The Third Man S Vienna

Half a century after its opening, The Third Man remains an unquestioned masterpiece of film artistry and, for many, the greatest British movie ever made. Whether it is Harry Lime's magical first appearance or the celebrated cuckoo clock speech or the climactic chase through the sewers beneath Vienna or the haunting theme music of Anton Karas, the film contains some of the most memorable moments in screen history. Drawing on both contemporary documents and accounts of the people involved, In Search of The Third Man explores the many myths that over the years have grown around this extraordinary film, and seeks to unravel the facts from the fiction. .,."you'll want to read The Third Man...The story of the film's creation is as intriguing as the film itself" -Leonard Maltin, Playboy

Experience the thrilling search for the Third Man as you follow Harry Lime through the gloomy and treacherous streets of Vienna, a city divided by war and corruption. This undisputed spy classic is now available for the first time with video and photography from the film that inspired the novel. In this innovative new format, readers can see the development of Greene’s masterful writing in the original script of the movie, with extra content showcasing the film’s distinctive soundtrack and Oscar-winning cinematography. See clips and photos of Orson Welles embodying one of his most iconic characters alongside the text at key points. The unparalleled film and archive materials add new layers to the characters and the mystery at the heart of the story. This is a special digital edition to celebrate Studio Canal's restored edition of the film. It includes: - An array of film clips and stills embedded in the text of the novel - A large selection of behind-the-scenes photos from the archive, including candid photos of Orson Welles and the cast on set - Scans of the original post-production script

The setting is post-war Vienna, a once-beautiful city that was now nothing but war rubble. It's administered by the four victorious nations, Russia, France, Great Britain and the United States, and they all communicate with each other in the language of their former enemy. There's a somber mood, a feeling of decay and destruction throughout. And, of course there's a mystery, and lots of suspense, as the reader is swept into a story of intrigue, betrayal and constantly changing alliances. --Linda Linguvic at Amazon.com.

This book proposes new methodological tools and approaches in order to tease out and elicit the different facets of urban fragmentation through the medium of cinema and the moving image, as a contribution to our understanding of cities and their topographies. In doing so it makes a significant contribution to the literature in the growing field of cartographic cinema and urban cinematics, by charting the many trajectories and points of contact between film and its topographical context. Under the influence of new technologies, the opening and the availability of previously unexplored archives but also the contribution of new scholars with novel approaches in addition to new work by experienced academics, Cinematic Urban Geographies demonstrates how we can reread the cinematic past with a view to construct the urban present and anticipate its future.

This study explores how British identity has been explored and renegotiated by contemporary writers. It starts by examining the new emphasis on space and place that has emerged in recent cultural analysis, and shows how this spatial emphasis informs different literary texts. Having first analysed a series of novels that draw an implicit parallel between the end of the British Empire and the break-up of the unitary British state, the study explores how contemporary writing in Northern Ireland, Scotland and Wales contributes to a sense of nationhood in those places, and so contributes to the break-up of Britain symbolically. Dix argues that the break-up of Britain is not limited to political devolution in Northern Ireland, Scotland and Wales. It is also an imaginary process that can be found occurring on a number of other conceptual coordinates. Feminism, class, regional identities and ethnic communities are all terrains on which different writers carry out a fictional questioning of received notions of Britishness and so contribute in different ways to the break-up of Britain.

The Rough Guide to Vienna is the ultimate guide to one of Europe's most elegant and civilised capital cities. From the world-class art galleries and museums full of Art Nouveau and Modernist pieces to getting off the beaten track and exploring the narrow, cobbled backstreets of the Innere Stadt or the lively cafés and bars of the Naschmarkt area, this guide covers it all. Frank, incisive reviews take you straight to the best of the city's coffee houses, restaurants and nightlife venues, from the minimalist to the magnificently traditional, while tell-it-like-it-is listings help you find the right accommodation for your budget, whether that's a boutique hotel off Karlsplatz, a grand classic on the Ringstrasse, or just a perfect budget hideaway. With inspirational photography, neighbourhood-by-neighbourhood accounts and detailed, up-to-date maps, The Rough Guide to Vienna is the perfect companion for a weekend away or a longer city break. Make the most of your holiday with The Rough Guide to Vienna.

Informative, broad-ranging, this title sheds new light on the life and literary art of one of the last century's most celebrated authors. The first volume to be authorized by the Graham Greene Birthplace Trust, "Dangerous Edges of Graham Greene" brings together writers, journalists and scholars to investigate as well as to assess Greene's prolific oeuvre and intense personal interests. Here the reader may explore everything from Greene's Vienna at the time of the filming of "The Third Man" to his sometimes fraught relationship with Evelyn Waugh, from Greene's unconventional fictional treatment of women to his "believing skepticism". While Greene often informed friends that "a ruling passion gives to a shelf of novels the unity of a system", critics of his literary art have found it extraordinarily difficult to define the content of this "ruling passion". Perhaps this is because Greene's own character seems so paradoxical, ironic even. Moreover, in believing that sin contains within itself the seeds of saintliness, he consistently loiters on what Robert Browning calls "the dangerous edge of things". In exploring this "dangerous edge", this book covers the full breadth of Greene's life and literary career.