The Spiritual Automaton

Eugene Marshall presents an original, systematic account of Spinoza's philosophy of mind, in which the mind is presented as an affective mechanism, one that, when rational, behaves as a spiritual automaton. The central feature of the account is a novel concept of consciousness, one that identifies consciousness with affectivity, a property of an idea paradigmatically but not exhaustively instantiated by those modes of thought Spinoza calls affects. Inadequate and adequate ideas come to consciousness, and thus impact our well-being and establish or disturb our happiness, only insofar as they become affects and, thus, conscious. And ideas become affects by entering into appropriate causal relations with the other ideas that constitute a mind. Furthermore, the topic of consciousness in Spinoza provides an eminently well-placed point of entry into his system, because it flows directly out of his central metaphysical, epistemological, and psychological commitments—and it does so in a way that allows us to see Spinoza's philosophy as a systematic whole. Further, doing so provides a thoroughly consistent yet novel way of thinking about central themes in his thought. Marshall's reading provides a novel understanding of adequacy, innateness, power, activity and passivity, the affects, the conatus, bondage, freedom, the illusion of free will, akrasia, blessedness, salvation, and the eternity of the soul. In short, by explaining the affective mechanisms of consciousness in Spinoza, The Spiritual Automaton illuminates Spinoza's systematic philosophical and ethical project as a whole, as well as in its details, in a striking new way.

'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.

An introduction to Deleuze's theory of cinema, from a leading American film theorist.

An encounter between Deleuze the philosopher, Proust the novelist, and Beckett the writer creating interdisciplinary and inter-aesthetic bridges between them, covering textual, visual, sonic and performative phenomena, including provocative speculation about how Proust might have responded to Deleuze and Beckett.

A new history of human intelligence that argues that humans know themselves by knowing their machines. We imagine that we are both in control of and controlled by our bodies—autonomous and yet automatic. This entanglement, according to David W. Bates, emerged in the seventeenth century when humans first built and compared themselves with machines. Reading varied thinkers from Descartes to Kant to Turing, Bates reveals how time and time again technological developments offered new ways to imagine how the body’s automaticity worked alongside the mind’s autonomy. Tracing these evolving lines of thought, An Artificial History of Natural Intelligence offers a new theorization of the human as a being that is dependent on technology and produces itself as an artificial automaton without a natural, outside origin.

7 lectures in Dornach, Switzerland, March 11-23, 1923 (CW 222) "Historical happenings on Earth can be understood in their reality only when we see them as reflections of what is being enacted in the supersensible, spiritual world between the beings of the higher hierarchies." --Rudolf Steiner (March 17, 1923) What is the qualitative difference between the utterance of true and untrue words? Is there one? How about between living and dead thoughts? What is the origin of war and strife among peoples on Earth? How can humanity find a right relationship to the beings of the spiritual world? These are among the compelling questions addressed by Rudolf Steiner in this concise yet powerful series of lectures given in March 1923, comprising this volume of "The Collected Works of Rudolf Steiner." In these lectures, Steiner portrays, among other things, the work of various hierarchical beings--both in collaboration and sometimes in opposition to one another--whose activity and strife in the spiritual world is mirrored in the migrations of and wars among peoples on Earth. The clashes between East and West, for example, are thus seen in an entirely new light, heralding a sea change in the approach to history. No longer should events on Earth be viewed as isolated within themselves, but rather as interwoven in a grand, vibrant tapestry formed from the threads that connect humanity on Earth with the activity and aims of exalted spiritual beings. Humanity has profound potential--for both good and evil. The question is whether we will be able to rise to a renewed form of cognition through which we can once again grasp living spiritual reality, or we will persist in the dead, intellectualized thinking so common today, thinking that (as Steiner points out in the final lecture of this volume), if not transformed, will lead to the gradual destruction of Earth itself. These lectures are a tour de force that should not be neglected by any serious student of history or the future of humanity and human life more broadly. Includes 10 color plates This volume is a translation from German of Die Impulsierung des weltgeschichtlichen Geschehens durch geistige Mächte, Rudolf Steiner Verlag, 1989 (GA 222). Cover Image : Naval Battle of Le Panto (1571), by Luca Cambiasi (1521-1585); at the Royal Monastery of San Lorenzo de El Escorial, Spain.

The writings of H.G. Wells have had a profound influence on literary and cinematic depictions of the present and the possible future, and modern science fiction continues to be indebted to his "scientific romances," such as The Time Machine, The War of the Worlds and The Island of Doctor Moreau. Interpreted and adapted for more than a century, Wells's texts have resisted easy categorization and are perennial subjects for emerging critical and theoretical perspectives. The author examines Wells's works through the post-structuralist philosophy of Gilles Deleuze. Via this critical perspective, concepts now synonymous with science fiction--such as time travel, alien invasion and transhumanism--demonstrate the intrinsic relevance of Wells to the genre and contemporary thought.

This book is an update, extension and radicalization of Guattari’s philosophy of the postmedia. It is the first of its kind to comprehensively apply Guattari’s thought on postmedia to post-millennium technological developments. Given the considerable interest in Félix Guattari and Gilles Deleuze’s work and its influence in Asia and South-East Asia and beyond, the book is a timely contribution and update of Guattari’s essential concepts. It offers a fresh approach to applying Guattari and Deleuze to local contexts. Both Félix Guattari’s schizoanalysis and Gilles Deleuze’s philosophy remain excellent tools to decode the politics of postmedia. The book centres around the influence of Guattari’s work on the Japanese archipelago and how Japan itself impacted on the work of Guattari in the 1980s. The book updates Guattari’s work and apply it to the problems which are affecting societies in Asia and beyond. It highlights current research on postmedia by scholars who are working to understand how Japanese society is functioning post-Fukushima and how the country continues to toil from the “geo-trauma” of the real.