The Palaces Of Nineveh And Persepolis Restored

One of the best-known images of the ancient Near East is an intriguing nineteenth-century color lithograph reconstructing the throne room of an Assyrian palace. Executed shortly after the archaeological rediscovery of Assyria, a land theretofore known only from the Bible, it was published by the most famous among early excavators of Assyrian ruins, Austen Henry Layard. Over time and despite criticisms, the picture has shaped the understanding and reception of ancient Mesopotamian architecture and architectural decoration. Inside an Ancient Assyrian Palace studies this influential image in depth, both at the time of its creation in London in the eventful year 1848 and in terms of its afterlife. A hidden inscription reveals unsuspected contributions by the renowned architect-designer Owen Jones and his colleague the architect-Egyptologist Joseph Bonomi. Also unexpected is the involvement of an enigmatic German artist who later emigrated to America and whose previous career in Europe had been lost to scholarship. This book will be of interest to scholars and students of art history and the ancient Near East. It will also be of relevance to museum visitors and others interested in the ancient world in general, in the art of the nineteenth century, and in design and historical reconstruction.

Persepolis: Discovery and Afterlife of a World Wonder presents the first full study of the history of archaeological exploration at Persepolis after its destruction in 330 BC. Based in part on archival evidence, anecdotal information, and unpublished documents, this book describes in detail the history of archaeological exploration, visual documentation, and excavations at one of the most celebrated sites of the ancient world. The book addresses a broad audience of readers ranging from students of the archaeology, history, and art history of ancient, medieval, and modern Iran to scholars in Classical Studies and Ancient Near Eastern Studies.

Built for the Great Exhibition of 1851, the Crystal Palace originally graced London's Hyde Park with Joseph Paxton's remarkable geometric design and groundbreaking use of glass elements, prefiguring the modern movement in architecture. After the exhibition a group of bankers, railway directors, and men of influence moved the structure to a new site in south London, rebuilt it to an even grander scale, and set about its promotion as a "palace for the multitude." Here were exhibitions, concerts, and spectaculars to fill a splendid day out for Londoners of all classes and interests. Filled with plaster casts of great art treasures, life-sized models of dinosaurs, waterworks, and gardens, the Crystal Palace became a center of both education and entertainment from the Victorian era through its destruction by fire in1936. Copublished with C. Hurst & Co., London Wisconsin edition for sale only in North and South America, U.S. territories and dependencies, and the Philippines.