The Trauma Cleaner

Winner of the Victorian Prize for Literature, Sarah Krasnostein’s The Trauma Cleaner: One Woman’s Extraordinary Life in the Business of Death, Decay, and Disaster is the fascinating biography of one of the people responsible for tidying up homes in the wake of natural—and unnatural—catastrophes and fatalities. Homicides and suicides, fires and floods, hoarders and addicts. When properties are damaged or neglected, it falls to Sandra Pankhurst, founder of Specialized Trauma Cleaning (STC) Services Pty. Ltd. to sift through the ashes or sweep up the mess of a person’s life or death. Her clients include law enforcement, real estate agents, executors of deceased estates, and charitable organizations representing victimized, mentally ill, elderly, and physically disabled people. In houses and buildings that have fallen into disrepair, Sandra airs out residents’ smells, throws out their weird porn, their photos, their letters, the last traces of their DNA entombed in soaps and toothbrushes. The remnants and mementoes of these people’s lives resonate with Sandra. Before she began professionally cleaning up their traumas, she experienced her own. First, as a little boy, raised in violence and excluded from the family home. Then as a husband and father, drag queen, gender reassignment patient, sex worker, small businesswoman, and trophy wife. In each role she played, all Sandra wanted to do was belong. The Trauma Cleaner is the extraordinary true story of an extraordinary person dedicated to making order out of chaos with compassion, revealing the common ground Sandra Pankhurst—and everyone—shares with those struck by tragedy.

Winner, The 2018 Victorian Prize for Literature, and the Prize for Non-Fiction Before she was a trauma cleaner, Sandra Pankhurst was many things: husband and father, drag queen, gender reassignment patient, sex worker, small businesswoman, trophy wife... But as a little boy, raised in violence and excluded from the family home, she just wanted to belong. Now she believes her clients deserve no less. A woman who sleeps among garbage she has not put out for forty years. A man who bled quietly to death in his loungeroom. A woman who lives with rats, random debris and terrified delusion. The still life of a home vacated by accidental overdose. Sarah Krasnostein has watched the extraordinary Sandra Pankhurst bring order and care to these, the living and the dead—and the book she has written is equally extraordinary. Not just the compelling story of a fascinating life among lives of desperation, but an affirmation that, as isolated as we may feel, we are all in this together. Sarah Krasnostein is a writer. She is admitted to legal practice in Australia and America, and holds a doctorate in criminal law. She is the best-selling author of The Trauma Cleaner which won the Victorian Prize for Literature, the Victorian Premier’s Prize for Non-Fiction, the Australian Book Industry Award for General Non-Fiction, the Dobbie Literary Award, jointly won the Douglas Stewart Prize for non-fiction at the NSW Premier’s Literary Awards, was longlisted for the Walkley Book Award and was shortlisted for the National Biography Award, the Melbourne Prize for Literature and the Wellcome Book Prize (UK). Her work has appeared in a variety of publications and academic journals in Australia, the UK and America. ‘Amazing...I couldn’t put this book down, and I can’t wait to recommend it to everyone I know.’ Readings ‘A book that is as hard to read as it is hard to put down. A story of pain and loss and loneliness, of trauma and transformations and sassy humour. And cleaning...It is a hilarious and poignant tale of a woman who defies all labels...Krasnostein is a very fine writer. Her debut book is a compelling and honest story of human survival, and love.’ Australian ‘Krasnostein’s playful yet heartfelt debut is one of the most arresting works of biography you will read in a long time.’ Guardian ‘A wondrous portrait of an inspiring character.’ Saturday Paper ‘[Pankurst’s] story is probably one of the most touching, thoughtful and thought-provoking you will ever read...Sarah Krasnostein tells it with moving compassion, even love.’ New Zealand Herald ‘An extraordinarily impressive debut, in terms of both quality of writing and treatment of the subject matter...Krasnostein handles her material with respect, grace and compassion.’ Sydney Morning Herald ‘Compelling reading...This book reads like an unabashed love letter to Pankhurst with the first-time author, embedded for years in her subject’s life, effusive in her adoration.’ Courier-Mail ‘Deep empathy for complex individuals...Explore[s] the best and worst of who we are.’ Graeme Simsion, Sydney Morning Herald’s Year in Reading 2017 ‘One of the strangest, most fascinating books I’ve read, and a standout of the year. Krasnostein’s command of language is exquisite, and the complexity of Sandra Pankhurst’s life story unfolds seamlessly with the current-day narrative of her unique business and the people she meets with it.’ Feminist Writers Festival, Favourite Reads of 2017 ‘Deeply moving...The book reads as a love letter from Krasnostein to Sandra...I treasured every word.’ Australian Women’s Weekly ‘Intriguing...A complex protagonist makes for engaging material.’ Publishers Weekly

