The Poet S Mistake

Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction. The Poet's Mistake -- Chapter 1. Wordsworth's Imperfect Perfect -- Chapter 2. Robert Browning's Bad Habit -- Chapter 3. Wondering about John Clare -- Chapter 4. Emily Dickinson's Eloquent Lies -- Chapter 5. Hart Crane's Wrapture -- Chapter 6. Fact-Checking Elizabeth Bishop -- Chapter 7. Misremembering Seamus Heaney -- Conclusion. Mistaking on Purpose -- Notes -- Works Cited -- Index.

What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we read Keats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems. Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read.

The book, Poet by Mistake, is a collection of couplets, short poems, and quotes describing the feelings of love and the freedom of expression that the current generation is experiencing. The book has mass appeal to readers of all age groups and backgrounds. As a poet, I am trying to give voice to their emotion and thoughts through the stroke of love. Their dream is to love in a certain way and get it reciprocated in the same way, or it is merely wanting to fly into liberation after being hurt. This book is like a bowl of candies on the top of a table, you pick a few each day and not eat it all at once. If you flip the book, you might randomly fall on a poem to see how it reflects your day. Poet by Mistake is a book which can be shared with your loved ones, or you could be addicted to it over a coffee or take this book on a date at the beach or a quiet hill or on your cosy bed. This book is sure to leave your heart talking to you. The book is intended to empower everyone who is in love. Love always brings joy, and sometimes, even pain. This book acts like old wine - celebratory and healing at the same time. Loving and losing someone is a part of life. Accepting life and looking ahead is the way of life.

‘A Poet by Accident’ is a collection of poems that will take you on a journey from adolescent angst to self-discovery, written across a decade. Filled with universal themes like joy, confusion, loneliness, finding comfort in words and a heart in search of love, the anthology will touch a chord with every person you might be. It is an anthology articulating the human experience by a writer looking for peace and turning into a ‘Poet by Accident.’

Plato was the first great figure in Western philosophy to assess the value of the arts; he famously argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound, claiming they are conducive to warped ethical standards, detrimental to the psyche, and purveyors of illusions about important matters in human life. This view has been widely rejected; but Christopher Janaway here argues that Plato's hostile case is a more coherent and profound challenge to the arts than has sometimes been supposed. Denying that Plato advocates `good art' in any modern sense, Dr Janaway seeks both to understand Plato's critique in the context of his own philosophy and to locate him in today's philosophy of art, showing how issues in aesthetics arise from responses to his charges. Plato's questions about beauty, emotion, representation, ethical knowledge, artistic autonomy, and censorship are of contemporary relevance as formerly secure assumptions about the value of art and the aesthetic come under scrutiny. Images of Excellence gives a new and original view of a famous issue in the history of philosophy; it is written not only for readers working in ancient philosophy, but for all who are interested in aesthetics, art theory, and literary theory.

Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.