The Portent Ashes

Swedish artist Peter Bergting (Domovoi) brings another of his fantastic creations to Dark Horse. A wood nymph has returned alone from the realm of the dead to find her dying world overwhelmed with powerful warlocks, vengeful spirits, demons, and witches. "The Portent is one of the best fantasy comics I've ever seen. Wonderfully atmospheric, beautiful and strange." - Mike Mignola, creator of Hellboy

Baltimore investigates a small town in Estonia where the Red King has been seen. But he has little luck getting the townsfolk to speak with him, and a farmhouse full of broken, bloodied bodies is his only lead. * Art by Peter Bergting (_The Portent_, _Domovoi_). * The story moves beyond the novel for the first time!

A blackout causes panic at B.P.R.D. headquarters as Kate comes face to face with the ghost of a satanic veteran. * From the pages of _Hellboy_! If you've ever fantasized about fighting monsters, there's no reason to not pick this thing up.�Comic Bastards _B.P.R.D. Hell on Earth_ brings the creepiness every month.�Comic Book Resources

Lord Baltimore’s quest for vengeance against the Red King escalates in the second half of the Baltimore saga, which includes a new bonus story with art by Ben Stenbeck! Finally armed with the identity of the being responsible for the vampire plague, Baltimore and his band of allies take on the evil around them with a new fervor. Enemies old and new, desperate battles, and strange horror await the reader as they follow Baltimore toward his ultimate destiny. From writers Mike Mignola and Christopher Golden, with art by Ben Stenbeck (Hellboy, Koshchei the Deathless) and Peter Bergting (Joe Golem: Occult Detective, The Untamed) comes the culmination of the Baltimore series, collected in paperback omnibus format! Collects Baltimore: The Witch of Harju #1–#3; Baltimore: The Wolf and the Apostle #1–#2; Baltimore: The Cult of the Red King #1–#5; Baltimore: Empty Graves #1–#5; Baltimore: The Red Kingdom #1–#5 and bonus short Monstrous.

When a sudden storm destroys Charles' ship and he is presumed dead, Rose believes something sinister is at work and she sets off on a perilous journey, with the fate of the entire world at stake.

Features letters that represent Maimonide's response to three issues critical to Jews in his day and ours: religious persecution, the claims of Christianity and Islam and rational philosophy's challenge to faith.

PULITZER PRIZE WINNER • No book before this one has rendered the story of cigarettes—mankind's most common self-destructive instrument and its most profitable consumer product—with such sweep and enlivening detail. "A great battleship of a book—formidable, majestic.”—The New York Times Book Review Here for the first time, in a story full of the complexities and contradictions of human nature, all the strands of the historical process—financial, social, psychological, medical, political, and legal—are woven together in a riveting narrative. The key characters are the top corporate executives, public health investigators, and antismoking activists who have clashed ever more stridently as Americans debate whether smoking should be closely regulated as a major health menace. We see tobacco spread rapidly from its aboriginal sources in the New World 500 years ago, as it becomes increasingly viewed by some as sinful and some as alluring, and by government as a windfall source of tax revenue. With the arrival of the cigarette in the late-nineteenth century, smoking changes from a luxury and occasional pastime to an everyday—to some, indispensable—habit, aided markedly by the exuberance of the tobacco huskers. This free-enterprise success saga grows shadowed, from the middle of this century, as science begins to understand the cigarette's toxicity. Ironically the more detailed and persuasive the findings by medical investigators, the more cigarette makers prosper by seeming to modify their product with filters and reduced dosages of tar and nicotine. We see the tobacco manufacturers come under intensifying assault as a rogue industry for knowingly and callously plying their hazardous wares while insisting that the health charges against them (a) remain unproven, and (b) are universally understood, so smokers indulge at their own risk. Among the eye-opening disclosures here: outrageous pseudo-scientific claims made for cigarettes throughout the '30s and '40s, and the story of how the tobacco industry and the National Cancer Institute spent millions to develop a "safer" cigarette that was never brought to market. Dealing with an emotional subject that has generated more heat than light, this book is a dispassionate tour de force that examines the nature of the companies' culpability, the complicity of society as a whole, and the shaky moral ground claimed by smokers who are now demanding recompense.