The O Henry Prize Stories 2013

The O. Henry Prize Stories 2013 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. The winning stories take place in such far-flung locales as a gorgeous sailboat in Hong Kong, a Cuban sugar plantation, the Kenai River in Alaska, a mansion in New Delhi, a ship torpedoed by a German U-boat, and the ghost-haunted rubble of a Turkish girls’ school. Also included are the editor’s introduction, essays from the jurors (Lauren Groff, Edith Pearlman, and Jim Shepard) on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

The O. Henry Prize Stories 2013 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. The winning stories take place in such far-flung locales as a gorgeous sailboat in Hong Kong, a Cuban sugar plantation, the Kenai River in Alaska, a mansion in New Delhi, a ship torpedoed by a German U-boat, and the ghost-haunted rubble of a Turkish girls’ school. Also included are the editor’s introduction, essays from the jurors (Lauren Groff, Edith Pearlman, and Jim Shepard) on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

An annual collection of the twenty best contemporary short stories selected by series editor Laura Furman from hundreds of literary magazines, The O. Henry Prize Stories 2008 is studded with extraordinary settings and characters: a teenager in survivalist Alaska, the seed keeper of a doomed Chinese village, a young woman trying to save her life in a Ukrainian internet café. Also included are the winning writers' comments on what inspired them, a short essay from each of the three eminent jurors, and an extensive resource list of literary magazines.

The PEN/O. Henry Prize Stories 2012 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. These remarkable stories explore the boundaries of the imagination in settings as various as an army training camp in China, the salt mines of Detroit, a divided Balkan town, and the eye of a hurricane. Also included are essays from the eminent jurors on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

The O. Henry Prize Stories 2014 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. The winning stories roam the world, from Nigeria to Venice, from an erupting volcano in Iceland to a brothel in the old Wild West. They feature a dazzling array of characters: a young American falling in love in Japan, a girl raised by snake-handling fundamentalists, an old man mourning his late wife, and a fierce guard dog with a talent for escape. Accompanying the stories are the editor’s introduction, essays from the eminent jurors on their favorite stories, observations from the winning writers on what inspired them, and an extensive resource list of magazines. Mark Haddon, “The Gun,” Granta Stephen Dixon, “Talk,” The American Reader Tessa Hadley, “Valentine,” The New Yorker Olivia Clare, “Pétur,” Ecotone David Bradley, “You Remember The Pin Mill,” Narrative Kirstin Valdez Quade, “Nemecia,” Narrativemagazine.com Dylan Landis, “Trust,” Tin House Allison Alsup, “Old Houses,” New Orleans Review Halina Duraj, “Fatherland,” Harvard Review Chanelle Benz, “West of the Known,” The American Reader William Trevor, “The Women,” The New Yorker Colleen Morrissey, “Good Faith,” The Cincinnati Review Robert Anthony Siegel, “The Right Imaginary Person,” Tin House Louise Erdrich, “Nero,” The New Yorker Rebecca Hirsch Garcia, “A Golden Light,” Threepenny Review Chinelo Okparanta, “Fairness,” Subtropics Kristen Iskandrian, “The Inheritors,” Tin House Michael Parker, “Deep Eddy,” Southwest Review Maura Stanton, “Oh Shenandoah,” New England Review Laura van den Berg, “Opa-Locka,” The Southern Review The Jurors on Their Favorites: Tash Aw, James Lasdun, Joan Silber The Writers on Their Work Publications Submitted

The O. Henry Prize Stories 2018 contains twenty prize-winning stories chosen from thousands published in literary magazines over the previous year. The winning stories come from a mix of established writers and emerging voices, and are uniformly breathtaking. They are accompanied by essays from the eminent jurors on their favorites, observations from the winning writers on what inspired their stories, and an extensive resource list of magazines that publish short fiction. "The Tomb of Wrestling," Jo Ann Beard, Tin House "Counterblast," Marjorie Celona, The Southern Review "Nayla," Youmna Chlala, Prairie Schooner "Lucky Dragon," Viet Dinh, Ploughshares "Stop ’n’ Go," Michael Parker, New England Review "Past Perfect Continuous," Dounia Choukri, Chicago Quarterly Review "Inversion of Marcia," Thomas Bolt, n+1 "Nights in Logar," Jamil Jan Kochai, A Public Space "How We Eat," Mark Jude Poirier, Epoch "Deaf and Blind," Lara Vapnyar, The New Yorker "Why Were They Throwing Bricks?," Jenny Zhang, n+1 "An Amount of Discretion," Lauren Alwan, The Southern Review "Queen Elizabeth," Brad Felver, One Story "The Stamp Collector," Dave King, Fence "More or Less Like a Man," Michael Powers, The Threepenny Review "The Earth, Thy Great Exchequer, Ready Lies," Jo Lloyd, Zoetrope "Up Here," Tristan Hughes, Ploughshares "The Houses That Are Left Behind," Brenda Walker, The Kenyon Review "We Keep Them Anyway," Stephanie A. Vega, The Threepenny Review "Solstice," Anne Enright, The New Yorker Prize Jury for 2018: Fiona McFarlane, Ottessa Moshfegh, Elizabeth Tallent

Alice Munro’s Miraculous Art is a collection of sixteen original essays on Nobel laureate Alice Munro’s writings. The volume covers the entirety of Munro’s career, from the first stories she published in the early 1950s as an undergraduate at the University of Western Ontario to her final books. It offers an enlightening range of approaches and interpretive strategies, and provides many new perspectives, reconsidered positions and analyses that will enhance the reading, teaching, and appreciation of Munro’s remarkable—indeed miraculous—work. Following the editors’ introduction—which surveys Munro’s recurrent themes, explains the design of the book, and summarizes each contribution—Munro biographer Robert Thacker contributes a substantial bio-critical introduction to her career. The book is then divided into three sections, focusing on Munro’s characteristic forms, themes, and most notable literary effects.