The Quicksands Of Fashion A Novel

The orphan of a Danish mother and a West Indian father, Helga Crane is a young woman caught between cultures and in search of a home. Though her beauty and education open many doors, as a biracial woman in 1920s America, Helga is accepted by neither the Black nor the white communities—instead remaining an object of curiosity and an outsider wherever she goes. Her furious quest for belonging will take her from Chicago to New York to Denmark: a journey rife with autobiographical parallels to Larsen’s own life. With its astonishingly contemporary take on identity and an angry, rebellious heroine, Quicksand is a classic novel ripe for rediscovery.

NOW A NETFLIX ORIGINAL SERIES An incisive courtroom thriller and a drama that raises questions about the nature of love, the disastrous side effects of guilt, and the function of justice. A mass shooting has taken place at a prep school in Stockholm’s wealthiest suburb. Eighteen-year-old Maja Norberg is charged for her involvement in the massacre that left her boyfriend and her best friend dead. She has spent nine months in jail awaiting trial. Now the time has come for her to enter the courtroom. How did Maja—popular, privileged, and a top student—become a cold-blooded killer in the eyes of the public? What did Maja do? Or is it what she failed to do that brought her here? Malin Persson Giolito has written a perceptive portrayal of a teenage girl and a blistering indictment of a society that is coming apart. A work of great literary sensibility, Quicksand touches on wealth, class, immigration, and the games children play among themselves when parents are no longer attuned to their struggles.

During the twentieth century, the rise of the concept of Americanization—shedding ethnic origins and signs of "otherness" to embrace a constructed American identity—was accompanied by a rhetoric of personal transformation that would ultimately characterize the American Dream. The theme of self-transformation has remained a central cultural narrative in American literary, political, and sociological texts ranging from Jamestown narratives to immigrant memoirs, from slave narratives to Gone with the Wind, and from the rags-to-riches stories of Horatio Alger to the writings of Barack Obama. Such rhetoric feeds American myths of progress, upward mobility, and personal reinvention. In Fashion and Fiction, Lauren S. Cardon draws a correlation between the American fashion industry and early twentieth-century literature. As American fashion diverged from a class-conscious industry governed by Parisian designers to become more commercial and democratic, she argues, fashion designers and journalists began appropriating the same themes of self-transformation to market new fashion trends. Cardon illustrates how canonical twentieth-century American writers, including Edith Wharton, Theodore Dreiser, F. Scott Fitzgerald, Ernest Hemingway, and Nella Larsen, symbolically used clothing to develop their characters and their narrative of upward mobility. As the industry evolved, Cardon shows, the characters in these texts increasingly enjoyed opportunities for individual expression and identity construction, allowing for temporary performances that offered not escapism but a testing of alternate identities in a quest for self-discovery.