The Paris Labyrinth

Ingenious illusionist Vincent embarks on a thrilling adventure in turn-of-the-twentieth century France to unlock the mysteries of the past in a quest for lost treasure. Along the way, he battles against dark forces as he tries to discern who he can trust in a race against the clock. Vincent, more than anyone, knows what it means to keep a secret. With his troupe of talented craftsmen--the only family he has--he designs hidden compartments for priceless treasures and passageways for undetectable escape routes. The rich and powerful who hire him pay handsomely for his work, and for his discretion--they know only his first name, and his business is strictly word-of-mouth. As Paris celebrates the 1889 World's Fair, the city fills with visitors who come to see the controversial new Eiffel Tower with its gravity-defying escalators, to tout their latest inventions, or to scout for prospective investment opportunities. Vincent takes on an urgent mission so secret he doesn't tell anyone about it. Suddenly, he and his team become the target of assassination attempts. In a race against time, as death licks at their heels, they puzzle over who could be behind the violence. Is it one of their clients trying to erase the secrets they had been hired to conceal? Has their work somehow provoked the dark forces of the occult? Who is this faceless adversary, lurking in the shadows, ready to strike them anywhere, anytime? Confronted with mysteries uncovered from the past, and a life-or-death challenge that tests the limits of his ability, Vincent will do everything in his power to thwart the menace and protect his friends ... if only he can survive. What he is about to discover will shatter everything he thought he knew about the world....

An amnesiac searches for his identity, from Polynesia to Rome, in this novel by the Nobel Prize–winning author of Dora Bruder. Guy Roland is in pursuit of the identity he lost in the murky days of the Paris Occupation. For ten years, he has lived without a past. His current life and name were given to him by his recently retired boss, Hutte, who welcomed him, a onetime client, into his detective agency. Guy makes full use of Hutte’s files—directories, yearbooks, and papers of all kinds going back half a century—but his leads are few. Could he really be the person in that photograph, a young man remembered by some as a South American attaché? Or was he someone else, perhaps the disappeared scion of a prominent local family? He interviews strangers and is tantalized by half-clues until, at last, he grasps a thread that leads him through the maze of his own repressed experience. Published in France as Rue des Boutiques obscures, this is both a detective mystery and a haunting meditation on the nature of the self, Patrick Modiano’s spare, hypnotic prose, superbly translated by Daniel Weissbort, draws readers into the intoxication of a rare literary experience. Praise for Missing Persons “[An] elliptical, engrossing rumination on the essence of identity and the search for self.” —Frank Sennet, Booklist “A fine introduction to his work. . . . Beautifully written and perfectly noirish, as though the world were being seen through a haze of Gauloise smoke. Be warned, though: after reading this, a sensitive soul may well seize up the next time a stranger waves.” —Kirkus Reviews

AVAILABLE FOR THE FIRST TIME IN eBOOK! General Simon Bolivar, “the Liberator” of five South American countries, takes a last melancholy journey down the Magdalena River, revisiting cities along its shores, and reliving the triumphs, passions, and betrayals of his life. Infinitely charming, prodigiously successful in love, war and politics, he still dances with such enthusiasm and skill that his witnesses cannot believe he is ill. Aflame with memories of the power that he commanded and the dream of continental unity that eluded him, he is a moving exemplar of how much can be won—and lost—in a life.

In Montparnasse between the wars, Kiki, 'Queen of Montparnasse', danced and sang; PrEvert created Baptiste there; Desnos travelled astrally, then woke to harvest the crop; painters - Kisling, Pascin, Foujita, Modigliani, Derain and others - laboured and partied there; Bronia came from Holland, destined to meet Radiguet, Cocteau's Boy Wonder; later she would marry RenE Clair; Satie opened umbrellas there, always hoping for rain. There are triumphs, infatuations, liaisons, marriages, deaths. As the Carousel of Montparnasse turns, John Watson deftly notes its music - like Anton Walbrook in La Ronde or Jean Renoir in Les Enfants du Paradis. The octave 'at once same and different, like a waterfall' suggests the verse form, as unvarying as Ravel's Bolero and orchestrated in two thousand tetrameters

