The Science Of The Swastika

The first theoretically informed study of the relationship between an academic discipline and what the Nazis termed their Weltanschauung. The first study of Sinnbildforschung, German ideograph or swastika studies, though more broadly it tells the tale of the development of German antiquarian studies (ancient Germanic history, archaeology, anthropology, folklore, historical linguistics and philology) under the influence of radical right wing politics, and the contemporary construction of 'Germanicness' and its role in Nazi thought. The swastika and similar symbols were employed by the ancestors of the modern day Germans. As these had also become emblematic symbols of the forces of German reaction, Sinnbildforschung became intrinsically connected with the National Socialist regime after 1933 and disappeared along with the Third Reich in 1945.

A study of the Kaiser Wilhelm Gesellschaft in the Nazi period. Ch. 3 (p. 51-72), "From Accommodation to Passive Opposition, 1933-35," discusses the dismissal of Jews from the various institutes. Max Planck tried to protect his Jewish colleagues from the Nazi authorities, but in vain. The only act of resistance undertaken by the scientists was the Fritz Haber Memorial Ceremony in 1935 (Haber, a Jewish scientist, died in Switzerland in 1934); the Nazis reluctantly allowed it to be held.

Michael Stolleis is part of a younger generation and is determined to honestly confront the past in hopes of preventing the same injustices from happening in the future.

80 years ago the greatest mass murder of human beings of all time occurred in Nazi occupied Europe. This began with the mass extermination of patients with neurological and psychiatric disorders. This book is the only comprehensive and scholarly published work regarding the ethical and professional abuses of neuroscientists during the Nazi era.

In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.

"Forces even the most sophisticated to rethink and rework their ideas of how images work in the world."--School Library Journal.* Traces the history of the swastika, from religious symbol to reviled symbol * More than 175 illustrations * Powerful examination of the impact of one graphic symbol on society. This acclaimed examination of the most powerful symbol ever created is now available in paperback. The rise and fall of the swastika, and its mysteries and misunderstandings, are fully explained and explored. Readers will be captivated by the twists and turns of the symbol’s fortunes, from its pre-Nazi religious and commercial uses, to the Nazi appropriation and misuse of the form, to its contemporary applications as both a racist and an apolitical logo. In a new afterword, author Steven Heller discusses the controversy around ideas to ban the symbol and public reaction to the book since it was first published. This is a classic story, masterfully told, about how one graphic symbol can endure and influence culture for generations. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Norman Spinrad's 1972 alternate history, gives us both a metafictional what-if novel and a cutting satire of one of the 20th century's most evil regimes . . . In 1919, a young Austrian artist by the name of Adolf Hitler immigrated to the United States to become an illustrator for the pulp magazines and, eventually, a Hugo Award-winning SF author. This volume contains his greatest work, Lord of the Swastika: an epic post-apocalyptic tale of genetic 'trueman' Feric Jagger and his quest to purify the bloodline of humanity by ruthlessly slaughtering races of the genetically impure - a quest Norman Spinrad expertly skewers through ironic imagery and over-the-top rhetoric. Spinrad hoped to expose some unpalatable truths about much of SF and Fantasy literature and its uncomfortable relationship with fascist ideologies - an aim that was not always apparent to neo-fascist readers. In order to make his aims clear to the hard-of-understanding, Spinrad added an imaginary critical analysis by a fictional literary scholar, Homer Whipple, of New York University.