The Oboe

The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.

Practical Hints is a unique and highly informative series developed to answer the many questions raised by the beginning student as well as the more advanced musician. Designed for individual use, the Practical Hints books cover such vital topics as care and maintenance, reeds and mouthpieces, playing position, embouchure, tuning, tonguing, tone quality, range, and practice methodology. Each book has been written by a nationally known instrumental specialist in collaboration with James D. Ployhar. Serving as a handy and informative guide, an appropriate Practical Hints book should be in every musician's library.

This book provides students and music teachers with a comprehensive overview of the oboe from its origin to its use and important facts not covered in traditional method books. It can be used concurrently with any method book, expanding the learning experience beyond “learning how to play” to include all topics relevant to the oboes. These topics include: The parts of the instrument How it works The different kinds of oboes How it’s made How to care for it Planning a practice session A survey of the history of woodwind instruments The accessories needed to play the instrument An appendix includes a discussion of the science of sound, a glossary of woodwind instrument terms, a dictionary of the subject instrument terms, an illustrated index of the subject instrument parts, and an instrument ownership record. This provides greater insight into that instrument’s relationship to others in its family and to those companion instruments with which the player will be working. The enrichment results in a well-rounded musician instead of one who can just play an instrument.

The material in the Gekeler Method for Oboe is divided in two parts. The studies in Part I are for the purpose of developing musical style and interpretation; those in Part II are for the study of scales and intervals, and for improvement of articulation.

The result of this work is an insider's view of the orchestra in which the history of this great cultural institution comes alive."--BOOK JACKET.

Brand new for the oboe teacher! This volume includes a progressive sequence of materials for the oboe player with no lesson boundaries. Students will determine their rates of advancement. Instead of using familiar tunes, original, well-thought out musical compositions by the author are included. the student must think through the melodies instead of relying on memory of standard tunes. Proper technical development is insured for the beginning oboist.

To breathe well means to breathe free of tension, and oboists who breathe well create a resonant tone quality. The Breathing Book provides concise information about breathing alongside etudes and activities encouraging application of this knowledge in musically meaningful ways. The Breathing Book teaches the truth about breathing, establishing a reliable foundation for improved resonance, articulation, endurance, and tone quality.

(Meredith Music Resource). This text covers every possible style appropriate to an intermediate book for woodwinds. It includes music from the Baroque, Classical, Romantic, and Twentieth Century eras while representing more than a dozen countries. Original compositions are included to strengthen young artist skills in developing both facility and tone. The musical collection provides a diverse selection of quality repertoire each presenting composer information, nationality, and music terminology. Includes: challenging and rewarding music in a range that explores both the high and low register * musical exercises to teach phrasing * long tone exercises * articulation patterns * variety of tempos, dynamics, time and key signatures * fun, quality music that motivates practicing and performance.