The Perfect Wagnerite A Commentary On The Niblung S Ring

Embark on a journey through the intricate layers of Wagner's Ring Cycle with Bernard Shaw as your guide. The Perfect Wagnerite: A Commentary on the Niblung's Ring by Bernard Shaw: Embark on a journey into the world of Richard Wagner's epic opera with Bernard Shaw's The Perfect Wagnerite. This insightful commentary provides a key to unlocking the intricate layers of the Niblung's Ring, offering a guide to both seasoned enthusiasts and newcomers to the world of Wagner. Shaw's passionate analysis and deep appreciation for the art form make this commentary an indispensable companion for opera lovers. Why This Book? The Perfect Wagnerite is not just a commentary; it's a gateway into the rich tapestry of Wagner's operatic masterpiece. Bernard Shaw's keen insights and accessible explanations make this book an essential companion for anyone seeking to understand and appreciate the nuances of the Niblung's Ring. Bernard Shaw, a prolific Irish playwright and music critic, brings his signature wit and analytical prowess to Wagner's operatic world in The Perfect Wagnerite.

The renowned Irish playwright George Bernard Shaw's philosophical commentary on German theatre director Richard Wagner's 'The Niblung's Ring'. This essay+review was first published in the year 1898.

Bernard Shaw's "The Perfect Wagnerite: A Commentary on the Ring of the Niblung" is a major work. This book offers an in-depth examination of Richard Wagner's famous opera cycle "Der Ring des Nibelungen." Shaw's commentary delves into the complex strata of Wagner's magnum opus, providing a multidimensional assessment that goes beyond typical music analysis. He introduces readers to Wagnerian mythology, complex character relationships, and the overarching plot, frequently through the lens of socialism and revolutionary thought. Shaw's opinion that the Ring Cycle might be viewed as a parable for societal reform is one of his core arguments. He sees the demise of the gods and the return of the ring to the Rhine as a metaphor for the inevitable collapse of repressive society systems and the possibility of a more egalitarian future. Shaw's distinct wit and intellectual depth shine through throughout the book as he connects with Wagner's work. His commentary extends beyond musical criticism to include political and philosophical implications. Shaw's approach encourages readers to evaluate Wagner's music dramas in the light of a broader cultural and historical backdrop. In conclusion, George Bernard Shaw's "The Perfect Wagnerite" is a thought-provoking and enduring investigation of Wagner's vast operatic masterpiece, providing readers with a novel perspective that mixes musical analysis with socio-political criticism.

George Bernard Shaw's classic examination of, and commentary on, Richard Wagner's Der Ring des Nibelungen.Shaw explores the work in terms of musicology, interpreting the aesthetics and movements. Allegorically, Shaw frames the Ring with respect to the collapse of capitalism and the rise of socialism.Topics covered include:Preliminary Encouragements, The Ring Of The Niblungs, The Rhine Gold, Wagner As Revolutionist, The Valkyries, Siegfried, Back To Opera Again, Siegfried As Protestant, Panacea Quackery, Otherwise Idealism, Dramatic Origin Of Wotan, The Love Panacea, Not Love, But Life, Anarchism No Panacea, Siegfried Concluded, Night Falls On The Gods, Prologue, A Wagnerian Newspaper Controversy, Forgotten Ere Finished, Why He Changed His Mind, Wagner's Own Explanation, The Pessimist As Amorist, The Music Of The Ring, The Characterization, The Old And The New Music, The Nineteenth Century, The Music Of The Future, Bayreuth, Bayreuth In England, and Wagnerian Singers.

A few of these will be welcome to the ordinary citizen visiting the theatre to satisfy his curiosity, or his desire to be in the fashion, by witnessing a representation of Richard Wagner's famous Ring of the Niblungs.First, The Ring, with all its gods and giants and dwarfs, its water-maidens and Valkyries, its wishing-cap, magic ring, enchanted sword, and miraculous treasure, is a drama of today, and not of a remote and fabulous antiquity. It could not have been written before the second half of the nineteenth century, because it deals with events which were only then consummating themselves. Unless the spectator recognizes in it an image of the life he is himself fighting his way through, it must needs appear to him a monstrous development of the Christmas pantomimes, spun out here and there into intolerable lengths of dull conversation by the principal baritone.

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