The Quincunx Of Time

Travel at light speeds is common, and Earth - the first in the universe to discover it - now reigns over many worlds. But in order to rule effectively, Captain Robin Weinbaum, head of Security, needs an extremely advanced communications system. He gets it with the Dirac transmitter, the first machine capable of sending instantaneous messages anywhere in the universe. The only problem is that someone called J. Shelby Stevens has a machine that can do the impossible - tap the transmissions before they are even made! It is Weinbaum's job to find Stevens. And unless he does, time will be abolished and the universe closed to Earth forever . . .

An extraordinary modern novel in the Victorian tradition, Charles Palliser has created something extraordinary—a plot within a plot within a plot of family secrets, mysterious clues, low-born birth, high-reaching immorality, and, always, always the fog-enshrouded, enigmatic character of 19th century—London itself. “So compulsively absorbing that reality disappears . . . One is swept along by those enduring emotions that defy modern art and a random universe: hunger for revenge, longing for justice and the fantasy secretly entertained by most people that the bad will be punished and the good rewarded.”—The New York Times “A virtuoso achievement . . . It is an epic, a tour de force, a staggeringly complex and tantalizingly layered tale that will keep readers engrossed in days. . . . The Quincunx will not disappoint you. It is, quite simply, superb.”—Chicago Sun-Times “A bold and vivid tale that invites the reader to get lost in the intoxicating rhythms of another world. And the invitation is irresistible.”—San Francisco Chronicle “A remarkable book . . . In mood, color, atmosphere and characters, this is Charles Dickens reincarnated . . . It is an immersing experience.”—Los Angeles Times Book Review “To read the first pages is to be trapped for seven-hundred odd more: you cannot stop turning them.”—The New Yorker “Few books, at most a dozen or two in a lifetime, affect us this way. . . . For sheer intricacy and ingenuity, for skill and clarity of storytelling, it is the kind of book readers wait for, a book to get lost in.”—The Philadelphia Inquirer

Gulliver’s Travels meets The Underground Railroad: a road trip through the countryside – and the psyche – by the author of Fifteen Dogs. Longlisted for the 2019 Scotiabank Giller Prize Botanist Alfred Homer, ever hopeful and constantly surprised, is invited on a road trip by his parents’ friend, Professor Morgan Bruno, who wants company as he tries to unearth the story of the mysterious poet John Skennen. But this is no ordinary road trip. Alfred and the Professor encounter towns where Black residents speak only in sign language and towns that hold Indigenous Parades; it is a land of house burnings, werewolves, and witches. Complete with Alfred’s drawings of plants both real and implausible, Days by Moonlight is a Dantesque journey taken during the “hour of the wolf,” that time of day when the sun is setting and the traveller can’t tell the difference between dog and wolf. And it asks that perpetual question: how do we know the things we know are real, and what is real anyway? “A mash-up that is part fabulism, part faux biography, and part satire, Days by Moonlight conveys the experience of grief, managing to transform its inarticulable and symbolic weight into a finely wrought literary work.” —Quill and Quire

An extraordinary modern novel in the Victorian tradition, Charles Palliser has created something extraordinary—a plot within a plot within a plot of family secrets, mysterious clues, low-born birth, high-reaching immorality, and, always, always the fog-enshrouded, enigmatic character of 19th century—London itself. “So compulsively absorbing that reality disappears . . . One is swept along by those enduring emotions that defy modern art and a random universe: hunger for revenge, longing for justice and the fantasy secretly entertained by most people that the bad will be punished and the good rewarded.”—The New York Times “A virtuoso achievement . . . It is an epic, a tour de force, a staggeringly complex and tantalizingly layered tale that will keep readers engrossed in days. . . . The Quincunx will not disappoint you. It is, quite simply, superb.”—Chicago Sun-Times “A bold and vivid tale that invites the reader to get lost in the intoxicating rhythms of another world. And the invitation is irresistible.”—San Francisco Chronicle “A remarkable book . . . In mood, color, atmosphere and characters, this is Charles Dickens reincarnated . . . It is an immersing experience.”—Los Angeles Times Book Review “To read the first pages is to be trapped for seven-hundred odd more: you cannot stop turning them.”—The New Yorker “Few books, at most a dozen or two in a lifetime, affect us this way. . . . For sheer intricacy and ingenuity, for skill and clarity of storytelling, it is the kind of book readers wait for, a book to get lost in.”—The Philadelphia Inquirer

