The Reavers

In Elizabethan England a dastardly Spanish plot to take over the throne is uncovered and it's up to Agent Archie Noble to save Queen and country.

When Joss Whedon's television show Firefly (2002-2003) was cancelled, devoted fans cried foul and demanded more--which led to the 2005 feature film Serenity. Both the series and the film were celebrated for their melding of science fiction and western iconography, dystopian settings, underdog storylines, and clever fast-paced dialogue. Firefly has garnered a great deal of scholarly attention--less so, Serenity. This collection of new essays, the first focusing exclusively on the film, examines its depictions of race, ableism, social engineering and systems of power, and its status as a crime film, among other topics.

Meet Anton Marivaldi—a renowned reaver with an insatiable thirst for bounty and a questionable moral compass Endless, pounding rain afflicts the Sea of Fallen Stars and the coastal regions surrounding it. Harvests are failing, travel and trade are disrupted, and civilized forces are giving way to the deluges caused by the storms. In panic and despair, many have turned to the goddess Umberlee, Queen of the Depths, offering her sacrifices with hope that they will be spared the inevitable reckoning of her perpetual tempest. Evendur Highcastle, an undead pirate captain who has risen from the depths to assume the mantle of Umberlee’s Chosen, takes advantage of the people's desperation to strike for both spiritual and temporal power in her name. Vying with Highcastle for the hearts and minds of the people is Stedd Whitehorn, a little boy and the chosen of a god thought lost to time: Lathander, the Morninglord. In a time of such upheaval, Stedd’s message of renewal and hope runs in stark contrast to the savage ethos of Highcastle and his waveservants. When Anton Marivaldi captures the boy in order to collect Highcastle’s considerable bounty, the reaver is quickly caught in the riptide caused by the sundering of worlds.

Joss Whedon, probably the first recognised TV auteur, who brought us Buffy and Angel, is also the creator of the remarkable space Western "Firefly" and the major Firefly film "Serenity". "Firefly" ran for twelve hour-long episodes in 2002 before being cancelled by the network. But this premature burial had an extraordinary outcome: the fans - self-named Browncoats - just kept multiplying, buying the dvds, keeping the show alive with blogs, fan fiction, podcasts, their own films, meetings, conferences; their numbers increased when the major Firefly motion picture 'Serenity' was released in 2005.This book is the definitive one on both "Firefly" and "Serenity". It is ambitious, in-depth and comprehensive, covering all aspects, from detailed chapters on scenes and themes, through explorations of the music, the characters, actors and fans. It is written by over 20 of the best US and international Whedon scholars, tv and film critics and writers. It's the must-have book for followers of Whedon and his works and for students of quality and cult tv.

Stories of world-ending catastrophe have featured prominently in film and television. Zombie apocalypses, climate disasters, alien invasions, global pandemics and dystopian world orders fill our screens--typically with a singular figure or tenacious group tasked with saving or salvaging the world. Why are stories of End Times crisis so popular with audiences? And why is the hero so often a white man who overcomes personal struggles and major obstacles to lead humanity toward a restored future? This book examines the familiar trope of the hero and the recasting of contemporary anxieties in films like The Walking Dead, Snowpiercer and Mad Max: Fury Road. Some have familiar roots in Western cultural traditions yet many question popular assumptions about heroes and heroism to tell new and fascinating stories about race, gender and society and the power of individuals to change the world.

Joss Whedon is known for exploring philosophical questions through socially progressive narratives in his films, television shows and comics. His work critiques racial stereotypes, sometimes repudiating them, sometimes reinvesting in them (sometimes both at once). This collection of new essays explores his representations of racial power dynamics between individuals and institutions and how the Whedonverse constructs race, ethnicity and nationality relationships.

According to Joss Whedon, the creator of the short-lived series Firefly (2002), the cult show is about “nine people looking into the blackness of space and seeing nine different things.” The chronicles of crewmembers on a scruffy space freighter, Firefly ran for only four months before its abrupt cancellation. In that brief time, however, it established a reputation as one of the best science-fiction programs of the new millennium: sharply written, superbly cast, and set on an exotic multicultural frontier unlike anything ever seen on the small screen. The show’s large, enthusiastic fan following supported a series of comics and a theatrical film, Serenity (2005), that extended the story, deepened the characters, and revealed new wonders and dangers on the deep-space frontier. In Firefly Revisited: Essays on Joss Whedon’s Classic Series, Michael Goodrum and Philip Smith present a collection that reflects on the program, the characters, and the post-cancellation film and comics that grew out of the show. The contributors to this volume offer fresh perspectives on familiar characters and blaze new trails into unexplored areas of the Firefly universe. Individual essays explore the series’ place in the history of the space-Western subgenre, the political economy of the Alliance, and the uses of music and language in the series to immerse audiences in a multicultural future. These essays look at how the show offered viewers high adventure as well as engaged with a range of themes that still resonate today. As such, Firefly Revisited will intrigue the show’s many fans, as well as Whedon scholars and anyone interested in the twenty-first-century renaissance of science-fiction television.