The Roman Illusion Volume 2

Explores the hidden origins of Judaism, the plagurised texts of the Torah, European Jewish Cults, and the creation of the mythological Hebrew prophet Moses (Musa).

How 33 ancient, familiar and new optical illusions work, with 150 examples.

Shattering the Illusion is the first book to gather and comparatively analyze policies addressing child sexual abuse complaints in a selection of religious institutions in Canada. Although there is a substantial body of literature regarding Christianity and sexual abuse, very little of it focuses on religious institutions in Canada and their respective policies. In the foreword, Tracey J. Trothen summarizes the Cornwall Inquiry, out of which this book arose. She then examines the Roman Catholic Church, The United Church of Canada, the Anglican Church, the Mennonite Church, Islam, and the Canadian Unitarian Council/Unitarian Universalist Association, describing in detail the evolution and particular content of policies and procedures that address child sexual abuse complaints directed at paid and volunteer faith community representatives and/ or leaders. She identifies differences and common themes among the approaches taken by the institutions and provides a summary table for an accessible comparative overview. Child sexual abuse is not new, but the emergence of policies to address abuse complaints within religious institutions is. This book identifies significant and shared causal factors behind the emergence of policy and reviews their content carefully. This review will serve as a significant tool for furthering the development of such policies.

This publication of Abraham Polonsky’s unproduced screenplay for The Gladiators is a tribute to one of Hollywood’s premiere post-WW II directors and writers whose career was severely impacted by the blacklist. His script for The Gladiators survives to remind us that he could, and did, transform a difficult and complex novel of an ancient slave rebellion into a screenplay worthy of Arthur Koestler’s bold fictional vision. Through a combination of the ambivalence of its executive producer and star, plus bad timing, it never went before the cameras. This book is published in the hope that The Gladiators will be produced for cinema or television.

When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)

An ambitious analysis of the Roman literary obsession with retreat and closed spaces, in the context of expanding empire.

Visual illusions are compelling phenomena that draw attention to the brain's capacity to construct our perceptual world. The Compendium is a collection of over 100 chapters on visual illusions, written by the illusion creators or by vision scientists who have investigated mechanisms underlying the phenomena. --

Gibbon offers an explanation for why the Roman Empire fell, a task made difficult by a lack of comprehensive written sources, though he was not the only historian to tackle the subject. Most of his ideas are directly taken from what few relevant records were available: those of the Roman moralists of the 4th and 5th centuries.