The Polished Hoe

Winner of the 2002 Scotiabank Giller Prize and of the 2003 Commonwealth Writers’ Prize: Best Book (Canada and the Caribbean) When an elderly Bimshire village woman calls the police to confess to a murder, the result is a shattering all-night vigil that brings together elements of the African diaspora in one epic sweep. Set on the post-colonial West Indian island of Bimshire in 1952, The Polished Hoe unravels over the course of 24 hours but spans the lifetime of one woman and the collective experience of a society informed by slavery. As the novel opens, Mary Mathilda is giving confession to Sargeant, a police officer she has known all her life. The man she claims to have murdered is Mr. Belfeels, the village plantation owner for whom she has worked for more than thirty years. Mary has also been Mr. Belfeels’ mistress for most of that time and is the mother of his only son, Wilberforce, a successful doctor. What transpires through Mary’s words and recollections is a deep meditation about the power of memory and the indomitable strength of the human spirit. Infused with Joycean overtones, this is a literary masterpiece that evokes the sensuality of the tropics and the tragic richness of Island culture.

Giller Prize winner Austin Clarke’s memoirs provide insightful cultural observations by one of today’s most influential black writers.

From the author of the Giller Award - winning novel The Polished Hoe comes a new collection of 20 of his best short stories. Choosing His Coffin is a selection of Austin Clarke’s finest work from more than 40 years of storytelling, drawing on his Caribbean roots and his years in Canada. These stories range in theme from growing up in West Indian society and what it means to be black in both the United States and Canada to surviving as an immigrant in a predominantly Anglo-Saxon culture. Clarke has become one of the most respected authors in North America and is one of Canada’s national literary treasures. He is a master of fictional invention.

Austin Clarke’s luminous novel, written in vivid, hypnotic prose, reveals the dislocations of place and the nature of memory and the past. Two elderly Barbadian men, childhood friends who haven’t seen each other in fifty years, collide in a snowstorm on a Toronto street. In the warmth of a nearby bar, through the afternoon and into the night, they relate stories, exchange opinions, and share memories of a past in Barbados when, as children, neither could conceive any other place existed for them. As these two men confess to each other their innermost truths, their exploits and their love affairs, one tells the haunting story of a young Chinese woman, the other of the real reason for his visit to Toronto. Infused with pathos and humour, and with an affecting nostalgia for the idea of home, The Origin of Waves is a stunning and original novel by one of the country’s most gifted writers.

Grade level: 9, 10, 11, 12, i, s.

Hunters found his body naked in the snow. So begins this breakout book from Stephen Marche, whose last work of fiction was described by the New York Times Book Review as “maybe the most exciting mash-up of literary genres since David Mitchell’s Cloud Atlas.” The body in the snow is that of Ben Wylie, the heir to America’s second-wealthiest business dynasty, and it is found in a remote patch of northern Canada. Far away, in post-crash New York, Jamie Cabot, the son of the Wylie family’s housekeepers, must figure out how and why Ben died. He knows the answer lies in the tortured history of the Wylie family, who over three generations built up their massive holdings into several billion dollars’ worth of real estate, oil, and information systems despite a terrible family secret they must keep from the world. The threads of the Wylie men’s destinies, both financial and supernatural, lead twistingly but inevitably to the naked body in the snow and a final, chilling revelation. The Hunger of the Wolf is a novel about what it means to be a man in the world of money. It is a story of fathers and sons, about secrets that are kept within families, and about the cost of the tension between the public face and the private soul. Spanning from the mills of Depression-era Pittsburgh to the Swinging London of the 1960s, from desolate Alberta to the factories of present-day China, here is a bold and breathtakingly ambitious work of fiction that uses the story of a single family to capture the way we live now: an epic, genre-busting tale of money, morality, and the American Dream.

Gathered together are three extraordinary books by renowned storyteller and memoirist Austin Clarke. ’Membering, Clarke’s breathtaking memoir, spans over fifty years of his life as a writer, chronicling his coming to Canada in the fifties, formative experiences with Malcolm X, Chinua Achebe, and LeRoi Jones, and bursting with cultural insights and poignant memories from a narrative master. In The Polished Hoe, winner of the Giller Prize and the 2003 Commonwealth Writers’ Prize, when an elderly Bimshire village woman calls the police to confess to a murder, the result is a shattering all-night vigil that brings together elements of the African diaspora in one epic sweep. Set on the post-colonial West Indian island of Bimshire in 1952, The Polished Hoe unravels over the course of 24 hours but spans the lifetime of one woman and the collective experience of a society informed by slavery. Choosing His Coffin is a selection of Clarke’s finest work from more than forty years of storytelling, drawing on his Caribbean roots and his years in Canada. These stories range in theme from growing up in West Indian society and what it means to be black in both the United States and Canada to surviving as an immigrant in a predominantly Anglo-Saxon culture.

An autobiographical account of growing up in colonial Barbados during and after the Second World War.