The Politics Of Elite Culture

This title focuses on the dramatic process underlying the development of cultural mystique in the articulation of elite organization. The symbolic beliefs and practices involved act to reconcile, camouflage, or mystify a major contradiction in the development and functioning of elite groups, a contradiction between their universalistic functions and particularistic interests, between their duties to serve wider publics and their simultaneous endeavor to promote their own sectional power. Concentrating on the detailed, experimental study of one power elite within a modern small-scale nation-state--Sierra Leone--Cohen analyzes these processes. But his findings are systematically worked out within a general, cross-cultural comparative perspective, and he thereby further develops his earlier formulations about the instrumental functions of culture in politcal organization. Culture is analyzed in terms of symbolic forms, symbolic functions, and dramaturgical techniques. Politico-cultural causation is explored as it operates in chains of dramatic performances on different levels of social organization. Familiar, everyday symbolic events are taken out of their ordinary ideological sequences and, as Brecht would put it, thrown into crisis by showing their involvement in major power struggles. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.

Offering insightful anthropological-historical contributions to the understanding of elites worldwide, this book helps us grasp their ways of life and role in times of contested global inequalities. Case studies include the Polish gentry, the white former colonial elite of Mauritius, professional elites, and transnational (financial) elites.

Carnival, that image of sensuous frivolity, is shown by Abner Cohen to be a masquerade for the dynamic relations between culture and politics. His masterful study details the transformation of a local, polyethnic London fair to a massive, exclusively West Indian carnival, known as "Europe's biggest street festival," which in 1976 occasioned a bloody confrontation between black youth and the police and which has since become a fiercely contested cultural event. Cohen contrasts the development of the London carnival with the development of other carnivalesque movements, including the Renaissance Pleasure Faire of California. His valuable analysis of these relatively little-explored urban cultural movements advances further the theoretical formulations developed in his previous studies.

Drawing on a diverse, comparative ethnographic literature, this new volume examines the intimate spaces and cultural practices of those elites who occupy positions of power and authority across a variety of different settings. Using ethnographic case studies from a wide range of geographical areas, including Mexico, Peru, Amazonia, Indonesia, Sri Lanka, Europe, North America and Africa, the contributors explore the inner worlds of meaning and practice that define and sustain elite identities. They also provide insights into the cultural mechanisms that maintain elite status, and into the complex ways that elite groups relate to, and are embedded within, wider social and historical processes.

Presenting a sweeping, comparative perspective, this book describes the main principles that underlie individual and group political behavior. It proposes new ways to organize and understand the existing knowledge base of political science, and stresses the need to make broad, cross-national comparisons.

Exposing the strategy of Turkey's ruling elite to obtain cultural hegemony, this book examines the AKP's efforts to rewrite Turkish public memory by promoting its ideas through TV series, movies, propaganda videos, school curricula and material culture in urban public spaces.

The End of the Experiment ties together Stanley Rothman’s theory of post-industrialism and his four decades of research on American politics and society. Rothman discusses the rise and fall of the New Left, the sixties’ impact on America’s cultural elites, and the emergence of new post-industrial humanistic values. The first part of this book explains how cultural shifts in post-industrial society increased the influence of intellectuals and redefined America’s core values. The second part examines how the shift in American social and cultural values led to a crisis of confidence in the American experiment. And in a final section, Rothman’s contemporaries provide insight into his work, reflecting on his continued infl uence and his devotion to traditional liberalism. Rothman presents a quantitative study of personality differences between traditional American elites and new cultural elites. Rothman argues that the experiment of America—as a new nation rooted in democracy, morality, and civic virtue—is being destroyed by a disaffected intellectual class opposed to traditional values.