The Paris Metro 40th Anniversary Issue

The Paris Metro was a fortnightly, English-language magazine in France that published sixty-four issues between June 1976 and December 1978.Although time can diminish or exaggerate the past, there seems to be agreement that there was something special and unique about The Paris Metro - and the creative people associated with it.Published roughly in chronological order, these fifty anecdotes, memoirs, reflections and vignettes written in 2016 by former staff members, freelancers and readers of The Paris Metro provide a glimpse of the magazine's then-magical presence and now-mythical stature.The compilation provides some insight into the magazine's allure and includes scores of illustrations and extracts plucked from past issues. And photo spreads by two of the best photographers in Paris during the 1970s.

And the Rest Is History takes readers on a traveling circus from Paris to Beirut, Baghdad, and beyond, introducing them to spies and terrorists, arms dealers and crooks, and along the way reveals a few surprises about the secret underbelly of recent history you won’t find in WikiLeaks. This book pinpoints precisely when the era of “fake news” actually began in America, and will change the way you think about journalism and journalists. It includes: • riveting testimony of the author’s torture and born-again experience as a hostage in a Beirut cellar; • unusual insight into the beginnings of the Iran–Contra scandal; • eyewitness reporting from the battlefields of the Middle East; • the inside scoop on Saddam Hussein’s WMD programs; • astonishing stories of French government dirty tricks, the intelligence underworld, Israeli hostage negotiations, and the real-life escapades of a Soviet sleeper agent. And the Rest Is History is a reporter’s journey from Left-Bank leftist to born-again Christian conservative. But most of all it’s a rollicking good read full of unusual characters, places, and events you will never hear about on the evening news. “Ken Timmerman is a superb investigative reporter—and old school—which means he does his research. His behind-the-scenes adventures in Iraq, Syria, Egypt, Israel, and even France are a terrific read for those of us who share his passion for tracking down the facts, not molding the facts to a ‘narrative.’” —Peter Schweizer, president of the Government Accountability Institute and NY Times bestselling author of Clinton Cash and Profiles in Corruption “I have followed for some time your excellent reporting on the Mid-East. You consistently provide insights and facts nowhere else available to the public. Your professionalism and persistence make a great contribution to our understanding, to the public debate, and ultimately to our national security.” —R. James Woolsey, former director, Central Intelligence Agency “I have spent my life tracking the murderers of yesterday. Mr. Timmerman is tracking the murderers of tomorrow.” —Nazi hunter Simon Wiesenthal, introducing the author to an audience in Paris, France, in 2002

We've all had those moments. The ones where you look in the mirror and nothing feels ok. For Anita Bhagwandas, this started when she was a child and it created an enduring internal torment about her looks. We're all told that this is just part of growing up, but it stays with us, evolving as we age. The internet tells us we should love ourselves, whilst bombarding us with images of airbrushed perfection, upholding centuries-old beauty standards which we can't always see. Our beauty rituals are so often based around things we think we need to fix, grow and develop - sometimes tipping into dangerous obsession. So, what seismic shift does it take to break free from this mentality? In Ugly, Anita uncovers where these beauty standards started, unpicks why they've been perpetuated and unmasks the structures that continue to support them. From the ever-growing cosmetic surgery industry, to the hidden pitfalls of 'pretty privilege', it is time to finally break free from those limiting beauty standards, because feeling ugly should have nothing to do with how we look, and everything to do with who wants us to feel lacking.

Art in the Age of the Internet, 1989 to Today is the first major thematic group exhibition in the United States to examine the radical impact of internet culture on visual art. Featuring 60 artists, collaborations, and collectives, the exhibition is comprised of over 70 works across a variety of mediums, including painting, performance, photography, sculpture, video, web-based projects, and virtual reality. The exhibition is divided into five sections that explore themes such as emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; the possibilities for exploring identity and community afforded by virtual domains; and new economies of visibility accelerated by social media. Throughout, the work in the exhibition addresses the internet-age democratization of culture that comprises our current moment. The earliest work in the exhibition is from 1989, the year that Tim Berners-Lee invented the World Wide Web. This development, and others that followed in quick succession, modernized the internet, and in the process radically changed our way of life--from how we access and generate information, make friends and share experiences, to how we imagine our future bodies and how nations police national security. 1989 also marked a watershed moment across the globe, with significant shifts in politics, geographies, and economies. Events such as the fall of the Berlin Wall and protests in Tiananmen Square signaled the beginning of our current globalized age, which cannot be imagined without the internet.

This timely book is the first to explore the physical and intangible legacies of historic and contemporary dark tourism sites, and the contribution such sites make to place identity. It achieves this by critically reviewing the marketing, management and interpretation of contemporary and historic sites associated with death, disaster, atrocity and related events from a wide range of geographical locations. In doing so the book proposes a compose model for discussing place identity and dark tourism which will provide further understanding about these increasingly popular destinations.

A difficult investigation across space and time. Our two spatio-temporal agents are on a new mission, but this time the duo is split up. While Laureline flies solo from planet to planet, on the trail of arms dealers and forbidden technologies, Valerian is on 20th century Earth, teamed up with the eccentric Mr Albert. And he, too, is hunting down technologies incompatible with the era. What is the link between the two cases, separated as they are by centuries and light-years?

Some years figure more keenly in the collective memory than others. This volume explores how 1968 has come to be perceived in France, Germany, Italy, U.S., Mexico & China, & how various national preoccupations with order, political violence, individual freedom, youth culture & self-expression have been reflected.