The Structure Of Complex Words

This is the first scholarly edition of one of the classics of literary criticism. William Empson was among the two or three most important and influential literary critics and theorists of the twentieth century. He has long been celebrated as one of the most fertile (as well as one of the funniest) explorers of how meaning works in language, especially in poetry. The Structure of Complex Words (1951) was much his longest book and was intended as a major theoretical statement of his contribution to the subject. Since its publication, it has been constantly referred to, but usually from a respectful distance, since it can seem a forbidding and difficult work. This edition provides an extensive introduction together with full critical and explanatory notes. The editors trace the book's genesis and development in detail, beginning with Empson's collaboration with I. A. Richards in the early and mid-1930s, and concluding with the extensive writing and re-writing that Empson undertook while in Peking in 1947-50. This edition also reprints a selection of materials (including articles and letters) that illuminate Empson's thinking and contributed to the eventual book. The edition makes Empson's great work more intelligible to a range of readers and will immediately become the standard version of this celebrated text.

Drawing on innovative research, the book reveals the wealth and breadth of the study of word-formation, both theoretically and empirically.

After over a century of existence, the cinema still has its mysteries. Why, for example, is the job we call movie stardom unlike any other in the world? How do films provide so much unconcealed information that we fail to notice? What makes it hard to define what counts as “acting”? How do movies like Casablanca and Breathless store the film and world histories of their generations? How can we reconcile auteurism’s celebration of the movie director’s authority with the camera’s automatism? Why have the last four decades of film criticism so often neglected such questions? After beginning with an overview of film studies, this book proposes a shift from predictable theoretical approaches to models that acknowledge the perplexities and mysteries of the movies. Deriving methods from cinephilia, Wittgenstein, Richard Rorty, Stanley Cavell, Eleanor Duckworth, V. F. Perkins, and James Naremore, Robert B. Ray offers close readings that call attention to what we have missed in such classic films as La Règle du Jeu, It Happened One Night, It’s a Wonderful Life, Vertigo, Holiday, The Philadelphia Story, Casablanca, Breathless, and Tickets.

This book brings together current research findings on the involvement of word-internal structure for the purpose of word reading (especially morphological structure). The central theme of reading complex words is approached from several angles, such that the chapters span a wide variety of topics where this issue is important. It is a valuable resource for all researchers studying the mental lexicon and to those who teach advanced courses in the psychology of language.

A large vocabulary is always an asset. Students, teachers, politicians, salesmen, lawyers-in fact all of us-are judged by our ability to use words. It is not surprising, therefore, that many books have been written on the subject of vocabulary enrichment. Most rely heavily on memorization. Fortunately, there is amore efficient and practical way to enlarge your vocabulary. Many words are composed of meaningful elements that occur again and again in English. It, therefore, makes sense to learn word elements rather than whole words whenever possible. This method requires much less effort than it would take to memorize all the words or even the various forms of word elements. The Structure of English Words: is based on modern linguistic principles. These methods allow the reader to analyze words they have never seen before and to understand unusual uses of familiar words. is divided into two main sections-the text - which discusses the rules for relating the different forms or word elements, and the glossary, which covers the major Latin and Greek word roots and affixes that occur in English. features a glossary of roots in reverse order so that the reader can find a root by looking up its meaning. includes an instructors manual with answer keys, additional worksheets, explanations, charts and a note to instructors.

Geert Booij's popular textbook examines how words are formed, compounded, and inflected in different languages. It shows how, when, and why to use methods of morphological analysis and explains how morphology relates to syntax, phonology, and semantics. The author considers the universal characteristics of morphology and how these are reflected in the workings of mind. The revised edition has been revised and updated throughout; it has a full glossary and a new chapter on the field's most notorious problem: the status of the word. 'The Grammar of Words by Geert Booij covers a broad range of topics from structural questions to psycholinguistic issues and problems of language change. This introduction to morphology is thorough and accessible and, like other works by this renowned author, especially strong at showing the significance of empirical facts for theoretical reasoning.' Ingo Plag, University of Siegen 'A book that is fully comprehensive in its coverage as well as exemplary in its clarity, written by one of the major scholars of contemporary lexical theory.' Sergio Scalise, University of Bologna