The Recovery Of Natural Environments In Architecture

The Recovery of Natural Environments in Architecture challenges the modern practice of sealing up and mechanically cooling public scaled buildings in whichever climate and environment they are located. This book unravels the extremely complex history of understanding and perception of air, bad air, miasmas, airborne pathogens, beneficial thermal conditions, ideal climates and climate determinism. It uncovers inventive and entirely viable attempts to design large buildings, hospitals, theatres and academic buildings through the 19th and early 20th centuries, which use the configuration of the building itself and a shrewd understanding of the natural physics of airflow and fluid dynamics to make good, comfortable interior spaces. In exhuming these ideas and reinforcing them with contemporary scientific insight, the book proposes a recovery of the lost art and science of making naturally conditioned buildings.

Written and edited by a team of specialists at Max Fordhams, one of the leading UK environmental engineering consultancies, Environmental Design is the result of their extensive experience in designing environmentally friendly buildings. The principles of their approach, which they have taught in numerous schools of architecture and engineering, are clearly presented here. This book is essential reading for architects, engineers, planners and students of these disciplines and for all those who are concerned with our built environment.

This well-illustrated 'think piece' provides a much needed and topical philosophical introduction to the place of environmental design in architecture. The Environments of Architecture sets out a range of considerations necessary to produce appropriate internal environments in the context of a wider discussion on the effect of building decisions on the broader environment. The authors, from architecture and engineering, academia and practice, provide a rounded and well-balanced introduction to this important topic. Starting from a belief that the built environment can contribute more positively to the planet and the pleasure of places as well as answering the practical demands of comfort, they cover site planning, form, materials, construction and operation as well as looking at design on a city level. Presenting a thoughtful and stimulating approach to the built environment, this book forms an excellent guide for practitioners, students and academics concerned with our built environment.

Buildings are for People: Human Ecological Design offers a new approach to the process of conceiving architectural design, one that considers the interactions of the built environment with people and the natural environment. The book exposes our visceral and experiential connections to buildings, and how buildings intervene directly with our ecosystem, natural environment and sense of place. It brings to light our ability to utilize a building's surfaces, shape and materiality to synergize with the energy and forces of nature for a more green and sustainable architecture. It points out many of the roadblocks to successful design including issues in education, the profession, regulation and the industry's institutions, providing an awareness that heretofore is rarely discussed. Most importantly, Buildings are for People: Human Ecological Design highlights the obvious, that buildings are built for people, a fact that seems to have been overlooked in the last half-century.

This book is about a new and different way of approaching and studying the history of the built environment and the use of historical precedents in design. However, although what I am proposing is new for what is currently called architectural history, both my approach and even my conclusions are not that new in other fields, as I discovered when I attempted to find supporting evidence. * In fact, of all the disciplines dealing with various aspects of the study of the past, architectural history seems to have changed least in the ways I am advocating. There is currently a revival of interest in the history of architecture and urban form; a similar interest applies to theory, vernacular design, and culture-environment relations. After years of neglect, the study of history and the use of historical precedent are again becoming important. However, that interest has not led to new approaches to the subject, nor have its bases been examined. This I try to do. In so doing, I discuss a more rigorous and, I would argue, a more valid way of looking at historical data and hence of using such data in a theory of the built environment and as precedent in environmental design. Underlying this is my view of Environment-Behavior Studies CEBS) as an emerging theory rather than as data to help design based on current "theory. " Although this will be the subject of another book, a summary statement of this position may be useful.

'Taking Shape' explores the evolution of scientific and academic theories that have resulted in the concept of sustainability. Susannah Hagan uses this as a basis to argue for developments in the future and argues that these theories are not 'just an intellectual and aesthetic regression' as they are often perceived to be. By focusing on the impact of the new theories of sustainable technology and new materials in architecture, Hagan moves the discourse and practice of environmental sustainability within architecture towards a greater degree of awareness of both its cultural significance and cultural potential. In short, it demonstrates the capacity of sustainable architecture to embrace cultural and technical innovation.

The Elements of Architecture is a clear and well structured introduction to sustainable architecture, which concentrates on general principles to make an accessible and comprehensive primer for undergraduate students. The author takes a fresh and logical approach, focusing on the way aspects of the built environment are experienced by the occupants and how that experience is interpreted in architectural design. He works through basic elements and senses (sun; heat; light; sound; air; water and fire) to explain and frame effective environmental architectural design - not only arguing that the buildings we inhabit should be viewed as extensions of our bodies that interact with and protect us from these elements, but also using this analogy to explain complex ideas in an accessible manner.