The Philip Larkin I Knew

Maeve Brennan had a close friendship with Philip Larkin, as well as working with him for a number of years. In this book, she provides new insight into the poet's complex personality, overturning the perceived image of him as a misanthrope.

James Booth reads Philip Larkin's mature poetry in terms of his ambiguous self-image as lonely, anti-social outsider, plighted to his art, and as nine-to-five librarian, sharing the common plight of humanity. Booth's focus is on Larkin's artistry with words, the 'verbal devices' through which this purest of lyric poets celebrates 'the experience. The beauty.' Featuring discussion for the first time of two recently discovered poems by Larkin, this original and exciting new study will be of interest to all students, scholars and enthusiasts of Larkin.

Nothing seemed to escape the eyes of Philip Larkin, a contemporary English poet who achieved acclaim on the strength of a small body of work. While lyrically exploring the human experience, Larkin’s candid perceptions were enlivened by his acute power of observation—a unique literary talent that prompted his recognition as England’s other Poet Laureate. In a fascinating quiz book that will appeal to both Larkin scholars and lovers of poetry and literature, retired English professor M. R. Sethi shares more than six hundred questions (with answers) that offer an opportunity to test knowledge regarding the life and works of the famous poet. Scholars and others will be tested on Larkin’s physical shortcomings, his first jobs, what he wore while mowing the lawn, why he once threatened to jump out a window, who was not one of his friends at Oxford, and much more that includes detailed questions regarding many of his poems. So You Think You Know Philip Larkin? is a volume of questions and answers shared to test the knowledge of both scholars and poetry and literature aficionados about a famous, contemporary poet.

The North Ship, Philip Larkin's earliest volume of verse, was first published in August 1945. The introduction, by Larkin himself, explains the circumstances of its publication and the influences which shaped its contents.

Part 1, Life and Times, traces Larkin's early years and follows his development, within his career as a university librarian, into one of the most important and popular voices in twentieth-century poetry. Part 2, Artistic Strategies, explores a range of methodologies and aesthetic influences by which Larkin was able to create poetry at once both accessible and profound. Part 3, Reading Larkin, provides detailed critical commentary on many of the poems from his three major collections, The Less Deceived, The Whitsun Weddings and High Windows. Part 4, Reception, outlines the history of Larkin's reputation from the mid-1950s to the present, examining the debates and ideological confrontations to which his poetry has given rise.

Philip Larkin is widely regarded as one of the greatest English poets of the 20th century. As such, there is a vast amount of literary criticism surrounding his work. This Readers' Guide provides a comprehensive and accessible overview of the key reactions to Larkin's poetry. Using a chronological structure, Robert C. Evans charts critical responses to Larkin's work from his arrival on the British literary scene in the 1950s to the decades after his death. This includes analyses of critical material from around the world, making this an excellent guide for all students of Larkin.

This book explores Larkin’s engagement with popular culture both as a threat to poetic authority and as a necessary form of cultural capital. It reveals the processes by which the social, contemporary, and politically charged practices of everyday life become the property of the cultured individual.

For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis