The Stage The Carnival

Black Popular Music in Britain Since 1945 provides the first broad scholarly discussion of this music since 1990. The book critically examines key moments in the history of black British popular music from 1940s jazz to 1970s soul and reggae, 1990s Jungle and the sounds of Dubstep and Grime that have echoed through the 2000s. While the book offers a history it also discusses the ways black musics in Britain have intersected with the politics of race and class, multiculturalism, gender and sexuality, and debates about media and technology. Contributors examine the impact of the local, the ways that black music in Birmingham, Bristol, Liverpool, Manchester and London evolved differently and how black popular music in Britain has always developed in complex interaction with the dominant British popular music tradition. This tradition has its own histories located in folk music, music hall and a constant engagement, since the nineteenth century, with American popular music, itself a dynamic mixing of African-American, Latin American and other musics. The ideas that run through various chapters form connecting narratives that challenge dominant understandings of black popular music in Britain and will be essential reading for those interested in Popular Music Studies, Black British Studies and Cultural Studies.

This beautifully illustrated volume features work by leading writers and experts on carnival from around the world, and includes two stunning photo essays by acclaimed photographers Pablo Delano and Jeffrey Chock. Editor Milla Cozart Riggio presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival - its traditions, its history, its music, its politics - and prefaces each section with an illuminating essay. Traditional carnival theory, based mainly on the work of Mikhail Bakhtin and Victor Turner, has long defined carnival as inversive or subversive. The essays in this groundbreaking anthology collectively reverse that trend, offering a re-definition of 'carnival' that focuses not on the hierarchy it temporarily displaces or negates, but a one that is rooted in the actual festival event. Carnival details its new theory in terms of a carnival that is at once representative and distinctive: The Carnival of Trinidad - the most copied yet least studied major carnival in the world.

This edition has been created using digital cartography. The use of political colours on the maps helps to emphasize individual countries and place names rather than landforms, using distinctive colours to make identification easier.

Drawing on rich insights from cultural, post-structural and postcolonial studies, this book demands that we rethink Carnival and the carnivalesque as not just celebratory moments or even as critical subtext, but also as insightful performatives of social life anywhere, given the entangled times and spaces of these performances. The authors review Carnival’s performative aspects not merely as a calendrical festival, but rather center attention on the relationship between carnival and everyday life, and on how people negotiate their social spaces and possibilities in the context of modern power. The book therefore seeks to highlight the knotted time-spaces of power and to demonstrate the dynamic interplay between state spaces and people’s spaces that are being weaved by carnival's interlocutors. It demonstrates how Carnival and the Carnivalesque become analytic optics through which the relations of power in the social and political life of subjects who seek to tacitically or strategically vary their given identities, can be productively engaged. This book was originally published as a special issue of Social Identities: Journal for the Study of Race, Nation and Culture.

Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.

Although definitely a part of the Caribbean, these two islands are unique, refusing to conform with the stock Caribbean image created by glossy brochures and travel agencies. They are both generous and Caribbean-spirited, but quite capable of going their own way. This Adventure Guide takes you across the nation from mountains and hills to grasslands, savannahs and palm-lined beaches, offering the intrepid traveler a ticket to explore. Birdwatchers are drawn by the chance to see the beautiful scarlet ibis. Night-time excursions allow visitors to watch the miraculous egg-laying practices of the leatherback turtle. And caiman smaller versions of the South's alligators are a common sight. And then there's Carnival, which offers wild dances, fantastical costumes and frenzied revellers. Whatever your reason to visit T&T, you have the right guide in hand. Accommodations, restaurants, travel tips, sights, museums, excursions it's all here. A special section is dedicated to the nation's booming yachting industry, with details on marinas, facilities and services. "I wish I'd had this book the first time I visited Trinidad and Tobago. The book fully describes the culture of these island people and this knowledge would make a trip to these wonderful islands even more enjoyable. I also believe it's a good choice for readers who can't make the trip but still want to taste the culture." -- Amazon customer "I've been to TNT once for two weeks and am returning again in a few months. I bought the book to refresh my memory and, more importantly, get me excited about my return trip. It's a great read, and as the back cover suggests, it really is written for the traveler who wants to experience more than just sunbathing. However, once you've been to Trindad and Tobago, you discover that they are not your generic Caribbean islands. Visiting Trindad and Tobago is more of a cultural vacation than an island getaway. Once you step foot off the plane at Piarco airport, you'll never want to leave, or you'll want to go back once every year. The two islands are full of charisma, and O'Donnell and Pefkaros do a good job of capturing this spirit in the book. You really cannot be intimidated by the cultures of TNT. From the street vendor corn soup, to crab and dumplings, "down de islands", Maracas, Pigeon Point, Speyside, fried flying fish, Caribs, lorries, maxis, wining, Trinidad's great bar/club scene, the Northern Range, etc. - this book virtually covers all Trinidad and Tobago vacation opportunities and experiences." -- Amazon customer "An excellent take-long tote, as is the more adventurous Trinidad & Tobago, 2nd Edition by Kathleen O'Donnell and Stassi Pefkaros, which updates information on adventure travel with special focus on the wildlife and culture of the islands." -- Midwest Book Review