The Shifter Empire

Soulmates fight for the crown. Emma My friends and I managed to survive the revolution, but worse things are yet to come. The remaining Crystals of Harmony are out of our reach, and my prophecy darkens the road beyond. The time has come where the cult will harvest my blood, and raise the dark lord from the dead. I’ll do everything in my power to prevent them from performing the ceremony that will cause Droga to take over our world… but not even the gods can stop what’s coming. There might yet be hope. All I can do is accept my fate, and rise to become the ruler our people need me to be. Ethan War has torn Malovia in two. The country has split, loyalties divided, and brother is pitted against brother in a conflict that will bring about the extinction of all fae… unless Emma and I stop it. A new king must be crowned, to challenge the current monarchy and restore what the fae have lost. The hope of a better future is on the horizon, looming with the dawn of a battle unlike any fae has ever seen. Our home is on the verge of collapse. Emma and I will continue to fight for our nation... If there’s anything left to fight for. *** Return to a world of noble kings and evil queens as Ethan and Emma face their greatest trials yet in Book Five of the University of Sorcery Series. Royal fae, strong shifters, and mighty sorceresses battle for the right to rule Malovia in this rejected mates paranormal romance series. Fight for your right to rule and order today! This series takes place in the Hidden Legends Universe, along with the Academy of Magical Creatures series, the College of Witchcraft series, and the Prison for Supernatural Offenders series. The Hidden Legends universe features college-aged protagonists attending magical academies, dual points-of-view, disabled and diverse main characters, and steamy, empowering romances. Each series stands on its own and can be read in any order. This is a full length novel over 400 pages. Recommended reading age 18+

Soulmates fight for the crown. Emma My friends and I managed to survive the revolution, but worse things are yet to come. The remaining Crystals of Harmony are out of our reach, and my prophecy darkens the road beyond. The time has come where the cult will harvest my blood, and raise the dark lord from the dead. I'll do everything in my power to prevent them from performing the ceremony that will cause Droga to take over our world... but not even the gods can stop what's coming. There might yet be hope. All I can do is accept my fate, and rise to become the ruler our people need me to be. Ethan War has torn Malovia in two. The country has split, loyalties divided, and brother is pitted against brother in a conflict that will bring about the extinction of all fae... unless Emma and I stop it. A new king must be crowned, to challenge the current monarchy and restore what the fae have lost. The hope of a better future is on the horizon, looming with the dawn of a battle unlike any fae has ever seen. Our home is on the verge of collapse. Emma and I will continue to fight for our nation... If there's anything left to fight for.

Essay from the year 2009 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,4, University of St Andrews, language: English, abstract: In the course of this essay the two books, How to be an alien by George Mikes and Empire of the Mind by Iqbal Ahmed, shall be carefully examined by placing an emphasis on how the sense of the British identity has changed since the end of the British Empire. The primary focus lies on the imperial and industrial decline, thus, due to the scope of this essay, other core issues that co-form the British identity, such as multiculturalism will not be considered. Mikes' depictions are based on the English society of the beginning of the twentieth century, a time that was directly influenced by the decline of the empire. Ahmed's experiences, on the other hand, are of a much more recent nature. This essay, therefore, presents the link between Britain losing its empire and the modern Britain of today. Firstly, the effects of the end of the empire will be examined by presenting two opposing post-war theories, which will then be applied to Mikes' How to be an alien. In order to picture the impact of the end of the empire, the role of cricket shall be investigated as well as the shift in social structures. Furthermore, the industrial decline, as a 'fellow traveller' of the imperial decline, is analysed by means of Ahmed's Empire of the mind. The last part of this essay is dedicated to tracing the remnants of the empire on the basis of Ahmed's journey.

Explores the impact of colonial domination and defends Puerto Rican anti-imperialist struggles.

Traces development of Irish literary modernism from the 1920s to the 1990s through the writings of James Joyce, John Millington Synge, Samuel Beckett, Sean O'Faolain, Frank McCourt, and the Blasket Island autobiographers, Tomas O'Crohan and Maurice O'Sullivan. Considers Irish literature in relation to Irish nationalism and aftermath of British empire.

Empire's Twin broadens our conception of anti-imperialist actors, ideas, and actions; it charts this story across the range of American history, from the Revolution to our own era; and it opens up the transnational and global dimensions of American anti-imperialism.

A history of the colonial tea plantation regime in Assam, which brought more than one million migrants to the region in northeast India, irrevocably changing the social landscape.

This volume on print and broadcast media in the 19th and 20th centuries highlights the pivotal role that the media played in the establishment and maintenance of imperial power. The media bolstered both the ideological and financial objectives of the empire in a myriad of overt, covert, and downright scandalous ways. From jeopardising the introduction of wireless telegraphy in order to maximise the financial gains of the investors of under-sea cabling, to newspaper proprietors cashing in on the thrilling, wonderful (and sometimes fabricated) adventures of war correspondents in exotic lands, the media has had a constant background influence in the public’s perception of empire. By covering diverse topics from Anthony Lejeune’s radio talk-show ‘London Letters’ – which supported the Allies by boosting morale and providing a link between soldiers fighting abroad and their families during both World Wars, to the complete subversion of imperial influence – as in the case of the proliferation of diverse media platforms being used by migrant communities in Britain as a means to promote ‘colonization in reverse’, the book hints at the politics, suspense, and intrigue of both the print and broadcast sectors. This book was originally published as a special issue of Critical Arts.