The Smashing Pumpkins 1991 To 2000

The Smashing Pumpkins rose to fame during the grunge movement of the early nineties, however, the Chicago quartet's soaring guitar-driven anthems and beautifully crafted ballads instantly set them apart from their Seattle contemporaries. Possessing not one but two magnum opuses in their extensive back catalogue- the moody and reflective Siamese Dream, and the sprawling double-disc, diamond-certified Mellon Collie and the Infinite Sadness, found the band once tipped to be the next Nirvana entirely in a league of their own. The Pumpkins' career has been meticulously orchestrated by Billy Corgan, a songwriter for the ages who has never shied away from exploring and expanding the boundaries of alternative rock. Without his immeasurable creativity and irrefutable desire, the Smashing Pumpkins would never have achieved the successes which came their way. The Smashing Pumpkins on track revisits the band's triumphant first decade, uncovering the stories behind the songs on their six studio albums released during this period, as well as standalone singles, movie soundtrack entries, EPs, and a whole host of B-sides and rarities. Also acting as a detailed biography, this book is an essential guide to the music of one of the nineties' biggest rock bands.

The Smashing Pumpkins were one of the most influential '90s alternative rock groups. This folio transcribes 19 of their best note for note: Bullet with Butterfly Wings * Cherub Rock * Disarm * Geek U.S.A. * I Am One * Landslide * 1979 * Quiet * Rhinoceros * Siva * Thirty-Three * Today * Tonite Tonite * and more.

the river runs south/thru barrios and ghettoes and starched neighborhood squares and everywhere the dogs howl I don’t even trust the sound of my own voice here my own impermanence haunts me, but this thought alone relieves the pressure from the mirror to the gutter, gutter tongued my heart speaks to the silence in me let me walk alone/home as the dead stoplights wave goodnight —from "The River Runs Foul" Having risen to fame during the grunge era in the early 90s, Billy Corgan is among the most respected figures of the alternative rock world—a visionary artist who, over a decade later, still commands a devoted following. Long admired for his evocative songwriting, Corgan here embarks on a deeper exploration of literary terrain as a poet. Full of “the regretful melancholy of his music [and] the rhythmic, angular wordplay of his best Pumpkins lyrics" (Jeff Vrabel, Chicago Sun-Times), the poems in this collection form an imagistic journey through the intensely personal as Corgan throws into sharp relief issues of love, loss, identity, and loyalty. Crafted with a thoughtful and cadenced approach that shares the same allegiance to thunder and quiet found in his music, these writings further solidify Corgan’s place as the voice of a generation.

Containing 27,000 entries and over 6,000 new entries, the online edition of the Encyclopedia of Popular Music includes 50% more material than the Third Edition. Featuring a broad musical scope covering popular music of all genres and periods from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music, the Encyclopedia also offers thousands of additional entries covering popular music genres, trends, styles, record labels, venues, and music festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies that include record labels, release dates, and a 5-star album rating system.

Taking its title with suitable slacker irony from a song on Nirvana's In Utero, Milk It! is an anthology of pieces written in the heat of the moment-an urgent and diverse overview that mirrors the chaotic rush of the postmodern sounds it covers. Headnotes and connective material-the "stories behind the stories"-provide running commentary on the music business, rock criticism, a troubled generation, and an attempt to put the fast-moving alternative-rock era in perspective from the safe distance of the comparatively bland new millennium. Compiled by a critic who shared the Generation X outlook, attitude, and biting sense of humor with the musicians that he covered-Nirvana, Pearl Jam, Smashing Pumpkins, Hole, and many others-Milk It! is the first serious attempt to chart the alternative music scene. Compelling, amusing, and provocative, Milk It! captures the excitement of an era, and reckons with its enduring influence.

This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity—an explicit positioning of one’s expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.

This empirical and theoretical book should be of interest to anyone who dares to consider the contentious topic of measuring and justifying aesthetic value in music, as well as the issue of how experts compare to nonexperts in terms of aesthetic fluency, aesthetic sensitivity and aesthetic judgment in appraising music. The book should be both practical and personal for anyone who has a music collection and loves to see it grow continuously but wisely. What makes someone an expert? The key issue tackled here is how one develops into such a connoisseur of music. Overall, the book should spark much healthy debate about rock music quality and aesthetics in general, both among scholars of aesthetics and the musically passionate general public. Many of the ideas for connoisseur development for music could also be applied to appraisal in other areas of aesthetics beyond music, such as films, visual art, or literature. Words of Praise Professor Lundy's Guide to Rock Music Connoisseurship is simply fantastic. It is written with elegance, eloquence, and passion. His vast knowledge of rock’n’roll will enlighten every reader, and his enthusiasm for this topic is infectious. The book is designed to be comprehensible to any reader, but also carefully cited to please the most demanding scholar. He successfully aims to teach the reader how to become expert in evaluating the aesthetic quality of music, using a precision system to guide us into deeper and defensible judgements on what pieces of music are the best and which are the worst. This is a beautiful book that enriches the heart and brightens the mind. --Rhett Diessner, Professor Emeritus of Psychology, Lewis-Clark State College, author of Understanding the Beauty Appreciation Trait: Empirical Research on Seeking Beauty in All Things Aesthetic judgments of music are important, but poorly understood. To the everyday listener, they may seem arbitrary or otherwise inexplicable. In this book, Professor Lundy offers an unashamedly positive view on aesthetic judgments, emphasizing their rational nature and showing how various non-aesthetic biases that do exist can be minimized. The result is a joyful celebration of music, science, and connoisseurship, which is sure to spark further interest and debate on this fascinating topic. --Professor Patrik N. Juslin, Music Psychology Group, Uppsala University, Sweden