The Reception Of Cleopatra In The Age Of Mass Media

This study examines the reception of Cleopatra from the beginning of the 20th century to the present day as it has been reflected in popular culture in the United States of America. Daugherty provides a broad overview of the influence of the Egyptian queen by looking at her presence in film, novels, comics, cartoons, TV shows, music, advertising and toys. The aim of the book is to show the different ways in which the figure of Cleopatra was able to reach a large and non-elite audience. Furthermore, Daugherty makes a study of the reception of Cleopatra during her own lifetime. He begins by looking at her portrayal in the vicious propaganda campaign waged by Octavian against his rival Marc Antony. The consequence was that Cleopatra was left with a tarnished reputation after the civil war. Daugherty's examination of both the historical and contemporary reception of Cleopatra shows the enduring legacy of one of history's most remarkable queens.

This study examines the reception of Cleopatra from the beginning of the 20th century to the present day as it has been reflected in popular culture in the United States of America. Daugherty provides a broad overview of the influence of the Egyptian queen by looking at her presence in film, novels, comics, cartoons, TV shows, music, advertising and toys. The aim of the book is to show the different ways in which the figure of Cleopatra was able to reach a large and non-elite audience. Furthermore, Daugherty makes a study of the reception of Cleopatra during her own lifetime. He begins by looking at her portrayal in the vicious propaganda campaign waged by Octavian against his rival Marc Antony. The consequence was that Cleopatra was left with a tarnished reputation after the civil war. Daugherty's examination of both the historical and contemporary reception of Cleopatra shows the enduring legacy of one of history's most remarkable queens.

In the following pages it will be observed that, in order not to distract the reader, I have refrained from adding large numbers of notes, references, and discussions, such as are customary in works of this kind. I am aware that by telling a straightforward story in this manner I lay myself open to the suspicions of my fellow-workers, for there is always some tendency to take not absolutely seriously a book which neither prints chapter and verse for its every statement, nor often interrupts the text with erudite arguments. In the case of the subject which is here treated, however, it has seemed to me unnecessary to encumber the pages in this manner, since the sources of my information are all so well known; and I have thus been able to present the book to the reader in a style consonant with a principle of archæological and historical study to which I have always endeavoured to adhere—namely, the avoidance of as many of those attestations of learning as may be discarded without real loss. A friend of mine, an eminent scholar, in discussing with me the scheme of this volume, earnestly exhorted me on the present occasion not to abide by this principle. Remarking that the trouble with my interpretation of history was that I attempted to make the characters live, he urged me at least to justify the manner of their resuscitation in the eyes of the doctors of science by cramming my pages with extracts from my working notes, relevant or otherwise, and by smattering my text with Latin and Greek quotations. I trust, however, that he was speaking in behalf of a very small company, for the sooner this kind of jargon of scholarship is swept into the world’s dust-bin, the better will it be for public education. To my mind a knowledge of the past is so necessary to a happy mental poise that it seems absolutely essential for historical studies to be placed before the general reader in a manner sympathetic to him. “History,” said Emerson, “no longer shall be a dull book. It shall walk incarnate in every just and wise man. You shall not tell me by languages and titles a catalogue of the volumes you have read. You shall make me feel what periods you have lived.” Such has been my attempt in the following pages; and, though I am so conscious of my literary limitations that I doubt my ability to place the reader in touch with past events, I must confess to a sense of gladness that I, at any rate, with almost my whole mind, have lived for a time in the company of the men and women of long ago of whom these pages tell.

Few other civilizations rival Ancient Egypt in its power to capture the modern imagination, and Cleopatra VII, monarch at the end of the Ptolemaic period, has always been preeminent among its cast of characters. Coming to power just before the unstable state was about to be absorbed into an autocratic empire, Cleopatra oversaw not only Egypt's progress as an influential regional power but also the fragile peace of its ethnically mixed population.Michel Chauveau looks at many facets of life under this queen and her dynasty, drawing on such sources as firsthand accounts, numismatics, and Greek, Demotic, and hieroglyphic inscriptions. His use of such sources helps to free the narrative of dependence on later (and usually hostile) Greek and Roman historians. By taking up such subjects as funeral customs, language and writing, social class structure, religion, and administration, he affords the reader an unprecedented and comprehensive picture of Greek and Egyptian life in both the cities and the countryside.Originally published in French in 1997, Egypt in the Age of Cleopatra fulfills a long-standing need for an accessible introduction to the social, economic, religious, military, and cultural history of Ptolemaic Egypt.

The ancient Egyptians had very definite views about their neighbours, some positive, some negative. As one would expect, Egyptian perceptions of 'the other' were subject to change over time, especially in response to changing political, social and economic conditions. Thus, as Asiatics became a more familiar part of everyday life in Egypt, and their skills and goods became increasingly important, depictions of them took on more favourable aspects. The investigation by necessity involves a multi-disciplined approach which seeks to combine and synthesize data from a wider variety of sources than drawn upon in earlier studies. By the same token, the book addresses the interests of, and has appeal to, a broad spectrum of scholars and general readers.

This book examines the fundamental evidence for many different aspects of change and evolution in ancient Egyptian technology. It includes discussion of the wider cognitive and social contexts, such as the Egyptian propensity for mental creativity and innovation, and the pace of change in Egypt in comparison with other African, Mediterranean and Near Eastern states. This book draws not only on traditional archaeological and textual sources but also on the results of scientific analyses of ancient materials and on experimental and ethno-archaeological information. Case-studies analyse those aspects of Egyptian society that made it either predisposed or actively opposed to certain types of conservatism or innovation in material culture, such as the techniques of stone-working, medicine, mummification and monumental construction. The book also includes detailed discussion of the ways in which the practice and development of Egyptian technology interrelated with Late Bronze Age urban society as a whole, using the city at Amarna as a case-study.

Princess Cleopatra, the third (and favorite) daughter of King Ptolemy XII, comes of age in ancient Egypt, accumulating power and discovering love.

Bestselling novelist Margaret George brings to life the glittering kingdom of Cleopatra, Queen of the Nile, in this lush, sweeping, and richly detailed saga, the basis for the Cleopatra TV mini-series. Told in Cleopatra's own voice, The Memoirs of Cleopatra is a mesmerizing tale of ambition, passion, and betrayal in the ancient Egyptian world, which begins when the twenty-year-old queen seeks out the most powerful man in the world, Julius Caesar, and does not end until, having survived the assassination of Caesar and the defeat of the second man she loves, Marc Antony, she plots her own death rather than be paraded in triumph through the streets of Rome. Most of all, in its richness and authenticity, it is an irresistible story that reveals why Margaret George's work has been widely acclaimed as "the best kind of historical novel, one the reader can't wait to get lost in." (San Francisco Chronicle).