The Other Kind Of Funnies

The Other Kind of Funnies refutes the mainstream American cultural assumption that comics have little to do with technical communication-that the former are entertaining (in a low-brow sense) and juvenile, whereas the latter is practical and serious (to the point of stuffiness). The first of its kind, this book demonstrates the exciting possibilities of using comics in technical communication. It defines comics as a medium and art form that includes cartoons, comic strips, comic books, and graphic novels; provides conceptual and historical backgrounds on comics; and discusses the appeals and challenges of using comics-style technical communication. More specifically, it examines comics-style instructions, educational materials, health/risk communication, and political/propaganda communication. The author argues that comics-style technical communication encourages reader participation, produces covert persuasion, facilitates intercultural communication, benefits underprivileged audiences such as children and readers of lower literacy, and challenges the positivist view of technical communication. An abundance of comics-style technical communication examples, carefully selected from across cultures and times, demonstrates the argument. While the book proposes that comics can create user-friendly, visually oriented, engaging, and socially responsible technical communication, it is also quick to acknowledge the limitations and challenges of comics-style technical communication and provides heuristics on how to cope with them. The Other Kind of Funnies is unique in its interdisciplinary approach. It focuses on technical communication but speaks to design, cultural and intercultural studies, historical studies, and to some extent, education, politics, and art.

Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.

Presents a collection of 129 never-before-published comics about the 1960s by 169 writers and artists, including Renâe Goscinny, Jack Kirby, Harvey Kurtzman, Art Spiegelman, and Gahan Wilson.

A poignant, uplifting, brilliantly insightful story of one woman's end-of-life reckoning with her past, her lost daughter and herself, for readers of The Unlikely Pilgrimage of Harold Fry, Still Alice and Elizabeth Is Missing. When her husband left her with a baby, a toddler and a fledgling business, Francesca managed--she wasn't always gentle or patient, but the business thrived and Chris and Angelina had food to eat. At nearly 70, she feels she's earned a peaceful retirement. But when a massive stroke leaves her voiceless, partially paralyzed and wholly reliant on the staff of an extended care facility, it seems her freedom is lost. However, Francesca is still clear-headed and sharp, and she knows one thing: she wants to live. She savours her view of a majestic chestnut tree through the hospital window, and speaks in her mind to her beloved friend Anna, dead for two years. The daily tasks and dramas of the rotating crew of care aides tether her to the world: Young Lily, eager to fall in love and regularly falling apart when things don't work out; Michiko, with her spiky hair and tattoos and wicked sense of humour; Molly, endlessly kind and skilled in her work; Blaire, cold and enigmatic. Amidst the indignities of bed baths and a feeding tube, Francesca is surprised to experience flashes of hilarity and joy, even the blossoming of a new friendship with a fellow patient. But as she reflects to Anna on her dutiful son and her troubled and absent daughter, regrets and painful realizations rise to the surface. For the first time, there is nowhere for Francesca to hide from her own choices, and she must reckon with her past before it's too late. A Funny Kind of Paradise is a warm and insightful novel about one woman's opportunity for reinvention--for unconditional love, acceptance and closure--in the unlikeliest of places.

The comic strip has been a staple of American newspapers for nearly a century. It is a creation unique to cultural life and, in addition to entertainment, has commented on the way we see and view ourselves. From its high culture influence on Pop Art to its low culture appeal to children of all ages, the comic strip has had a lasting hold on the imaginations of generations. Noted writer Donald Phelps provides essays on popular classics, such as Chester Gould's Dick Tracy, E.C. Segar's Thimble Theatre (which produced Popeye), and Frank King's Gasoline Alley. His keen eye discerns the sublime qualities of this most American art form with wit and refreshing candor. Reading the Funnies offers an elegant and eloquent look into this fascinating slice of American popular culture.

FUNNY: THE BOOK - EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT COMEDY

Humor has always been an essential part of North American aboriginal culture. This fact remained unnoticed by most settlers, however, since non-aboriginals just didn’t get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.

#1 bestselling author James Patterson doles out the laughs in the first book in the hit series! Middle-schooler Jamie Grimm faces bullies and self-doubt as he chases his dream of becoming the world’s greatest comedian Jamie Grimm is a middle schooler on a mission: he wants to become the world's greatest standup comedian--even if he doesn't have a lot to laugh about these days. He's new in town and stuck living with his aunt, uncle, and their evil son Stevie, a bully who doesn't let Jamie's wheelchair stop him from messing with Jamie as much as possible. But Jamie doesn't let his situation get him down. When his Uncle Frankie mentions a contest called The Planet's Funniest Kid Comic, Jamie knows he has to enter. But are the judges only rewarding him out of pity because of his wheelchair, like Stevie suggests? Will Jamie ever share the secret of his troubled past instead of hiding behind his comedy act? Prepare to laugh and cheer along with Jamie in this highly-illustrated, heartfelt middle school story.