The Sound Of A Room

What does a place sound like – and how does the sound of place affect our perceptions, experiences, and memories? The Sound of a Room takes a poetic and philosophical approach to exploring these questions, providing a thoughtful investigation of the sonic aesthetics of our lived environments. Moving through a series of location-based case studies, the author uses his own field recordings as the jumping-off point to consider the underlying questions of how sonic environments interact with our ideas of self, sense of creativity, and memories. Advocating an awareness born of deep listening, this book offers practical and poetic insights for researchers, practitioners, and students of sound.

Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms, Third Edition explains the physical and perceptual processes that are involved in sound reproduction and demonstrates how to use the processes to create high-quality listening experiences in stereo and multichannel formats. Understanding the principles of sound production is necessary to achieve the goals of sound reproduction in spaces ranging from recording control rooms and home listening rooms to large cinemas. This revision brings new science-based perspectives on the performance of loudspeakers, room acoustics, measurements and equalization, all of which need to be appropriately used to ensure the accurate delivery of music and movie sound tracks from creators to listeners. The robust website (www.routledge.com/cw/toole) is the perfect companion to this necessary resource.

A professor of acoustic engineering provides a tour of the world's most amazing sound phenomena, including creaking glaciers, whispering galleries, stalactite organs, musical roads, humming dunes, seals that sound like alien angels, and a Mayan pyramid that chirps like a bird.

Much time is spent working out how to optimize the acoustics of large rooms, such as auditoria, but the acoustics of small rooms and environments can be just as vital. The expensive sound equipment of a recording studio or the stereo in a car or living room is likewise rendered useless if the acoustic environment is not right for them.Changes in wa

Modern Room Acoustics will help to mitigate sound problems in rooms using acoustical principles and the constraints of time, budget and practicality. Practical room acoustics can be divided into two categories: less noise and better sound. Or, in acoustical terms, soundproofing and room treatments, which are described and solutions recommended.

This key text presents students with a holistic view of the building design process, bridging the gap between the theory and practice of constructing and assembling buildings. Integrated Strategies in Architecture encourages and enables students to gain a sound understanding of the purpose of buildings, the specialisms that contribute and the available technology. Zunde and Bougdah thoroughly introduce and expose the concepts and technologies that underlie the design process, setting current design in context as part of an evolutionary process, exemplified through historic and contemporary models, and emphasizing the importance of applying a broad variety of technologies in the creation of successful buildings. Topics covered include: space planning, colour theory, communication, management, aesthetics, structures and environmental control. This essential text will greatly assist students of architecture and its technology, construction management and building surveying as well as practitioners as they strive to build better buildings.

The demon Saul has broken the seal that had held his army trapped inside. The God of War has returned to lead the heroes of the past and the men of the future against the Army that threatens to sweep across the world. But before they can do anything else they must fight the dead.

What is the place of corporate worship in theological education? Certainly it is not unexpected to have ministry students attending seminary chapel, but what are the expectations for the students who attend chapel? Is it to form their liturgical sensibilities into conformity with a particular worship tradition or style? Or is it to provide a safe place to try things that one would be reluctant to experiment with in congregational worship? Although common worship for ministry students is almost a given in all theological schools, there are few common understandings about it goals and purposes. Common Worship in Theological Education is the first book to address the theological, pedagogical, and political issues involved in the planning and execution of seminary chapel. It offers voices from across the theological and ecumenical spectrum about chapel, as well as involving multiple disciplines in the conversation. This volume provides the first comprehensive survey of the worship issues at stake in seminary education today. The essays in this collection provide the foundation for a productive conversation within a seminary faculty or among colleagues within a theological discipline. This volume makes the case that the chapel ought to have a seat at the table when the education mission of a theological school is being discussed. So pull up a chair and prepare for a fascinating conversation.