A captivating blend of history, women in science, and true crime, 18 Tiny Deaths tells the story of how one woman changed the face of forensics forever. Frances Glessner Lee, born a socialite to a wealthy and influential Chicago family in the 1870s, was never meant to have a career, let alone one steeped in death and depravity. Yet she developed a fascination with the investigation of violent crimes, and made it her life's work. Best known for creating the Nutshell Studies of Unexplained Death, a series of dollhouses that appear charming—until you notice the macabre little details: an overturned chair, or a blood-spattered comforter. And then, of course, there are the bodies—splayed out on the floor, draped over chairs—clothed in garments that Lee lovingly knit with sewing pins. 18 Tiny Deaths, by official biographer Bruce Goldfarb, delves into Lee's journey from grandmother without a college degree to leading the scientific investigation of unexpected death out of the dark confines of centuries-old techniques and into the light of the modern day. Lee developed a system that used the Nutshells dioramas to train law enforcement officers to investigate violent crimes, and her methods are still used today. The story of a woman whose ambition and accomplishments far exceeded the expectations of her time, 18 Tiny Deaths follows the transformation of a young, wealthy socialite into the mother of modern forensics... "Eye-opening biography of Frances Glessner Lee, who brought American medical forensics into the scientific age...genuinely compelling."—Kirkus Reviews "A captivating portrait of a feminist hero and forensic pioneer." —Booklist

An expanded and revised edition of the first social work text to focus specifically on the theoretical and clinical issues associated with trauma, this comprehensive anthology incorporates the latest research in trauma theory and clinical applications. It presents key developments in the conceptualization of trauma and covers a wide range of clinical treatments. Trauma features coverage of emerging therapeutic modalities and clinical themes, focusing on the experiences of historically disenfranchised, marginalized, oppressed, and vulnerable groups. Clinical chapters discuss populations and themes including cultural and historical trauma among Native Americans, the impact of bullying on children and adolescents, the use of art therapy with traumatically bereaved children, historical and present-day trauma experiences of incarcerated African American women, and the effects of trauma treatment on the therapist. Other chapters examine trauma-related interventions derived from diverse theoretical frameworks, such as cognitive-behavioral theory, attachment theory, mindfulness theory, and psychoanalytic theory.

Neal Smither doesn't hide his work. The side of his van reads: "Crime Scene Cleaners: Homicides, Suicides and Accidental Death." Whenever a hotel guest permanently checks out, the cops finish an investigation, or an accidental death is reported, Smither's crew pick up the pieces after the police cruisers and ambulances have left. Alan Emmins offers a glimpse at this little-known aspect of America's most gruesome deaths. Filled with details as fascinating as they are gory, Mop Men examines not just the public fascination with murder but also how a self-made success like Smither can make a fortune just by praying for death.

“Deeply beautiful, and never simple.” — James Gleick, author of Time Travel: A History An unforgettable tour of the human condition that explores our universal need for belief to help us make sense of life, death, and everything in between. For Sarah Krasnostein it begins with a Mennonite choir on a subway platform, a fleeting moment of witness that sets her on a fascinating journey to discover why people need to believe in absolute truths and what happens when their beliefs crash into her own. Some of the people Krasnostein interviews believe in things many people do not: ghosts, UFOs, the literal creation of the universe in six days. Some believe in things most people would like to: dying with dignity and autonomy; facing up to our transgressions with truthfulness; living with integrity and compassion. By turns devastating and uplifting, and captured in snapshot-vivid detail, these six profiles — a death doula, a geologist who believes the world is six thousand years old, a lecturer in neurobiology who spends his weekends ghost hunting, the fiancé of a disappeared pilot and UFO enthusiasts, a woman incarcerated for killing her husband after suffering years of domestic violence, and Mennonite families in New York — will leave you convinced that the most ordinary-seeming people are often the most remarkable and that deep and abiding commonalities can be found within the greatest differences. Vivid, unconventional, entertaining, and full of wonder, The Believer interweaves these stories with compassion and empathy, culminating in an unforgettable tour of the human condition that cuts to the core of who we are as people, and what we’re doing on this earth.

A look into the disturbing but fascinating new field of bio-recovery, as a critically acclaimed crime writer rolls up his sleeves and delves into the world of Aftermath, Inc. The best way to understand the world of Aftermath, Inc. is to imagine life before it. Grief-stricken families of suicide or homicide victims were left to cope on their own. Sometimes police would leave a can of ground coffee behind to soak up the mess. Sometimes local church groups offered to help with the horrific chaos of the scene. Into this void stepped Tim Reifsteck and Chris Wilson, who filled a desperate need by founding their bio-remediation company. Gil Reavill traces their history, introducing us to their clients and employees, and the cops, coroners, and detectives they encounter in their work. Their stories are stranger than fiction, and utterly human and compelling.

"Only after her mother's death does Susannah Walker discover how much of a hoarder she had become. Over the following months, sorting through a dilapidated house filled to the brim with rubbish and treasures, she goes in search of a woman she'd never really known in life. Hoping to piece together her mother's story and make sense of their troubled relationship, what emerges from the mess of scattered papers, discarded photographs and an extraordinary amount of stuff is the history of a sad and fractured family, haunted by dead children, divorce and alcohol."--