The Observer

Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.

Wall Street Journal Best Selling Book The two anchors in Kat's frenzied life have been her father; a famous baseball pitcher turned team manager, and her son, who is following in his grandfather's footsteps. When both anchors become unstable, Kat's life tips dangerously out of balance. The market and her finances flip, and relationships start slipping through her fingers. Eager for solutions, she turns to find uncanny wisdom from places she never expected. The Observer unpacks the idea of 180-degree thinking, which changes everything for Kat. Now, seemingly impossible goals come into focus with crystal clear clarity. As Kat focuses on the right things, the impossible becomes her new reality. Imparted with truth and wisdom, The Observer is a classic for discovering the peak performer within yourself. This timeless story of success principles is more important today than it has ever been before as uncertainty lurks right around the corner. “A powerful work with insights that, once applied, will help you lift your life to a completely new level.” —Robin Sharma, #1 bestselling author of The 5AM Club and The Monk Who Sold His Ferrari Kat has it all—money, success, recognition, influence—except the one thing she desperately desires: a fulfilled life. A business entrepreneur in the high-end sportswear industry, Kat is driven in relentless pursuit of ever-greater success.

Time calls the shots. Unwitting time traveler Joseph Bridgeman is adjusting to life in the present and wondering if his traveling days are behind him. But when he’s contacted by the Continuum, an organized group of time travelers based in the future, he learns his career is just getting started. The Continuum needs Joe’s help. One of their operatives is missing, last seen in nineteenth-century Paris, and they believe Joe’s ability to see the past might be the only way to find him. Teamed up with Gabrielle Green, an acerbic, wisecracking traveler, Joe heads back to 1873 on his most dangerous mission yet, one that will take him deep inside a burning opera house. But how will Joe succeed when his new companion clearly hates his guts, the missing traveler disappears the second anyone sets eyes on him, and a familiar foe threatens to trap them in the past for good? With help on hand from his best friend, Vinny, and mysterious clues hidden in his sister Amy’s paintings, Joe must hone his gift, develop new skills, and figure out a way to complete his mission before the blazing inferno comes crashing down around them all.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Evocative of Dead Poets Society and The Starboard Sea, Holly LeCraw's The Half Brother is the story of secrets and betrayals between two brothers set amid the ivy-covered walls of an elite New England boarding school. When Charlie Garrett arrives as a young teacher at the Abbott School, he finds a world steeped in privilege and tradition. The school's green quads are lined by gothic stone halls, students dart across campus in blazers and bright plaid skirts. Fresh out of college and barely older than the students he teaches, Charlie longs to find his place in the rarefied world of Abbottsford. He gets to know the school chaplain, Preston Bankhead, and is drawn to Preston's beautiful young daughter, May, a student at the school. Then, Charlie's younger half brother, Nick, arrives on campus. Nick is, quite literally, the golden child, with sandy blond hair and a dazzling smile. Teachers welcome him warmly; students stay late to talk after class; and May Bankhead proves susceptible to his magnetic power. As Charlie sees the unmistakable connection between his first love and his half brother, he struggles with emotions far more complicated than mere jealousy. A terrible secret threatens to surface, and Charlie's peaceful campus life is in jeopardy. A complex, sexy, page-turning novel, LeCraw's latest asks how much we will sacrifice to protect those we love and how far we will go to keep the past safely buried.

Ethnography or participant observation research has been performed since the early nineteenth century and is now one of the most common ways for field researchers to gain an in-depth understanding of social life. In Observing the Observer: Understanding Our Selves in Field Research--the only book that covers the issue of "reflexivity" in field research--author Shulamit Reinharz provides a captivating analysis of her yearlong stay in Israel, where she engaged in a study of aging on a kibbutz. Exploring the issue of "reflexivity," this unique volume focuses on the key tool in fieldwork--the self. It discusses how the many facets of the self (or "selves") of a researcher--research selves, personal selves, and situational selves--can affect how research is enacted and reported on. The book addresses many of the current debates on fieldwork, especially those that have arisen in the feminist literature. Ideal for graduate courses in qualitative research methods, ethnographic methods, or ethnography, Observing the Observer can also be used in upper-level undergraduate courses on qualitative methods.

Celebrating the seventieth anniversary of Coming up for Air and the sixtieth anniversary of 1984.