The Rookeries Of London

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Ragged London describes life in the rookeries of London, where forty people would live together in one room. Although life was a constant struggle against famine, disease and violence, the people enjoyed a closeness that was more than the result of overcrowding. Their lives were lived entirely within the 'mean streets' of their little corner of London. They were born and raised within the rookeries, earned their meagre living there, enjoyed life as best they could, dressed in the latest fashion, got married, had children, died and were buried there. The lack of cooking facilities led to them inventing the takeaway, and there was absolutely no sanitation. In the poorest district of all, St Giles, only a single water pump serviced the entire population. It was a closed world, although the population explosion of nineteenth-century London led to millions of new arrivals in the already-congested rookery districts. The areas were lawless to a degree that dwarfs contemporary concerns about crime. Though life was cheap in the rookeries, they produced some of the best soldiers and sailors in the British armed forces.

Return to a magical alternate London as Deborah Hewitt continues the Nightjar series with The Rookery. After discovering her magical ability to see people's souls, Alice Wyndham only wants three things: to return to the Rookery, join the House Mielikki and master her magic, and find out who she really is. But when the secrets of Alice's past threaten her plans, and the Rookery begins to crumble around her, she must decide how far she's willing to go to save the city and people she loves. "Superb, darkly charming.... It's a delight to explore the Rookery..." --Publishers Weekly starred review At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Woolfian Boundaries explores Woolf’s work from perspectives “beyond the boundary” of her own positions and attitudes, taking her coolness toward the provinces and “prejudice” against the regional novel (Letters 6: 381) as the starting point for considering her writing in the light of its own “limits,” self-declared and otherwise. Chapter topics range from Woolf’s connections with the “Birmingham School” of novelists in the 1930s to her interests in environmentalism, portraiture, photography, and the media, and her endlessly fascinating relationship with the writings of her contemporaries and predecessors.

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