The Spectators

A shocking crime triggers a media firestorm for a controversial talk show host in this provocative novel—a story of redemption, a nostalgic portrait of New York City, and a searing indictment of our culture of spectacle. One of the The New York Times’s “10 Books to Watch for in April” • “Jennifer duBois is a brilliant writer.”—Karen Russell, author of Vampires in the Lemon Grove Talk show host Matthew Miller has made his fame by shining a spotlight on the most unlikely and bizarre secrets of society, exposing them on live television in front of millions of gawking viewers. However, the man behind The Mattie M Show remains a mystery—both to his enormous audience and to those who work alongside him every day. But when the high school students responsible for a mass shooting are found to be devoted fans, Mattie is thrust into the glare of public scrutiny, seen as the wry, detached herald of a culture going downhill and going way too far. Soon, the secrets of Mattie’s past as a brilliant young politician in a crime-ridden New York City begin to push their way to the surface. In her most daring and multidimensional novel yet, Jennifer duBois vividly portrays the heyday of gay liberation in the seventies and the grip of the AIDS crisis in the eighties, alongside a backstage view of nineties television in an age of moral panic. DuBois explores an enigmatic man’s downfall through the perspectives of two spectators—Cel, Mattie’s skeptical publicist, and Semi, the disillusioned lover from his past. With wit, heart, and crackling intelligence, The Spectators examines the human capacity for reinvention—and forces us to ask ourselves what we choose to look at, and why. Praise for The Spectators With The Spectators, duBois is staking out larger literary territory. The new novel is full of small pleasures that accumulate as proof that this writer knows her stuff. . . . DuBois’s mastery of . . . details earns our trust as she expands The Spectators into a billowing meditation on the responsibility of public figures to contribute something worthwhile to the culture. Although her book takes place decades ago, duBois’s message has a contemporary urgency as well.”—The New York Times “Heart-rending and visceral . . . DuBois’s language is dexterous, and her pacing impressive. . . . The Spectators is a treatise on the media’s power and a finely wrought example of intimate pain.”—USA Today

In his previous books Allen Guttmann has provided incisive perspectives on Avery Brundage's role in the Olympic movement and on the nature of modern sports. Now, in his latest book, the accomplished historian of sport turns his attention from the playing field to the grandstand. Sports Spectators, the first historical study of the subject from antiquity to today, is at once erudite and entertaining; comprehensive and succint. Guttmann first examines the history of sports spectators, starting with Ancient Greece and Rome. He then moves on to the Renaissance and traces three early sports -the tournament, archery, and early versions of football. The author then focuses on the emergenece of sports in post-Renaissance England, and discusses the curious spectacle of animal sports (bear- and bull-baiting and cockfighting), as well as the first appearance of combat sports such as sword fighting, stick fighting, and boxing. The book concludes its historical view by exploring contemporary baseball, football, rowing, tennis, and golf. From his chronological narrative, Guttmann shifts to detailed analysis of the economic, sociological, and psychological aspects of sports spectatorship. Who were, and are, sports spectators? What is their gender and social class? Have they normally been participants as well as fans? What are the political functions of sports-watching? What are the social dynamics of spectatorship? Guttmann provides fresh insights which will be useful to scholars and fascinating to everyone. Sports Spectators also looks at the dramatic transformations radio and television have made, and offers an incisive critique of today's sports-related violence, including the increasingly frequent incidences of spectator hooliganism. How violent (or peaceful) have spectators traditionally been? Has spectator violence increased or decreased? You needn't be a season ticket-holder to enjoy Sports Spectators. Allen Guttmann makes the history of fandom come alive for any reader interested in Western culture and what forms of entertainment reveal about us, as well as those concerned with the recent growth of spectator violence.

Combining phenomenology and psychoanalysis in highly innovative ways, this book seeks to undo the binary opposition between appearance and Being that has been in place since Plato’s parable of the cave. It is, essentially, an essay on what could be called “world love,” the possibility and necessity for psychic survival of a profound and vital erotic investment by a human being in the cosmic surround. Here, the author takes her cue from Freud’s assertion that the “loss of reality” associated with psychosis is a function of a disturbance not in the capacity to reason or perceive, but rather in the capacity for world love, the libidinal and semiotic circuity by means of which such love actualizes itself. In an implicit challenge to poststructuralist thought, the author claims that this love is always in response to a call issued by the world—that the world has, as it were, a vocation: its beauty ought to be seen. We must think of our own being-in-the world as a response to a primordial calling out to respond to this beauty. We are, the author suggests, at the very core of our being, summoned to what she terms world spectatorship. Drawing on Heidegger’s phenomenological elaboration of care as the being distinctive of human being and the primarily Lacanian conceptualization of the language of desire specific to each human subject, this metapsychology of love attempts to integrate issues in the fields of psychoanalysis, philosophy, visual culture, art history, and literary and film studies.