” over illness and disability. Nothing is overcome here, the journey from illness to wellness is one of narrative and aesthetic disruption. The perpetually incomplete search for self and home is ultimately at the heart of this book: along with being a person with disabilities, the poet-speaker identifies as a Diaspora-Jew, engaging exile as a chronic state of being that isn’t intended to be resolved, but rather explored, expressed, and honored.

Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.

This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.

Presents the story of how French composer Olivier Messiaen was able to overcome the desolation of a World War II prison camp through the power of music.

A Violin solo with Piano Accompaniment composed by César Franck.