The Speaker S Favorite

Joseph LaPorte offers a new account of the connections between the reference of words for properties and kinds, and theoretical identity statements. Some terms for concrete objects, such as 'Hesperus' and 'Phosphorus', are rigid, and the rigidity of these terms is important because it helps to determine whether certain statements containing them, including identity statements like 'Hesperus = Phosphorus', are necessary or contingent. These observations command broad agreement. But there has been much less agreement about whether and how designators for properties are rigid: terms like 'white', 'brontosaur', 'beautiful', 'heat', 'H2O', 'pain', and so on. In Rigid Designation and Theoretical Identities, LaPorte articulates and defends the position that terms for properties are rigid designators. Furthermore, he argues that property designators' rigidity is put to good use in important philosophical arguments supporting and impugning certain theoretical identity statements. The book as a whole constitutes a broad defense of a tradition originating largely in seminal work from Saul Kripke, which affirms the truth and necessity of theoretical identities such as 'water = H2O', 'heat = the motion of molecules' and the like, and which looks skeptically upon psychophysical identities like 'pain = c-fiber firing'. LaPorte responds to detractors of the Kripkean tradition whose objections and challenges indicate where development and clarification is needed, as well as to sympathizers who have put forward important contributions toward such ends. Specific topics discussed by way of defending the Kripkean tradition include conventionalism and empiricism, nominalism about properties, multiple realizability, supervenience, analytic functionalism, conceptual dualism and 'new wave' or a posteriori materialism, the explanatory gap, scientific essentialism (more broadly: scientific necessitarianism), and vitalism.

Excerpt from The Speaker's Favorite: Or Best Things for Entertainments, for Home, Church and School Several of the selections in this book have gestures marked in them for the use of many speakers who would like to enliven a recitation but do not know exactly what gestures to employ. A system of symbols is used, which will be easy to remember when once learned, and a mastery of the principles of gesture as here laid down will be valuable to the reader for life. It is almost impossible in indicated gestures to avoid the idea of mechanical rather than intellectual and spiritual movements and transitions. There are many gestures that can hardly be described, just as there are tones and inflections that belong to the living voice that no system of marking can designate. As these belong to Gmtures of Mphasis and Illustration more than to those of Location, it also happens that the indicated gestures belong mostly to the latter clam. This unavoidable state of things can be remedied only by the speaker's ingenuity, taste, adaptation, and by so carefully practicing the movements given that case and grace shall be secured. Aim to make gestures flow or glide one into the other when possible, yet be particular that the emphatic word or syllable receive a rather firm and decided stroke of the hand from the wrist to give it life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Poetry Comprehension for grades 6 to 8 focuses on the reading standards for ELA to help your students improve comprehension skills. With this book, students will acquire and apply the skills necessary for analyzing, interpreting, and evaluating poetry. Mark Twain Media Publishing Company specializes in providing engaging supplemental books and decorative resources to complement middle- and upper-grade classrooms. Designed by leading educators, this product line covers a range of subjects including math, science, language arts, social studies, history, government, fine arts, and character.

"A provocative and jaunty romp through the dos and don'ts of writing for the internet" (NYT)--the practical, the playful, and the politically correct--from BuzzFeed copy chief Emmy Favilla. A World Without "Whom" is Eats, Shoots & Leaves for the internet age, and BuzzFeed global copy chief Emmy Favilla is the witty go-to style guru of webspeak. As language evolves faster than ever before, what is the future of "correct" writing? When Favilla was tasked with creating a style guide for BuzzFeed, she opted for spelling, grammar, and punctuation guidelines that would reflect not only the site's lighthearted tone, but also how readers actually use language IRL. With wry cleverness and an uncanny intuition for the possibilities of internet-age expression, Favilla makes a case for breaking the rules laid out by Strunk and White: A world without "whom," she argues, is a world with more room for writing that's clear, timely, pleasurable, and politically aware. Featuring priceless emoji strings, sidebars, quizzes, and style debates among the most lovable word nerds in the digital media world--of which Favilla is queen--A World Without "Whom" is essential for readers and writers of virtually everything: news articles, blog posts, tweets, texts, emails, and whatever comes next . . . so basically everyone.