The Phrenological Journal And Magazine Of Moral Science From The Year 1846 Vol Xix

Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture. Based in Covent Garden in London, Brucciani built a network of fellow Italian émigré formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.

This study concentrates on the social and ideological functions of science during the consolidation of urban industrial society.

'Robert Chambers's Vestiges of the Natural History of Creation was the most important pre-Darwinian work of evolutionary thought published in Victorian Britain. It caused huge controversy and was undoubtedly a major factor in preparing the way, both positively and negatively, for On the Origin of Species. To this point, essential documents surrounding the work - the reviews, the commentaries, the expositions, and more - have been incredibly difficult to obtain and truly available only to the most privileged scholar. Now with the publication of the Thoemmes Press collection on Vestiges, essential material will be readily available to all. The editor, John M. Lynch, and the Press are to be congratulated and thanked for making this possible.' - Michael Ruse Vestiges and the Debate Before Darwin centres on Robert Chambers's Vestiges of the Natural History of Creation and reprints all the key documents in the controversy that surrounded its publication. Vestiges was first published in 1844. Chambers, one of the most successful publishers in Britain, managed to keep his authorship a secret throughout the ten editions published in his lifetime. The work reached a huge popular audience and was widely read by the social and intellectual elite. Despite initially favourable reviews, its publication sent shockwaves through the world of British science. Chambers suggested that the whole of nature, including mankind, could be explained by the action of a single universal evolutionary law--a law that suggested that not only did change happen in the past, but that it would continue into the future. Such a statement enflamed both religious conservatives (Sedgwick referred to the 'inner deformity and foulness' of the work and its 'gross and filthy views of physiology') and scientists (T. H. Huxley said that the author was 'one of those who--indulge in science at second-hand and dispense totally with logic', and physicist Sir David Brewster warned that Vestiges 'stood a fair chance of poisoning the fountains of religion'). Understanding the upheaval that Vestiges caused in 'polite' British society is key to understanding Darwin's later argument and the reaction to his work by the same public. Reprinted here is the rare tenth edition of Vestiges (1853), written in response to this widespread criticism, plus Chambers's 'sequel', Explanations, written largely as a reply to Sedgwick's highly critical review of Vestiges. Periodical reviews and other important book-length refutations are also incorporated, including rare editions of works by Adam Sedgwick, William Whewell and Hugh Miller. With introductory essays by John M. Lynch of Arizona State University's Institute of Human Origins, this important set will appeal to both historians of evolutionary thought and philosophers of science alike. -collection of rare primary sources on the evolution debate before Darwin -selects the best editions, added to which are extensive introductory essays -gathers numerous critical reviews tracing the debate over ten years -intriguing case study of Victorian scientific controversy