The Rise Of English Nationalism

The Rise of English Nationalism is a tour de force reinterpretation of English history and culture in the era of King George III. Where historians have often seen England as having been bypassed by the phenomenom of nationalism, Newman, equally at home with history and literature, shows instead that England was probably the first modern country to experience it, and reveals its vibrations throughout English cultural, social, literary and political life. The result is a remarkable synthesis from a comprehensive new angle of vision, lucidly and often wittily written. Both armchair historian and serious scholar will enjoy The Rise of English Nationalism .

One of the biggest political stories of the past few decades in the United Kingdom and elsewhere has been the growing divide between the working class and the mainstream liberal left, which historically has spoken for them. This book offers a close analysis of that phenomenon by showing how the political scene looks to underemployed white men who have seen their standards of living fall in recent years even as their communities have fractured around them. Rather than cast aspersions or mount arguments about the larger success of society as a whole, The Rise of the Right takes these men and their concerns seriously, showing where their opinions are factually wrong but arguing powerfully that liberal politics must find a way of acknowledging and addressing their legitimate fears and frustrations.

This text presents a re-interpretation of English history and culture in the era of King George III. The author argues that England was probably the first modern country to experience nationalism, revealing its effect throughout English cultural, social, literary, and political life.

Englishness is an idea, a consciousness and a proto-nationalism. There is no English state within the United Kingdom, no English passport, Parliament or currency, nor any immediate prospect of any. That does not mean that England lacks an identity, although English nationalism, or at least a distinctive nationalism, has been partly forced upon the English by the development in the British Isles of strident nationalisms that have contested Britishness, and with much success. So what is happening to the United Kingdom, and, within that, to England? Jeremy Black looks to the past in order to understand the historical identity of England, and what it means for English nationalism today, in a post-Brexit world. The extent to which English nationalism has a "deep history" is a matter of controversy, although he seeks to demonstrate that it exists, from 'the Old English State' onwards, predating the Norman invasion. He also questions whether the standard modern critique of politically partisan, or un-British, Englishness as "extreme" is merited? Indeed, is hostility to "England," whatever that is supposed to mean, the principal driver of resurgent English nationalism? The Brexit referendum of 2016 appeared to have cancelled out Scottish and other nationalisms as an issue, but, in practice, it made Englishness a topic of particular interest and urgency, as set out in this short history of its origins and evolution.

This book explores how British Romantic poetry—the writing, reading, and critical reception of it—reinforced British nationalism in the 19th century, ripening the political processes of nationhood that began with the first Act of Union in 1707. Using archival research on literary collections, criticism and reviews, this study documents the rise of bardic criticism in the 18th century, a style of literary criticism that reinvented the vernacular poet as a national bard and established a national role for poetry. Within this context, this book offers a new reading of major works by Romantic poets from Wordsworth and Coleridge to Felicia Hemans and Anna Letitia Barbauld, illuminating the ways they corroborated the public image of poets as bona fide national bards and advanced British nationalism, even when they intentionally set out to oppose or reform the politics of state.

Andrew Escobedo here seeks to provide a new understanding of the emergence of national consciousness in England, showing that many Renaissance writers articulated their Englishness temporally, through an engagement with a history they perceived as lost or alienated. According to Escobedo, the English experienced nationalism as a form of community that disrupted earlier religious and social identities, making it difficult to link the national present to the medieval past. Furthermore, he argues, the English faced the nation's temporal isolation before the Enlightenment narrative of historical progress emerged as a means to interpret novelty in a positive light. Escobedo examines how John Foxe, John Dee, Edmund Spenser, and John Milton used narrative representations of nationhood to mediate what they perceived as a troubling breach in history, attempting to bring together the English past, present, and near future in a complete and continuous story. Yet all four authors also register their concern that historical loss may be an inevitable feature of a "modern" England, and they come to see their narratives as long tapestries that spontaneously rip apart as they grow, obliging the weaver to return to repair them. Focusing on Renaissance England's perplexing sense of its time-boundedness, Escobedo presents early national consciousness as stranded awkwardly between the premodern and modern.

'An eloquent, forensic examination of resurgent English nationalism as the force that has driven Brexit and may now break up the United Kingdom' Jonathan Coe 'A fascinating book that draws on poetry, literature and on-the-ground reporting' The Times 'A wonderful book which will be quoted in years to come' New European In the past, it was possible to live with delightful confusion: one could be English or British, Scottish or Irish, and a citizen/subject of the United Kingdom (or Great Britain). Now this archaic state is coming under terrible strain. The English revolt against Europe is also a revolt against the Scottish and Irish, and the pressures to declare Scottish independence and to push for a border poll that would unite Ireland may become irresistible. Can England and Wales find a way of dealing with the state's new place in the world? What constitutional, federal arrangements might prevent the disintegration of the British state? How Britain Ends is a book about history, but also about the strange, complicated identity of Britishness.

The Tudor era has long been associated with the rise of nationalism in England, yet nationalist writing in this period often involved the denigration and outright denial of Englishness. Philip Schwyzer argues that the ancient, insular, and imperial nation imagined in the works of writers such as Shakespeare and Spenser was not England, but Britain. Disclaiming their Anglo-Saxon ancestry, the English sought their origins in a nostalgic vision of British antiquity. Focusing on texts including The Faerie Queene, English and Welsh antiquarian works, The Mirror for Magistrates, Henry V and King Lear, Schwyzer charts the genesis, development and disintegration of British nationalism in the sixteenth and early seventeenth centuries. An important contribution to the expanding scholarship on early modern Britishness, this study gives detailed attention to Welsh texts and traditions, arguing that Welsh sources crucially influenced the development of English literature and identity.