"This book on labyrinths is wonderful! It enlarges the traditional catalog of labyrinths so much and so well, being itself labyrinthine," remarked Jean-Luc Nancy, the French philosopher. Sadie Plant, author of Zeroes + Ones: Digital Women and the New Technoculture, has now translated Labyrinth into English. The starting point for this transcript of four lectures is a public art work that Olaf Nicolai installed in Paris in 1998. By exploring and combining a broad spectrum of topics that relate to the theme of the labyrinth, this book serves as both, a reference system to Nicolai's work as well as an independent source book dealing with labyrinthian matter ranging from the minotaur to the floorplans of IKEA. Published in collaboration with Rollo Press.

NEW YORK TIMES BESTSELLER The definitive anthology of Jim Morrison's writings with rare photographs and numerous handwritten excerpts of unpublished and published poetry and lyrics from his 28 privately held notebooks. You can also hear Jim Morrison’s final poetry recording, now available for the first time, on the CD or digital audio edition of this book, at the Village Recorder in West Los Angeles on his twenty-seventh birthday, December 8, 1970. The audio book also includes performances by Patti Smith, Oliver Ray, Liz Phair, Tom Robbins, and others reading Morrison’s work. Created in collaboration with Jim Morrison’s estate and inspired by a posthumously discovered list entitled “Plan for Book,” The Collected Works of Jim Morrison is an almost 600-page anthology of the writings of the late poet and iconic Doors’ front man. This landmark publication is the definitive opus of Morrison’s creative output—and the book he intended to publish. Throughout, a compelling mix of 160 visual components accompanies the text, which includes numerous excerpts from his 28 privately held notebooks—all written in his own hand and published here for the first time—as well as an array of personal images and commentary on the work by Morrison himself. This oversized, beautifully produced collectible volume contains a wealth of new material—poetry, writings, lyrics, and audio transcripts of Morrison reading his work. Not only the most comprehensive book of Morrison’s work ever published, it is immersive, giving readers insight to the creative process of and offering access to the musings and observations of an artist whom the poet Michael McClure called “one of the finest, clearest spirits of our times.” This remarkable collector’s item includes: Foreword by Tom Robbins; introduction and notes by editor Frank Lisciandro that provide insight to the work; prologue by Anne Morrison Chewning Published and unpublished work and a vast selection of notebook writings The transcript, the only photographs in existence, and production notes of Morrison’s last poetry recording on his twenty-seventh birthday The Paris notebook, possibly Morrison’s final journal, reproduced at full reading size Excerpts from notebooks kept during his 1970 Miami trial The shooting script and gorgeous color stills from the never-released film HWY Complete published and unpublished song lyrics accompanied by numerous drafts in Morrison’s hand Epilogue: “As I Look Back”: a compelling autobiography in poem form Family photographs as well as images of Morrison during his years as a performer

A seminal work by an artist whose drawings in The New Yorker, LIFE, Harper's Bazaar, and many other publications influenced an entire generation of American artists and writers. Saul Steinberg’s The Labyrinth, first published in 1960 and long out of print, is more than a simple catalog or collection of drawings— these carefully arranged pages record a brilliant, constantly evolving imagination confronting modern life. Here is Steinberg, as he put it at the time, discovering and inventing a great variety of events: "Illusion, talks, music, women, cats, dogs, birds, the cube, the crocodile, the museum, Moscow and Samarkand (winter, 1956), other Eastern countries, America, motels, baseball, horse racing, bullfights, art, frozen music, words, geometry, heroes, harpies, etc.” This edition, featuring a new introduction by Nicholson Baker, an afterword by Harold Rosenberg, and new notes on the artwork, will allow readers to discover this unique and wondrous book all over again.

Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.