The Old Devils

Malcolm, Peter and Charlie and their Soave-sodden wives have one main ambition left in life: to drink Wales dry. But their routine is both shaken and stirred when they are joined by professional Welshman Alun Weaver (CBE) and his wife, Rhiannon.

Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon. Long-dormant rivalries and romances are rudely awakened, as life at the Bible and Crown, the local pub, is changed irrevocably. Considered by Martin Amis to be Kingsley Amis’s greatest achievement—a book that “stands comparison with any English novel of the [twentieth] century”—The Old Devils confronts the attrition of ageing with rare candor, sympathy, and moral intelligence.

When Alun Weaver and his wife, Rhiannon, a famous beauty in her day, move into a quiet retirement community, they find it peopled by friends from former days.

INSTANT #1 NEW YORK TIMES BESTSELLER PARADE MAGAZINE – ONE OF FALL'S MOST ANTICIPATED BOOKS AARP'S MOST ANTICIPATED BOOKS OF FALL CRIMEREADS – ONE OF THE BEST TRADITIONAL MYSTERIES OF THE YEAR GLOBE AND MAIL - TOP 100 BOOKS OF THE YEAR CHRISTIAN SCIENCE MONITOR - ONE OF THE BEST NOVELS OF THE YEAR KIRKUS REVIEWS - ONE OF THE BEST MYSTERIES/THRILLERS OF THE YEAR LIBRARY JOURNAL - ONE OF THE BEST CRIME FICTION BOOKS OF THE YEAR The 16th novel by #1 bestselling author Louise Penny finds Chief Inspector Armand Gamache of the Sûreté du Quebec investigating a sinister plot in the City of Light On their first night in Paris, the Gamaches gather as a family for a bistro dinner with Armand’s godfather, the billionaire Stephen Horowitz. Walking home together after the meal, they watch in horror as Stephen is knocked down and critically injured in what Gamache knows is no accident, but a deliberate attempt on the elderly man’s life. When a strange key is found in Stephen’s possession it sends Armand, his wife Reine-Marie, and his former second-in-command at the Sûreté, Jean-Guy Beauvoir, from the top of the Tour d’Eiffel, to the bowels of the Paris Archives, from luxury hotels to odd, coded, works of art. It sends them deep into the secrets Armand’s godfather has kept for decades. A gruesome discovery in Stephen’s Paris apartment makes it clear the secrets are more rancid, the danger far greater and more imminent, than they realized. Soon the whole family is caught up in a web of lies and deceit. In order to find the truth, Gamache will have to decide whether he can trust his friends, his colleagues, his instincts, his own past. His own family. For even the City of Light casts long shadows. And in that darkness devils hide.

Hubert Anvil is a 10 year old boy blessed with the voice of an angel. The Church hierarchy decrees that Hubert should be turned into a castrato - an alteration that could bring Hubert fame and fortune, but would also cut him off from an adult world he is curious to discover. In a dystopian world where Martin Luther never reformed and where the Holy Office's power is absolute, where will Hubert turn if he decides to defy their wishes?

Robin Davies knows how to look after number one. Raised in a bland suburb of South London in the 1930s, Robin longs for the freedom to do what he wants. When he escapes to study in Oxford, he meets Nancy Bennett, a young woman even less worldly than himself. As Robin stumbles through his rites of passage to adulthood, involving rebellion, self-discovery, sex, war, seduction and the threat of commitment, we come to realise just how far he will go to have his cake and eat it.

'Lucky Jim' is the tale of university lecturer Jim Dixon who has to navigate the stumbling blocks of life at a red brick university, as he attempts to climb the social ladder to a moderately successful future.

The hero of One Fat Englishman, a literary publisher and lapsed Catholic escaped from the pages of Graham Greene to the campus of Budweiser College in provincial Pennsylvania, is philandering, drunken, bigoted, and very very fat, not to mention in a state of continuous spluttering rage against everything, not least his own overgrown self. In America, Roger Micheldene must deal with not so obliging suburban housewives, aspiring Jewish novelists who as good as clean his clock, stray deer, bad cigars, children who beat him at Scrabble (“It was no wonder that people were horrible when they started life as children”), and America itself, while making ever-more desperate and humiliating overtures to Helen, a Scandinavian ice queen. If only Roger would dare to show some real feeling of his own. This comic masterpiece—about the 1950s crashing drunkenly into the consumerist 1960s and a final scion of a disintegrating Old World empire encountering its upstart New World offspring—is one of Kingsley Amis’s greatest and most caustic performances.