The Saint John S Bible

In an age of e-books and screens, it may seem antiquated to create a handwritten, illuminated Bible. The Benedictine monks at Saint John's Abbey and University, however, determined to produce such a Bible for the twenty-first century, a Bible that would use traditional methods and materials while engaging contemporary questions and concerns. In an age that largely overlooks the physical form of books, The Saint John's Bible foregrounds the importance of a book's tactile and visual qualities. This collection considers how The Saint John's Bible fits within the history of the Bible as a book, and how its haptic qualities may be particularly important in a digital age. Contributors: David Lyle Jeffrey Matthew Moser Jonathan Juilfs Sue Sorensen Paul Anderson Gretchen Batcheller Jane Kelley Rodeheffer

In Word and Image, Michael Patella explores the principles, intentions, and aims of The Saint John's Bible - the first handwritten and hand-illuminated Bible commissioned by a Benedictine abbey since the invention of the printing press. Patella focuses not on how it was made but on how it can be read, viewed, and interpreted in a way that respects biblical inspiration and Christian tradition in our postmodern context. It is a book that is sure to appeal to academics, pastors, teachers, and educated laypersons. Patella considers this Bible in the context of the great Christian tradition of illuminated Bibles across the ages and also the fascinating ways The Saint John's Bible reflects third-millennium concerns. He seeks to rekindle interest in sacred art by allowing The Saint John's Bible to teach its readers and viewers how to work with text and image. As an accomplished Scripture scholar, a highly regarded teacher, a monk of Saint John's Abbey, and the chair of the Committee on Illumination and Text that provided the Vision to the artists who created it, Patella may be the only one who could write this book with such insight, expertise, and love. Michael Patella, OSB, SSD, is professor of New Testament at the School of Theology•Seminary of Saint John's University, Collegeville, where he also serves as seminary rector. His books include Angels and Demons: A Christian Primer of the Spiritual World (Liturgical Press, 2012), The Lord of the Cosmos: Mithras,Paul, and the Gospel of Mark (T&T Clark, 2006), and The Gospel according to Luke of the New Collegeville Bible Commentary Series(Liturgical Press, 2005). He has been a frequent contributor to The Bible Today and is a member of the Catholic Biblical Association. He served as chair of the Committee on Illumination and Text for The Saint John's Bible.

Illuminating Justice explores the call to social ethics in The Saint John’s Bible, the first major handwritten and hand-illuminated Christian Bible since the invention of the printing press. Situating his close analysis of The Saint John’s Bible’s illuminations in the context of contemporary biblical exegesis and Catholic teaching, Homrighausen shows how this project stimulates the ethical imagination of its readers and viewers on matters of justice for women, care for creation, and dialogue between Jews and Christians. Written for scholars, pastors, teachers, and any fan of The Saint John’s Bible, this book shows how beauty and justice intertwine in this wondrous illuminated Bible for the new millennium.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

From the time that pages of The Saint John's Bible began touring in major exhibitions nearly a decade ago, people have been moved, captivated, and inspired by this stunning work of modern sacred art. But they often have questions about the illuminations that are scattered throughout the Bible, especially as they first become familiar with it. Why was a certain Scripture passage chosen for illumination rather than another? What materials and source imagery are behind the illuminations? The Art of The Saint John's Bible provides answers to these important questions and many others. Initially published in a series of three volumes, each book has now been revised by the author and included together in this helpful single volume. SinceThe Saint John's Bible is now complete, Susan Sink makes connections between recurring images and motifs throughout the work and reflects on the images with a view to the whole. Her book promises to intensify and expand the experience of all who come in contact with The Saint John's Bible.

As Catholics in ever-growing numbers are taking part in Bible studies, many questions arise. How do I study the Bible? Where do I begin? Is it OK to interpret the Bible for ourselves? What Bible should I use? How can I understand such a deep book as the Gospel of St. John? This book has the answer to these and many other such questions. Stephen Ray takes the difficult and makes it easy; he takes the confusion and makes things clear. It gives a simple start for a beginner while providing the depth and profundity for the scholar. This book is one of a kind. It is the first extensive, easy to use and thoroughly Catholic study guide available. This Bible study provides extensive ""text boxes"" with detailed information that helps students discover the cultural, religious, historical and other information on the specific passage they are studying. It utilizes quotes for a wide range of scholars, historians and specialists to instruct the student and give valuable insights into the background and meaning of the text. This book can serve as a basic Bible study guide for working through the Gospel of John, helping the student plumb the depths of St. John's marvelous and deeply spiritual Gospel. It is excellent for use by individuals or groups, for families or schools.