The Prophets Of Doom

Linear and progressive views of history have dominated the popular imagination for the past seventy years in a worldview wedded to the inexorable rise of globalisation and GDP-growth at any cost. However, the end of the Cold War failed to produce the end of history as hoped, a fact brought home to many by Russia's invasion of Ukraine in 2022. Material wealth and 'Progress' in the name of 'social justice' have not made people happier or more united but quite the opposite. Anxiety, depression, fearfulness, sadness, loneliness and anger have all massively increased since 1970, with the male suicide rate at an all-time high. Western society seems to be divided against itself across every line conceivable: left versus right, women versus men, 'non-whites' versus 'whites', globalists versus populists, 'the elites' versus 'the people', people who think that men can be women and vice versa versus those who insist that they cannot, and so on. Seventy-three percent of Americans believe their country is on 'the wrong track', with similar views reflected in Britain and across Europe. The Prophets of Doom explores eleven thinkers who not only dared to contradict the dominant linear and progressive view of history, but also predicted many of the political and social maladies through which we are living.

Linear and progressive views of history have dominated the popular imagination for the past seventy years in a worldview wedded to the inexorable rise of globalisation and GDP-growth at any cost. However, the end of the Cold War failed to produce the end of history as hoped, a fact brought home to many by Russia's invasion of Ukraine in 2022. Material wealth and 'Progress’ in the name of ‘social justice’ have not made people happier or more united but quite the opposite. Anxiety, depression, fearfulness, sadness, loneliness and anger have all massively increased since 1970 with the male suicide rate at an all-time high. Western society seems to be divided against itself across every line conceivable: left versus right, women versus men, ‘non-whites’ versus ‘whites’, globalists versus populists, ‘the elites’ versus ‘the people’, people who think that men can be women and vice versa versus those who insist that they cannot, and so on. Seventy-three percent of Americans believe their country is on ‘the wrong track’, with similar views reflected in Britain and across Europe. The Prophets of Doom explores eleven thinkers who not only dared to contradict the dominant linear and progressive view of history, but also predicted many of the political and social maladies through which we are living.

The depiction of the prophet by the most revered Muslim sources reveals behavior that is immoral, criminal, and violent. The five oldest and most trusted Islamic sources don't portray Muhammad as a great and godly man. They confirm that he was a thief, liar, assassin, mass murderer, terrorist, warmonger, and an unrestrained sexual pervert engaged in pedophilia, incest, and rape. He authorized deception, assassinations, torture, slavery, and genocide. He was a pirate, not a prophet. According to the Hadith and the Qur'an, Muhammad and his henchmen plundered their way to power and prosperity. And by putting the Qur'an in chronological order and correlating it with the context of Muhammad's life, we find that Allah mirrored his prophet's character. Muhammad's god condoned immoral and criminal behavior. Allah boasts about being a terrorist. He claims to have deceived men, to have stolen their property, to have enslaved women and children, to having committed acts of murder, genocide, and sadistic tortures.

Examines prohecies from the Bible, Greek oracles, Nostradamus, and Edgar Cayce, particularly those dealing with the end of the world.

Alone and living in a time of chaos, Jeremiah was a prophet and Levitical priest whose fellow priests and prophets wanted him dead. In fact, everyone wanted him dead-the political leaders, his neighbors, and even his family.At twenty-three years old Jeremiah was told to speak truth to power and not to worry what the consequences may be. God told him that people love to praise the Lord but refuse to do what He says. In spite of the judgments cascading upon the heads of the inhabitants of Jerusalem, the Lord promised a new covenant with Israel and Judah that would revolutionize their walk with Him. Forbidden by the Lord to marry, Jeremiah's story is still filled with love and adventure.

Best Book of the Year NPR • The Washington Post • Boston Globe • TIME • USA Today • Entertainment Weekly • Real Simple • Parade • Buzzfeed • Electric Literature • LitHub • BookRiot • PopSugar • Goop • Library Journal • BookBub • KCRW • Finalist for the National Book Award • One of the New York Times Notable Books of the Year • One of the New York Times Best Historical Fiction of the Year • Instant New York Times Bestseller A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence. Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony. With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr., fiercely summons the voices of slaver and enslaved alike, from Isaiah and Samuel to the calculating slave master to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminates in a climactic reckoning, The Prophets fearlessly reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

First Published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.