The Spoilers Classic Reprint

Excerpt from The Spoilers Well, Chick, he said, I'd ha' hm you anywhere The burly man knelt beside the stricken form Marketer, stupidly incensed flourished his fist in. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from A Spoiler of Men As Mr. Cyril Wentworth opened the door of his flat and stepped into the little hall on the other side, he paused. It was past midnight. He had not been home since the morning. There was no one else upon the premises; e

Excerpt from National Life and Character in the Mirror of Early English Literature The writer's thanks are also due to the learned Master of Peterhouse, Dr A. W. Ward, who has suggested several improvements in the arrangement of the matter and other details. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

Locked Room Murders is a bibliography containing a description of the problem and, separately, the solution to locked room and impossible crime novels and short stories.It has been a classic in the locked room pantheon for over 40 years, beginning with a 1972 article by Bob Adey in The Armchair Detective. The first edition of Locked Room Murders, published by Ferret Fantasy in 1979, covered 1280 titles. The 1991 second edition, published by Crossover Press, covered 2019 titles. Due to limited print runs, both editions have become prohibitively expensive. Locked Room International (LRI) is now making a revised version of the Second Edition available at an affordable price. Edited by Brian Skupin, LRI consultant and co-publisher of Mystery Scene magazine, this revised version contains the same 2019 titles, but with corrections and additional references which have appeared since 1991.Plans are in place to publish a Supplemental Edition in 2019, to include novels and short stories (including translations from sources outside the Anglosphere) published since 1991, films, TV series, graphic novels, and other media. It will not contain any of the titles in the Second Edition, Revised.

In the 1990s, during the waning days of print media, a gossip reporter tries to get all the dirt on an aging female war correspondent, in an encounter that will change both their lives.