The Savage God

'To write about suicide . to transform the subject into something beautiful - this is the foreboding task that Alvarez set for himself . he has succeeded.' The New York Times

An intelligent and sympathetic analysis of one of the true taboos of modern life. Using the untimely death of the poet and friend, Sylvia Plath, as a point of departure, Al Alvarez confronts the controversial and often taboo area of human behaviour: suicide. The Savage God explores the cultural attitudes, theories, truths and fallacies surrounding suicide and refracts them through the windows of philosophy, art and literature: following the black thread leading from Dante, through Donne, Chatterton and the Romantic Agony, to Dada and Pavese. Entwined within this sensitive study is the author's deeply personal account of his own unsuccessful suicide attempt, and together they form the most fascinating and compelling meditation on the Savage God at the heart of human existence. ________________________ 'A beautifully written book, full of poetic truths ... It adds a new dimension to the perspective of suicide.' New Society 'Widely admired ... Alvarez does what Levi says: he writes what the politeness and prevarications of speech might have defeated.' Guardian 'To write about suicide ... to transform the subject into something beautiful - this is the forbidding task that Alvarez has set for himself ... he has succeeded.' New York Times

"This book delineates the theatre's deep connection with the grotesque and traces the historically extensive and theoretically intensive relationship between performance and its "other," the grotesque. It also presents a general theory of the grotesque"--

For decades, Michael Savage has been preaching his political faith of borders, language and culture to millions on his nationally-syndicated radio show, The Savage Nation. Now, Savage gives his audience a look into his religious faith and his ideas about the Judeo-Christian foundation of the American culture he has fought all his life to preserve. But rather than a dry, theological treatise, Savage provides something more akin to an ancient mystery text. Drawing on Christian, Jewish, Buddhist and other spiritual sources, as well as autobiographical material and highlights from his radio show, Savage shares a series of glimpses of God he has experienced over the whole of his life, before and after his groundbreaking radio career. Moving childhood stories, his dinner with an atheist and a Buddhist, an interview with a Jewish gangster and Savage's reflections on selected passages from ancient scriptures are just a few of the eclectic group of experiences and insights Savage shares in what is easily the most unique book on spirituality in decades. From his days as a boy growing up in New York City to many years searching for healing plants in the South Seas to his current incarnation as one of the most popular talk radio hosts in the world, Savage has been haunted by glimpses of the divine and struggled to find their meaning. Rather than trite, orthodox answers, GOD, FAITH, AND REASON presents the reader with one man's perceptions and consideration of the daily presence of God in the world around us and how the search to find God is the finding itself.

* Chicago Tribune "Fall literary preview: books you need to read now" * Vulture "The Best and Biggest Books to Read This Fall" * The Guardian "A best book of 2019" After moving with his wife and two children to a smallholding in Ireland, Paul Kingsnorth expects to find contentment. It is the goal he has sought — to nest, to find home — after years of rootlessness as an environmental activist and author. Instead he finds that his tools as a writer are failing him, calling into question his foundational beliefs about language and setting him at odds with culture itself. Informed by his experiences with indigenous peoples, the writings of D.H. Lawrence and Annie Dillard, and the day-to-day travails of farming his own land, Savage Gods asks: what does it mean to belong? What sacrifices must be made in order to truly inhabit a life? And can words ever paint the truth of the world — or are they part of the great lie which is killing it?