The Phantom Of Manhattan

It was 1882 when Antoinette Giry, Maitresse du Corps de Ballet at the Paris Opera House, took her small daughter to the funfair at Neuilly. And there, in a cage, she saw a filthy manacled creature whose tormented eyes shone from a grotesquely deformed face. It was Antoinette Giry who saved him, freed him, cured his wounds and finally let him find a dwelling place in the labyrinthine depths of the Opera House. The creature - Erik - whose hideous face hid a brilliant brain of near-genius, was to become the Phantom of the Opera - magician, artists, musician, and lover. When he tried to lure the object of his adoration to his underground domain - it was to end in tragedy. It was Madame Giry who saved him once more, set him on a ship to the New World - and there Erik Muhlheim began a new and secret life, a life that began in misery and poverty but in which his incredible skills finally carved out an unexpected kingdom of power. And there it was he learned again of Christine, whose life had changed dramatically since that night in the Paris Opera House. Inevitably, their paths must cross again in the old sequence of tragedy and triumph. The Phantom, one of the most mysterious and romantic figures ever created, soars again in a world of his own making. Frederick Forsyth's magnificent and evocative story adds a new dimension to the legend of the Phantom.

A stunning sequel to Phantom of the Opera. It is 1906 and Erik, the creature with the hideous face but poetic heart, has escaped to America. He has heard that his beloved-now an international opera star-has a son, and is determined to learn the truth.

An imaginative and sensitive story of the life of the Phantom of the Opera; winner of the Boots Romantic Novel Award.

Born in 1906, Huguette Clark grew up in her family's 121-room Beaux Arts mansion in New York and was one of the leading celebrities of her day. Her father William Andrews Clark, was a copper magnate, the second richest man in America, and not above bribing his way into the Senate. Huguette attended the coronation of King George V. And at twenty-two with a personal fortune of $50 million to her name, she married a Princeton man and childhood friend William MacDonald Gower. Two-years later the couple divorced. After a series of failed romances, Huguette began to withdraw from society--first living with her mother in a kind of Grey Gardens isolation then as a modern-day Miss Havisham, spending her days in a vast apartment overlooking Central Park, eating crackers and watching The Flintstones with only servants for company. All her money and all her real estate could not protect her in her later life from being manipulated by shady hangers-on and hospitals that were only too happy to admit (and bill) a healthy woman. But what happened to Huguette that turned a vivacious, young socialite into a recluse? And what was her life like inside that gilded, copper cage?

From Frederick Forsyth, the grand master of international suspense, comes his most intriguing story ever—his own. For more than forty years, Frederick Forsyth has been writing extraordinary real-world novels of intrigue, from the groundbreaking The Day of the Jackal to the prescient The Kill List. Whether writing about the murky world of arms dealers, the shadowy Nazi underground movement, or the intricacies of worldwide drug cartels, every plot has been chillingly plausible because every detail has been minutely researched. But what most people don’t know is that some of his greatest stories of intrigue have been in his own life. He was the RAF’s youngest pilot at the age of nineteen, barely escaped the wrath of an arms dealer in Hamburg, got strafed by a MiG during the Nigerian civil war, landed during a bloody coup in Guinea-Bissau (and was accused of helping fund a 1973 coup in Equatorial Guinea). The Stasi arrested him, the Israelis feted him, the IRA threatened him, and a certain attractive Czech secret police agent—well, her actions were a bit more intimate. And that’s just for starters. It is a memoir like no other—and a book of pure delight.

The Phantom of the Opera escapes to the U.S. and becomes a ruthless multimillionaire, still masked and obsessed with the singer Christine. Then a letter from Paris changes his life. What happens next is told from various perspectives, each of which advances the plot. The soft-voiced phantom, the snobby columnist, the evil Darius-each adds color to the story while painting a vivid portrait of early twentieth-century New York. The dialogue on human nature between the priest and God hits the heights dramatically. Zwei Grossmeister der Unterhaltungskunst begegnen sich: Frederick Forsyth erzahlt das Schicksal des "Phantoms der Oper" nach Andrew Lloyd Webber weiter und zeigt sich dabei von einer aufregend neuen Seite!

Zwei Grossmeister der Unterhaltungskunst begegnen sich: Frederick Forsyth erzaehlt das Schicksal des "Phantoms der Oper" nach Andrew Lloyd Webber weiter und zeigt sich dabei von einer aufregend neuen Seite!

A skyscraper one mile high, a dome covering most of downtown Manhattan, a triumphal arch in the form of an elephant: some of the most exciting buildings in the history of architecture are the ones that never got built. These are the projects in which architects took materials to the limits, explored challenging new ideas, defied conventions, and pointed the way towards the future. Some of them are architectural masterpieces, some simply delightful flights of fancy. It was not usually poor design that stymied them – politics, inadequate funding, or a client who chose a ‘safe’ option rather than a daring vision were all things that could stop a project leaving the drawing board. These unbuilt buildings include the grand projects that acted as architectural calling cards, experimental designs that stretch technology, visions for the future of the city, and articles of architectural faith. Structures likeBuckminster Fuller’s dome over New York or Frank Lloyd Wright’s mile-high tower can seem impossibly daring. But they also point to buildings that came decades later, to the Eden Project and the Shard. Some of those unbuilt wonders are buildings of great beauty and individual form like Etienne-Louis Boullée’s enormous spherical monument to Isaac Newton; some, such as the city plans of Le Corbusier, seem to want to teach us how to live; some, like El Lissitsky’s ‘horizontal skyscrapers’ and Gaudí’s curvaceous New York hotel, turn architectural convention upside-down; some, such as Archigram’s Walking City and Plug-in City, are bizarre and inspiring by turns. All are captured in this magnificently illustrated book.