The Savage Century

At the dawn of the twentieth century, observers heralded a new era of social progress, seemingly limitless technological advances, and world peace. But within only a few years, the world was perched on the brink of war, revolution, and human misery on an unprecedented scale. Is it possible that today, in the early twenty-first century, we are on the verge of similar, tumultuous times? Blending a detailed knowledge of international security affairs with history, philosophy, psychology, and literature, Thérèse Delpech vividly reminds us of the signs and warnings that were missed as the "civilized" world failed to prevent both world wars, the Holocaust, Soviet death camps, and Cambodian killing fields that made the twentieth century so deadly. Drawing a parallel between 1905 and 2005, Delpech warns that it could happen again in this current era of increasing international violence and global lawlessness. She looks ahead to imagine various scenarios and regions that could become flashpoints in the future. Winner of the 2005 Prix Femina de l'essai. Praise for the original French edition, L'Ensauvagement "One doesn't know what to admire most in this book: the precision of information, the scope of reference, the originality of the approach?" —Le Nouvel Observateur "From Iranian nuclear ambitions to the Taiwan question, Delpech reviews all the situations which might lead mankind to succumb to the perennial temptation of savagery—a passionate and lucid book." —L'argus de la presse "L'ensauvagement transcends its surface content, articulating great hope that our reason and will might take hold and overcome unreason." —Politique étrangère "Combining introspection and prediction, geopolitics and philosophy, Thérèse Delpech has issued a warning cry." —Politique Internationale

The Savage and Modern Self examines the representations of North American "Indians" in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of "Indians" in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, "Britishness," and, ultimately, the "modern self" over the course of the century. Considering the ways in which British writers represented contact between Britons and "Indians," both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of "Indianess." Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that "the modern" finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.

In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.

Since the seventeenth century, ethnicity has been the central issue in the American search for a national identity. The articulation of this issue can clearly be seen in the representation of non-white others in the literature of the nineteenth century, specifically in the works of James Fenimore Cooper and Herman Melville. This book examines how both Cooper and Melville manipulated literary images of Native Americans, African Americans, and other non-Europeans, thus revealing how America created the image of the savage - by which it was alternately attracted and repulsed - as a way of defining its own identity.

Sir Dodinal the Savage is more at home in the wild forest than in the tilting yard or the banquet hall. Keenly attuned to the natural world, but burdened with a terrible rage, he turns his back on Camelot to find peace, or a just death. In a quiet village on the Welsh border, Dodinal believes he may have finally found a home, but the village is struck by child-stealing raiders from the hills, and he must take up arms once again in his new friends' aid. His quest will take him into the belly of darkness, as the terrible secret hidden in the hills comes to light...

First published in 1975, this study is concerned with the representation of non-European people in English popular fiction in the period from 1858-1920. It examines the developments in thinking about people across the world and shows how they affected writers’ views of evolution, race, heredity and of the life of the so-called ‘primitive’ man. This book will be of interest to those studying 19th century literature.

In this essential rereading of Spinoza's (1632-1677) philosophical and political writings, Negri positions this thinker within the historical context of the development of the modern state and its attendant political economy. Through a close examination of Spinoza, Negri reveals turn as unique among his contemporaries for his nondialectical approach to social organization in a bourgeois age.