The Return Of Religion And Other Myths

Series and the final part of a three-fold project organized by BAK under same title, in which the popular assumption of the return of religion to the field of artistic practice and its discourses, the public sphere, contemporary politics, and media in the West is interrogated as a constitutive "myth" of our current condition. Through a wide-ranging selection of texts, a group of artists, art historians and theorists, scholars of religion, and sociologists unpack the historical underpinnings of religion's so-called "return", art's long-standing relationship with iconoclasm and connection to religious representation, the manipulation of certain religious imagery in the mass media, and contemporary art's potential to complicate and problematize commonly-held beliefs about the role and potential of the image in today's world.

The way most people think about religion and politics is only loosely linked to empirical reality, argues Ryan P. Burge. In 20 Myths about Religion and Politics in America, Burge strives to be an impartial referee and to overcome these caustic misperceptions by using both rigorous data analysis and straightforward explanations.

50 Great Myths about Religions is an intriguing, informative, and often humorous introduction to some of the long standing myths that surround religious belief. This engaging book will get its readers thinking about how and why certain myths have arisen, and their continuing influence on our personal and collective view of religion. Offers a lively, informative, and thought-provoking introduction to some of the common misbeliefs surrounding religions Discusses myths about religious belief in general, as well as specific ideas that surround Judaism, Christianity, Islam, atheism, and agnosticism Covers a wide range of myths, from ancient legends such as the Bible forbidding pork being eaten because it causes illness, to modern urban fables, such as Barack Obama being a Muslim Unpacks each myth in turn, explaining why it arose, how it spread, and why the beliefs that stem from it are questionable Includes a fascinating discussion about human nature, and the main characteristics that predispose us to create and circulate myths to begin with Underpinned by a wide knowledge of academic research, it is written by two respected religion scholars and experienced authors

A collection of myths from a number of religions, including Judaism, Christianity, Islam, & Hinduism.

In recent decades curators and artists have shown a distinct interest in religion, its different traditions, manifestations in public life, gestures and images. Breaking Resemblance explores the complex relationship between contemporary art and religion by focusing on the ways artists re-work religious motifs as a means to reflect critically on our desire to believe in images, on the history of seeing them, and on their double power— iconic and political. It discusses a number of exhibitions that take religion as their central theme, and a selection of works by Bill Viola, Lawrence Malstaf, Victoria Reynolds, and Berlinde de Bruyckere—all of whom, in their respective ways and media, recycle religious motifs and iconography and whose works resonate with, or problematize the motif of, the true image.

Cavanaugh challenges conventional wisdom by examining how the twin categories of religion and the secular are constructed. He examines how timeless and transcultural categories of 'religion and 'the secular' are used in arguments that religion causes violence.