"The book is like a dream you want to last forever" (Roberta Silman, The New York Times Book Review), now with a gorgeous new cover by the famed designer Peter Mendelsund A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund The Rings of Saturn—with its curious archive of photographs—records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne’s skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt’s "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald’s The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an "astonishing masterpiece perfect while being unlike any book one has ever read." It was "one of the great books of the last few years," noted Michael Ondaatje, who now acclaims The Rings of Saturn "an even more inventive work than its predecessor, The Emigrants."

Although the Green Dolphin is a bar of ill repute, it is there that Tancred Palmieri, a thief with elegant and erudite tastes, meets Willow Azarian, an aging heroin addict. She reveals to Tancred that her very wealthy father has recently passed away, leaving each of his five children a mysterious object that provides one clue to the whereabouts of a large inheritance. Willow enlists Tancred to steal these objects from her siblings and solve the puzzle. A Japanese screen, a painting that plays music, an aquavit bottle, a framed poem, and a model of Frank Lloyd Wright's Fallingwater: Tancred is lured in to this beguiling quest, and even though Willow dies before he can begin, he presses on. As he tracks down the treasure, however, he must enlist the help of Alexander von Wurfel, esteemed copyist, and fend off Willow's heroin dealers, a young albino named "Nigger" Colby and his sidekick, Sigismund "Freud" Luxemburg, a club-footed psychopath, both of whom are eager to get their paws on this supposed pot of gold. And he must mislead Detective Daniel Mandelshtam, his most adored friend. Based in a reading of Robert Louis Stevenson's Treasure Island, The Hidden Keys questions what it means to be honorable and what it means to be faithful. André Alexis was born in Trinidad and grew up in Canada. His most recent novel, Fifteen Dogs, won the prestigious Scotiabank Giller Prize, awarded annually to the best Canadian fiction book.

During the Middle Ages and after two hundred and fifty years of inbreeding, this geographically isolated community of genetically diseased killers is all but destroyed by an earthquake. Its few survivors scatter to the four winds and resettle afar. Now, a mad man tries to resurrect their lineage, hoping to recreate an army of mercenaries from what remains of their genetically noxious descendants. Waiting for them are the agents of World Interconnect (WI-7), who attempt to stifle this deadly march of evil. WI-7s quest is international; its failure would be catastrophic.

Praise for André Alexis's previous books: "Astonishing . . . an irresistible, one-of-a-kind work."—Quill & Quire "Alexis [has an] astute understanding of the madly shimmering, beautifully weaving patterns created by what we have agreed to call memory."—Ottawa Citizen There were plans for an official welcome. It was to take place the following Sunday. But those who came to the rectory on Father Pennant's second day were the ones who could not resist seeing him sooner. Here was the man to whom they would confess the darkest things. It was important to feel him out. Mrs Young, for instance, after she had seen him eat a piece of her macaroni pie, quietly asked what he thought of adultery. André Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral. For his very first parish, Father Christopher Pennant is sent to the sleepy town of Barrow. With more sheep than people, it's very bucolic—too much Barrow Brew on Barrow Day is the rowdiest it gets. Bu things aren't so idyllic for Liz Denny, whose fiancé doesn't want to decide between Liz and his more worldly mistress Jane, and for Father Pennant himself, who greets some miracles of nature—mayors walking on water, talking sheep—with a profound crisis of faith. André Alexis was born in Trinidad and grew up in Canada. His debut novel, Childhood, won the Books in Canada First Novel Award, the Trillium Book Award, and was shortlisted for the Giller Prize and the Writers' Trust Fiction Prize. His books include Asylum and Ingrid and the Wolf.