The Spirit Stone

"A dagger laid against our throat." Such is the description Prince Dar of the Weslands uses for Zakh Gral, a new fortress built by the Horsekin, the ancient enemies of his people. To help him destroy this threat, the elven prince has called upon his allies: the dwarven folk of the northern mountains and the human men of Deverry to the east. Their leaders know that if the Westlands fall to the Horsekin, their own throats will feel that dagger next. Joining them are two powerful dragons, who have their own bitter reasons to hate the Horsekin. But the fanatical Horsekin believe they have the most powerful ally of all, a new goddess. Alshandra's priestesses have announced that She has given the Horsekin the lands belonging to the prince--and that his people must be utterly destroyed....

"A dagger laid against our throat." Such is the description Prince Dar of the Weslands uses for Zakh Gral, a new fortress built by the Horsekin, the ancient enemies of his people. To help him destroy this threat, the elven prince has called upon his allies: the dwarven folk of the northern mountains and the human men of Deverry to the east. Their leaders know that if the Westlands fall to the Horsekin, their own throats will feel that dagger next. Joining them are two powerful dragons, who have their own bitter reasons to hate the Horsekin. But the fanatical Horsekin believe they have the most powerful ally of all, a new goddess. Alshandra's priestesses have announced that She has given the Horsekin the lands belonging to the prince--and that his people must be utterly destroyed....

Brilliant photographs of scholars' rocks, or Chinese ornamental stones, from a leading collection Shaped by nature and selected by man, scholars' rocks, or gongshi, have been prized by Chinese intellectuals since the Tang dynasty, and are now sought after by Western collectors as well. They are a natural subject for the photographer Jonathan Singer, most recently acclaimed for his images of those other remarkable hybrids of art and nature, Japanese bonsai. Here Singer turns his lens on some 150 fine gongshi, ancient and modern, from the world-class collection of Kemin Hu, a recognized authority on this art form. In his photographs, Singer captures the spiritual qualities of these stones as never thought possible in two dimensions; he shows us that scholars' rocks truly are, in Hu's words, "condensations of the vital essence and energy of heaven and earth." Hu contributes an introductory essay on the history and aesthetics of scholars' rocks, explaining the traditional terms of stone appreciation, such as shou (thin), zhou (wrinkled), lou (channels), and tou (holes). She also provides a narrative caption for each stone, describing its history and characteristics.

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