The Society Of Reluctant Dreamers

Splitting through the clear waters beside the rainbow hotel, Daniel Benchimol finds a waterproof mango-yellow camera and uncovers the photographed reveries of a famous Mozambican artist, Moira. In this exquisite new novel, Agualusa's reader loses all sense of reality. In The Society of Reluctant Dreamers, Daniel dreams of Julio Cortázar in the form of an ancient giant cedar, his friend Hossi transforming into a dark crow, and most often of the Cotton-Candy-Hair-Woman, Moira, staring right back at him. After emails back-and-forth, Moira and Daniel meet, and Daniel becomes involved in a mysterious project with a Brazilian neuroscientist, who's creating a machine to photograph people's dreams. Set against the dense web of Angola's political history, Daniel crosses the hazy border between dream and reality, sleepwalking towards a twisted and entirely strange present.

“False memories and clairvoyant dreams combine in Agualusa’s sweeping, intricately plotted tale of personal and political history in Angola . . . ” – Publishers Weekly When Daniel Benchimol—consummate dreamer—uncovers the photographed reveries of a famous Mozambican artist, Moira, his fascination quickly develops to obsession as the sight lines between reality and dreams get harder to bring into focus Daniel Benchimol spends his dreaming hours interviewing revolutionaries and writers. In this treacherous sleepscape, we find the Angolan anti-communist Jonas Savimbi, Muammar Gaddafi, hunched and hiding in a gutter, and Julio Cortázar as a great billowing tree, speaking to Daniel through an alphabet of clouds. He dreams wild dreams of people he’s never met, squinting at them as if submerged in the hazy waters of southern Angola. When Daniel finds a camera on the beach, he becomes obsessed with the woman in the photos. Moira is a Mozambican artist with a similar preoccupation with her subconscious life – she stages her dreams in her artwork. The two meet, and together they explore the cloudy edges of their nightly visions, tugging at the fringed hem of the real. The Society of Reluctant Dreamers is a delicately crafted glimpse into the aftermath of Angolan independence, a postcard sent to prod the illusion of peace and freedom.

While swimming in the clear blue waters of the Rainbow Hotel, Daniel Benchimol finds a waterproof camera, floating seemingly lost in the sea. He goes on to discover that the camera belongs to Moira, a Mozambican artist famous for a series of photos depicting her own dreams. On seeing the images, Daniel realises that Moira is also the mysterious woman whom he has been dreaming about repeatedly. The two meet, and Daniel becomes involved in a unusual dream experiment with a Brazilian neuroscientist, who's working with Moira on a machine to film and photograph people’s dreams. Meanwhile, Daniel’s daughter Karinguiri, one of Angola’s young dreamers, is arrested along with six friends for staging a protest during a presidential press conference in Luanda. The group go on hunger strike, attracting worldwide press attention, showing the power of young people when they raise their voices against the regime. The Society of Reluctant Dreamers is a surreal, vivid novel about the slipperiness of truth and reality, art versus dictatorship, courage versus fear, change and the old order, amidst the politics of Angola's tumultuous past, present and future.

From undocumented to "hyper documented," Diary of a Reluctant Dreamer traces Alberto Ledesma's struggle with personal and national identity from growing up in Oakland to earning his doctorate degree at Berkeley, and beyond.

As the country goes through various political upheavals from colony to socialist republic to civil war to peace and capitalism, the world outside seeps into Ludo's life through snippets on the radio, voices from next door, glimpses of someone peeing on a balcony, or a man fleeing his pursuers. A General Theory of Oblivion is a perfectly crafted, wild patchwork of a novel, playing on a love of storytelling and fable.

“‘Remittance man’ was meant to be a disparaging term. It reflected the fact that these young men had been sent to the colonies to spare their families continuing embarrassment or shame. At home they had been scoundrels, dreamers, and second sons without future prospects. Perhaps in…the Canadian West they would make something of themselves. If they didn't, at least they would be far enough away that little disgrace would fall upon their families.” —Mark Zuehlke Beginning in 1880, thousands of young, upper-class British men with few prospects were sent to the Canadian West to distance them from British society. Still supported by their families, thus earning them the title “remittance men,” these men set out to continue their lives of leisure in this new land. With education, respectable breeding and the belief “from birth that they were superior beings,” the remittance men descended upon Western Canada with expectations of accomplishing something great and increasing their wealth. In reality, they hunted, played games, courted women, and enjoyed distinguished pursuits that squandered their parents' money and made hard-working Canadians raise their eyebrows. Though their era in Western Canada was short, 1880–1914, “they left an indelible mark perpetuated by the stories and legends that sprung up around them.” In Scoundrels, Dreamers & Second Sons, first published fifteen years ago, Mark Zuehlke traces the path of the remittance men through Western Canada, highlighting their adventures, limited successes and glorious failures.

With the assurance and grace of her acclaimed novels The Hare and The Gloaming--which have earned her comparisons to Patricia Highsmith and Lauren Groff--Melanie Finn returns with a precisely layered and tense new literary thriller. The Underneath follows Kay Ward, a former journalist struggling with the constraints of motherhood. Along with her husband and two children, she rents a quaint Vermont farmhouse for the summer. The idea is to disconnect from their work-based lifestyle--that had her doggedly pursuing a genocidal leader of child soldiers known as General Christmas, even through Kay's pregnancy and the birth of their second child--in an effort to repair their shaky marriage. It isn't long before Kay's husband is called away and she discovers a mysterious crawlspace in the rental with unsettling writing etched into the wall. Alongside some of the house's other curiosities and local sleuthing, Kay is led to believe that something terrible may have happened to the home's owners. Kay's investigation leads her to a local logger, Ben Comeau, a man beset with his own complicated and violent past. A product of the foster system and life-long resident of the Northeast Kingdom, Ben struggles to overcome his situation, and to help an abused child whose addict mother is too incapacitated to care about the boy's plight. The Underneath is an intelligent and considerate exploration of violence--both personal and social--and whether violence may ever be justified.

From a groundbreaking Slovenian-Austrian poet comes an evocative, captivating collection on searching for home in a landscape burdened with violent history. At its core, Distant Transit is an ode to survival, building a monument to traditions and lives lost. Infused with movement, Maja Haderlap’s Distant Transit traverses Slovenia’s scenic landscape and violent history, searching for a sense of place within its ever-shifting boundaries. Avoiding traditional forms and pronounced rhythms, Haderlap unleashes a flow of evocative, captivating passages whose power lies in their associative richness and precision of expression, vividly conjuring Slovenia’s natural world––its rolling meadows, snow-capped alps, and sparkling Adriatic coast. Belonging to the Slovene ethnic minority and its inherited, transgenerational trauma, Haderlap explores the burden of history and the prolonged aftershock of conflict––warm, lavish pastoral passages conceal dark memories, and musings on the way language can create and dissolve borders reveal a deep longing for a sense of home.