The Postman Always Rings Twice Journal

A special edition of The Postman Always Rings Twice by James M. Cain. Featuring an introduction by James Ellroy. When Frank, an amoral young drifter, gets thrown off a hay truck in the California desert, he ends up at a diner run by Cora and her inconvenient husband, Nick. This chance meeting puts them all on a sure path to perdition. First published in 1934 and banned in Boston for its explosive mixture of violence and eroticism, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside and was acknowledged by Albert Camus as the model for The Stranger. A Vintage Crime/Black Lizard Special Edition

An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one, grisly solution -- a solution that only creates other problems that no one can ever solve. First published in 1934 and banned in Boston for its explosive mixture of violence and eroticism, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside, and was acknowledged by Albert Camus as the model for The Stranger. Performed by Stanley Tucci

An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one, grisly solution -- a solution that only creates other problems that no one can ever solve. First published in 1934 and banned in Boston for its explosive mixture of violence and eroticism, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside, and was acknowledged by Albert Camus as the model for The Stranger. Performed by Stanley Tucci

(Book Jacket Status: Jacketed) These three classics from the master of the noir novel, along with five otherwise unavailable short stories, are electric with the taut narrative voice, the suspense, and the explosive violence and eroticism that were James M. Cain's indelible hallmarks. "The Postman Always Rings Twice," ""Cain's first novel-the subject of an obscenity trial in Boston, the inspiration for Camus's "The Stranger"-is the fever-pitched tale of a drifter who stumbles into a job, into an erotic obsession, and into a murder. "Double Indemnity"-which followed "Postman" so quickly, Cain's readers hardly had a chance to catch their breath-is a tersely narrated story of blind passion, duplicity, and, of course, murder. "Mildred Pierce," a work of acute psychological observation and devastating emotional violence, is the tale of a woman with a taste for shiftless men and an unreasoned devotion to her monstrous daughter. All three novels were immortalized in classic Hollywood films. Also included here are five masterful stories-"Pastorale," "The Baby in the Icebox," "Dead Man," "Brush Fire," "The Girl in the Storm"-that have been out of print for decades.

These three classics from the master of the noir novel, along with five otherwise unavailable short stories, are electric with the taut narrative voice, the suspense, and the explosive violence and eroticism that were James M. Cain’s indelible hallmarks. The Postman Always Rings Twice, Cain’s first novel–the subject of an obscenity trial in Boston, the inspiration for Camus’s The Stranger–is the fever-pitched tale of a drifter who stumbles into a job, into an erotic obsession, and into a murder. Double Indemnity–which followed Postman so quickly, Cain’s readers hardly had a chance to catch their breath–is a tersely narrated story of blind passion, duplicity, and, of course, murder. Mildred Pierce, a work of acute psychological observation and devastating emotional violence, is the tale of a woman with a taste for shiftless men and an unreasoned devotion to her monstrous daughter. All three novels were immortalized in classic Hollywood films. Also included here are five masterful stories–“Pastorale,” “The Baby in the Icebox,” “Dead Man,” “Brush Fire,” “The Girl in the Storm”–that have been out of print for decades.

"Those who dismiss Brecht as a yea-sayer to Stalinism are advised to read these journals and moderate their opinion." (Paul Bailey, Weekend Telegraph) Brecht's "Work Journals" cover the period from 1938 to 1955, the years of exile in Denmark, Sweden, Finland and America, and his return via Switzerland to East Berlin. His criticisms of the work of other writers and intellectuals are perceptive and polemic, and the accounts of his own writing practice provide insight into the creation of his dramatic works of the period, the development of his political thinking and his theories about epic theatre. Also integrated into the journals are Brecht's immediate reactions to and commentary upon the events of the period: his political exile's view of the course of World War II and his account of the House Un-American Activities committee."A marvellous, motley collage of political ideas, domestic detail, artistic debate, poems, photographs and cuttings from newspapers and magazines, assembled, undoubtedly for posterity by one of the great writers of the century" (New Statesman and Society)

An extension of Labor Arbitration: An Annotated Bibliography, this volume intends to provide a larger sense of history, of institutional development, and of the abiding questions that have been raised in and about labor arbitration. The editors focus on substantial professional and academic studies of labor arbitration in the United States and Canada, drawing material from books, monographs, analytical articles in professional and academic journals, and selections from the proceedings of the meetings of academic and professional societies. In response to the changing demands made upon arbitrators, the editors have extended their coverage to include alternative dispute resolution and the Americans with Disabilities Act. A large section of the book deals with employment arbitration and matters such as wrongful discharge. Coverage of arbitration outside North America is also expanded in the current volume, which is based upon computer searches of the most widely used data bases and on cover-to-cover searches of the twenty leading journals in the field.