The Pluralist Era

Robins examines the major art movements in the 1970s and covers artists and their works from both a chronological and a socio-critical point of view. She offers positive comment on the New York Soho scene, process and conceptual art, the raised perceptions on the art of black artists and women artists, earth sculptures, site works, installations, pattern and decorative art, the return to representation, the continu ing presence of abstraction and the role of photography and video. The book includes works by 77 artists. ISBN 0-06-430137-0 (pbk.) : $10.95 (For use only in the library).

Robins examines the major art movements in the 1970s and covers artists and their works from both a chronological and a socio-critical point of view. She offers positive comment on the New York Soho scene, process and conceptual art, the raised perceptions on the art of black artists and women artists, earth sculptures, site works, installations, pattern and decorative art, the return to representation, the continu ing presence of abstraction and the role of photography and video. The book includes works by 77 artists. ISBN 0-06-430137-0 (pbk.) : $10.95 (For use only in the library).

The "pluralist game," the way in which we attempt to resolve the problems arising out of our pluralism through the political and judicial processes, necessarily engages the citizens of our society. This book brings together 14 essays from a leading Catholic political theorist to address the central issue of American theological, political, and social thought: the relationship between religion, morals, law, and public policy in a pluralistic liberal society.

The first three decades of the twentieth century saw the largest period of immigration in U.S. history. This immigration, however, was accompanied by legal segregation, racial exclusionism, and questions of residents' national loyalty and commitment to a shared set of "American" beliefs and identity. The faulty premise that homogeneity--as the symbol of the "melting pot"--was the mark of a strong nation underlined nativist beliefs while undercutting the rich diversity of cultures and lifeways of the population. Though many authors of the time have been viewed through this nativist lens, several texts do indeed contain an array of pluralist themes of society and culture that contradict nativist orientations. In The Pluralist Imagination from East to West in American Literature, Julianne Newmark brings urban northeastern, western, southwestern, and Native American literature into debates about pluralism and national belonging and thereby uncovers new concepts of American identity based on sociohistorical environments. Newmark explores themes of plurality and place as a reaction to nativism in the writings of Louis Adamic, Konrad Bercovici, Abraham Cahan, Willa Cather, Paul Laurence Dunbar, Charles Alexander Eastman, James Weldon Johnson, D. H. Lawrence, Mabel Dodge Luhan, and Zitkala-Sa, among others. This exploration of the connection between concepts of place and pluralist communities reveals how mutual experiences of place can offer more constructive forms of community than just discussions of nationalism, belonging, and borders.

This book presents the economic, historical, legal and policy dimensions of the Nonprofit Sector in Israel with a focus on its contribution to the Welfare State and civil society. It then analyzes those findings in the context of major theoretical frameworks of the sector.

Since his death in 1997, Isaiah Berlin’s writings have generated continual interest among scholars and educated readers, especially in regard to his ideas about liberalism, value pluralism, and "positive" and "negative" liberty. Most books on Berlin have examined his general political theory, but this volume uses a contemporary perspective to focus specifically on his ideas about freedom and liberty. Isaiah Berlin and the Politics of Freedom brings together an integrated collection of essays by noted and emerging political theorists that commemorate in a critical spirit the recent 50th anniversary of Isaiah Berlin’s famous lecture and essay, "Two Concepts of Liberty." The contributors use Berlin’s essay as an occasion to rethink the larger politics of freedom from a twenty-first century standpoint, bringing Berlin’s ideas into conversation with current political problems and perspectives rooted in postcolonial theory, feminist theory, democratic theory, and critical social theory. The editors begin by surveying the influence of Berlin’s essay and the range of debates about freedom that it has inspired. Contributors’ chapters then offer various analyses such as competing ways to contextualize Berlin’s essay, how to reconsider Berlin’s ideas in light of struggles over national self-determination, European colonialism, and racism, and how to view Berlin’s controversial distinction between so-called "negative liberty" and "positive liberty." By relating Berlin’s thinking about freedom to competing contemporary views of the politics of freedom, this book will be significant for both scholars of Berlin as well as people who are interested in larger debates about the meaning and conditions of freedom.

Lawrence Alloway (1926–90) was one of the most influential and widely respected art writers of the postwar years. A key interpreter of pop art, abstraction, and land art, he was also involved with the realist revival and the early feminist movement in art. Art and Pluralism provides close and critical readings of Alloway's writings and sets his work in the context of the London and New York art worlds from the 1950s to the early 1980s. Nigel Whiteley underlines the particular importance of pluralism and its relationship with the artistic value systems that bookended it—formalism and postmodernism—shedding new light on postwar visual culture as a whole.